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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 249 78 190 it is the complementary color RGB 6 177 65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 249 78 190. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 249 78 190: RGB 254 78 185, RGB 255 96 204, RGB 255 114 223, RGB 255 132 242 and RGB 255 150 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 249 78 190. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 249 78 190: RGB 249 78 190, RGB 232 60 171, RGB 215 42 152, RGB 198 24 133 and RGB 181 6 114

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 24 / 2

HEX #F94EBE

RGB 249 78 190

HSL 320.7, 0.93%, 0.64%

LAB 61.05, 74.41, -23.16

 

Complementary color

CMYK 97 / 0 / 63 / 31

HEX #06B141

RGB 6 177 65

HSL 140.7, 0.93%, 0.36%

LAB 63.23, -61.18, 45.57

 

CMYK 0 / 69 / 27 / 0

HEX #FE4EB9

RGB 254 78 185

HSL 323.52, 0.99%, 0.65%

LAB 61.67, 75.07, -19.28

 

CMYK 0 / 62 / 20 / 0

HEX #FF60CC

RGB 255 96 204

HSL 319.25, 1%, 0.69%

LAB 64.95, 71.04, -25.05

 

CMYK 0 / 55 / 13 / 0

HEX #FF72DF

RGB 255 114 223

HSL 313.62, 1%, 0.72%

LAB 68.48, 66.16, -30.25

 

CMYK 0 / 48 / 5 / 0

HEX #FF84F2

RGB 255 132 242

HSL 306.34, 1%, 0.76%

LAB 72.34, 60.89, -34.74

 

CMYK 0 / 41 / 0 / 0

HEX #FF96FF

RGB 255 150 255

HSL 300, 1%, 0.79%

LAB 76.25, 54.33, -35.75

 

CMYK 0 / 69 / 24 / 2

HEX #F94EBE

RGB 249 78 190

HSL 320.7, 0.93%, 0.64%

LAB 61.05, 74.41, -23.16

 

CMYK 0 / 74 / 26 / 9

HEX #E83CAB

RGB 232 60 171

HSL 321.28, 0.79%, 0.57%

LAB 55.41, 73.78, -21.08

 

CMYK 0 / 80 / 29 / 16

HEX #D72A98

RGB 215 42 152

HSL 321.85, 0.68%, 0.5%

LAB 49.94, 72.5, -18.49

 

CMYK 0 / 88 / 33 / 22

HEX #C61885

RGB 198 24 133

HSL 322.41, 0.78%, 0.44%

LAB 44.73, 70.31, -15.24

 

CMYK 0 / 97 / 37 / 29

HEX #B50672

RGB 181 6 114

HSL 322.97, 0.94%, 0.37%

LAB 39.86, 66.94, -11.18

 

CMYK 0 / 69 / 24 / 2

HEX #F94EBE

RGB 249 78 190

HSL 320.7, 0.93%, 0.64%

LAB 61.05, 74.41, -23.16

 

CMYK 0 / 69 / 34 / 3

HEX #F84DA3

RGB 248 77 163

HSL 329.82, 0.92%, 0.64%

LAB 59.81, 71.36, -9.5

 

CMYK 0 / 69 / 46 / 3

HEX #F84D86

RGB 248 77 134

HSL 340, 0.92%, 0.64%

LAB 58.96, 68.51, 6.2

 

CMYK 0 / 69 / 57 / 3

HEX #F84D6A

RGB 248 77 106

HSL 349.82, 0.92%, 0.64%

LAB 58.33, 66.32, 21.74

 

CMYK 0 / 69 / 69 / 3

HEX #F84D4D

RGB 248 77 77

HSL 0, 0.92%, 0.64%

LAB 57.85, 64.65, 37.84

 

CMYK 0 / 69 / 24 / 2

HEX #F94EBE

RGB 249 78 190

HSL 320.7, 0.93%, 0.64%

LAB 61.05, 74.41, -23.16

 

CMYK 0 / 69 / 24 / 82

HEX #2D0E22

RGB 45 14 34

HSL 321.29, 0.53%, 0.12%

LAB 8.89, 18.92, -6.32

 

CMYK 0 / 69 / 24 / 62

HEX #601E49

RGB 96 30 73

HSL 320.91, 0.52%, 0.25%

LAB 23.33, 34.86, -11.21

 

CMYK 0 / 69 / 24 / 42

HEX #932E70

RGB 147 46 112

HSL 320.79, 0.52%, 0.38%

LAB 36.61, 48.95, -15.47

 

CMYK 0 / 69 / 24 / 22

HEX #C63E97

RGB 198 62 151

HSL 320.74, 0.54%, 0.51%

LAB 49.11, 62.02, -19.42

 

CMYK 0 / 69 / 24 / 2

HEX #F94EBE

RGB 249 78 190

HSL 320.7, 0.93%, 0.64%

LAB 61.05, 74.41, -23.16

 

CMYK 0 / 32 / 69 / 3

HEX #F8A84D

RGB 248 168 77

HSL 31.93, 0.92%, 0.64%

LAB 75.14, 21.42, 57.32

 

CMYK 69 / 0 / 4 / 3

HEX #4DF8ED

RGB 77 248 237

HSL 176.14, 0.92%, 0.64%

LAB 89.31, -45.22, -7.39

 

CMYK 0 / 69 / 24 / 2

HEX #F94EBE

RGB 249 78 190

HSL 320.7, 0.93%, 0.64%

LAB 61.05, 74.41, -23.16

 

CMYK 23 / 0 / 69 / 3

HEX #BFF84D

RGB 191 248 77

HSL 80, 0.92%, 0.64%

LAB 91.12, -41.58, 72.44

 

CMYK 69 / 23 / 0 / 3

HEX #4DBFF8

RGB 77 191 248

HSL 200, 0.92%, 0.64%

LAB 73.3, -14.52, -37.54

 

CMYK 0 / 69 / 24 / 2

HEX #F94EBE

RGB 249 78 190

HSL 320.7, 0.93%, 0.64%

LAB 61.05, 74.41, -23.16

 

CMYK 0 / 32 / 69 / 3

HEX #F8A84D

RGB 248 168 77

HSL 31.93, 0.92%, 0.64%

LAB 75.14, 21.42, 57.32

 

CMYK 69 / 0 / 46 / 3

HEX #4DF886

RGB 77 248 134

HSL 140, 0.92%, 0.64%

LAB 87.21, -67.29, 42.27

 

CMYK 69 / 37 / 0 / 3

HEX #4D9DF8

RGB 77 157 248

HSL 211.93, 0.92%, 0.64%

LAB 63.73, 4.4, -52.56

 

CMYK 0 / 69 / 24 / 2

HEX #F94EBE

RGB 249 78 190

HSL 320.7, 0.93%, 0.64%

LAB 61.05, 74.41, -23.16

 

CMYK 0 / 11 / 69 / 3

HEX #F8DC4D

RGB 248 220 77

HSL 50.18, 0.92%, 0.64%

LAB 87.81, -5.51, 70.46

 

CMYK 69 / 0 / 46 / 3

HEX #4DF886

RGB 77 248 134

HSL 140, 0.92%, 0.64%

LAB 87.21, -67.29, 42.27

 

CMYK 69 / 57 / 0 / 3

HEX #4D6AF8

RGB 77 106 248

HSL 229.82, 0.92%, 0.64%

LAB 50.29, 35.3, -74.15

 

Description

Color code: RGB 249 78 190 | qconv.com Color code: RGB 249 78 190 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 78 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 78 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 24 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 24% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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