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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 24 170 93 it is the complementary color RGB 231 85 162. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 24 170 93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 24 170 93: RGB 29 170 88, RGB 46 188 107, RGB 63 206 126, RGB 80 224 145 and RGB 97 242 164

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 24 170 93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 24 170 93: RGB 24 170 93, RGB 7 152 74, RGB 0 134 55, RGB 0 116 36 and RGB 0 98 17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 45 / 33

HEX #18AA5D

RGB 24 170 93

HSL 148.36, 0.75%, 0.38%

LAB 61.42, -53.53, 29.71

 

Complementary color

CMYK 0 / 63 / 30 / 9

HEX #E755A2

RGB 231 85 162

HSL 328.36, 0.75%, 0.62%

LAB 58.13, 63.51, -11.72

 

CMYK 83 / 0 / 48 / 33

HEX #1DAA58

RGB 29 170 88

HSL 145.11, 0.71%, 0.39%

LAB 61.41, -53.93, 32.3

 

CMYK 76 / 0 / 43 / 26

HEX #2EBC6B

RGB 46 188 107

HSL 145.77, 0.61%, 0.46%

LAB 67.73, -55.02, 30.63

 

CMYK 69 / 0 / 39 / 19

HEX #3FCE7E

RGB 63 206 126

HSL 146.43, 0.59%, 0.53%

LAB 74, -55.69, 29.08

 

CMYK 64 / 0 / 35 / 12

HEX #50E091

RGB 80 224 145

HSL 147.08, 0.7%, 0.6%

LAB 80.21, -56.08, 27.65

 

CMYK 60 / 0 / 32 / 5

HEX #61F2A4

RGB 97 242 164

HSL 147.72, 0.85%, 0.66%

LAB 86.37, -56.27, 26.32

 

CMYK 86 / 0 / 45 / 33

HEX #18AA5D

RGB 24 170 93

HSL 148.36, 0.75%, 0.38%

LAB 61.42, -53.53, 29.71

 

CMYK 95 / 0 / 51 / 40

HEX #07984A

RGB 7 152 74

HSL 147.72, 0.91%, 0.31%

LAB 55.07, -51.71, 31.53

 

CMYK 100 / 0 / 59 / 47

HEX #008637

RGB 0 134 55

HSL 144.63, 1%, 0.26%

LAB 48.67, -49.05, 33.44

 

CMYK 100 / 0 / 69 / 55

HEX #007424

RGB 0 116 36

HSL 138.62, 1%, 0.23%

LAB 42.18, -45.65, 35.19

 

CMYK 100 / 0 / 83 / 62

HEX #006211

RGB 0 98 17

HSL 130.41, 1%, 0.19%

LAB 35.55, -41.73, 36.21

 

CMYK 86 / 0 / 45 / 33

HEX #18AA5D

RGB 24 170 93

HSL 148.36, 0.75%, 0.38%

LAB 61.42, -53.53, 29.71

 

CMYK 86 / 0 / 31 / 34

HEX #18A974

RGB 24 169 116

HSL 158.07, 0.75%, 0.38%

LAB 61.51, -48.47, 17.45

 

CMYK 86 / 0 / 17 / 34

HEX #18A98C

RGB 24 169 140

HSL 168, 0.75%, 0.38%

LAB 62.05, -42.56, 4.9

 

CMYK 86 / 0 / 3 / 34

HEX #18A9A4

RGB 24 169 164

HSL 177.93, 0.75%, 0.38%

LAB 62.72, -35.76, -7.56

 

CMYK 86 / 11 / 0 / 34

HEX #1896A9

RGB 24 150 169

HSL 187.86, 0.75%, 0.38%

LAB 56.95, -24.96, -19.07

 

CMYK 86 / 0 / 45 / 33

HEX #18AA5D

RGB 24 170 93

HSL 148.36, 0.75%, 0.38%

LAB 61.42, -53.53, 29.71

 

CMYK 86 / 0 / 45 / 13

HEX #1FDD79

RGB 31 221 121

HSL 148.42, 0.75%, 0.49%

LAB 78.1, -65.66, 36.87

 

CMYK 88 / 0 / 47 / 93

HEX #021109

RGB 2 17 9

HSL 148, 0.79%, 0.04%

LAB 3.92, -5.62, 2.07

 

CMYK 85 / 0 / 46 / 73

HEX #0A4425

RGB 10 68 37

HSL 147.93, 0.74%, 0.15%

LAB 24.74, -26.39, 13.75

 

CMYK 86 / 0 / 45 / 53

HEX #117741

RGB 17 119 65

HSL 148.24, 0.75%, 0.27%

LAB 43.79, -40.61, 22.08

 

CMYK 86 / 0 / 45 / 33

HEX #18AA5D

RGB 24 170 93

HSL 148.36, 0.75%, 0.38%

LAB 61.42, -53.53, 29.71

 

CMYK 86 / 57 / 0 / 34

HEX #1848A9

RGB 24 72 169

HSL 220.14, 0.75%, 0.38%

LAB 33.34, 22.24, -56.37

 

CMYK 0 / 80 / 86 / 34

HEX #A92118

RGB 169 33 24

HSL 3.72, 0.75%, 0.38%

LAB 37.09, 53.25, 40.45

 

CMYK 86 / 0 / 45 / 33

HEX #18AA5D

RGB 24 170 93

HSL 148.36, 0.75%, 0.38%

LAB 61.42, -53.53, 29.71

 

CMYK 46 / 86 / 0 / 34

HEX #5C18A9

RGB 92 24 169

HSL 268.14, 0.75%, 0.38%

LAB 28.88, 56.68, -63.46

 

CMYK 0 / 46 / 86 / 34

HEX #A95C18

RGB 169 92 24

HSL 28.14, 0.75%, 0.38%

LAB 47.18, 26.82, 49.13

 

CMYK 86 / 0 / 45 / 33

HEX #18AA5D

RGB 24 170 93

HSL 148.36, 0.75%, 0.38%

LAB 61.42, -53.53, 29.71

 

CMYK 86 / 57 / 0 / 34

HEX #1848A9

RGB 24 72 169

HSL 220.14, 0.75%, 0.38%

LAB 33.34, 22.24, -56.37

 

CMYK 0 / 86 / 40 / 34

HEX #A91865

RGB 169 24 101

HSL 328.14, 0.75%, 0.38%

LAB 37.89, 60.25, -6.18

 

CMYK 0 / 28 / 86 / 34

HEX #A97918

RGB 169 121 24

HSL 40.14, 0.75%, 0.38%

LAB 54.21, 10.57, 55.06

 

CMYK 86 / 0 / 45 / 33

HEX #18AA5D

RGB 24 170 93

HSL 148.36, 0.75%, 0.38%

LAB 61.42, -53.53, 29.71

 

CMYK 86 / 83 / 0 / 34

HEX #181DA9

RGB 24 29 169

HSL 237.93, 0.75%, 0.38%

LAB 23.46, 48.81, -72.62

 

CMYK 0 / 86 / 40 / 34

HEX #A91865

RGB 169 24 101

HSL 328.14, 0.75%, 0.38%

LAB 37.89, 60.25, -6.18

 

CMYK 0 / 3 / 86 / 34

HEX #A9A418

RGB 169 164 24

HSL 57.93, 0.75%, 0.38%

LAB 65.79, -12.86, 64.66

 

Description

Color code: RGB 24 170 93 | qconv.com Color code: RGB 24 170 93 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 170 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 170 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 45 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 45% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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