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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 249 56 88 it is the complementary color RGB 6 199 167. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 249 56 88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 249 56 88: RGB 254 56 83, RGB 255 74 102, RGB 255 92 121, RGB 255 110 140 and RGB 255 128 159

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 249 56 88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 249 56 88: RGB 249 56 88, RGB 232 38 69, RGB 215 20 50, RGB 198 2 31 and RGB 181 0 12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 65 / 2

HEX #F93858

RGB 249 56 88

HSL 350.05, 0.94%, 0.6%

LAB 55.76, 72.27, 28.98

 

Complementary color

CMYK 97 / 0 / 16 / 22

HEX #06C7A7

RGB 6 199 167

HSL 170.05, 0.94%, 0.4%

LAB 72.01, -48.76, 4.4

 

CMYK 0 / 78 / 67 / 0

HEX #FE3853

RGB 254 56 83

HSL 351.82, 0.99%, 0.61%

LAB 56.61, 73.38, 33.16

 

CMYK 0 / 71 / 60 / 0

HEX #FF4A66

RGB 255 74 102

HSL 350.72, 1%, 0.65%

LAB 59.08, 69.18, 25.3

 

CMYK 0 / 64 / 53 / 0

HEX #FF5C79

RGB 255 92 121

HSL 349.33, 1%, 0.68%

LAB 61.91, 63.79, 18.08

 

CMYK 0 / 57 / 45 / 0

HEX #FF6E8C

RGB 255 110 140

HSL 347.59, 1%, 0.72%

LAB 65.2, 57.74, 11.75

 

CMYK 0 / 50 / 38 / 0

HEX #FF809F

RGB 255 128 159

HSL 345.35, 1%, 0.75%

LAB 68.9, 51.27, 6.24

 

CMYK 0 / 78 / 65 / 2

HEX #F93858

RGB 249 56 88

HSL 350.05, 0.94%, 0.6%

LAB 55.76, 72.27, 28.98

 

CMYK 0 / 84 / 70 / 9

HEX #E82645

RGB 232 38 69

HSL 350.41, 0.81%, 0.53%

LAB 50.65, 71.24, 33.14

 

CMYK 0 / 91 / 77 / 16

HEX #D71432

RGB 215 20 50

HSL 350.77, 0.83%, 0.46%

LAB 45.88, 69.32, 37.91

 

CMYK 0 / 99 / 84 / 22

HEX #C6021F

RGB 198 2 31

HSL 351.12, 0.98%, 0.39%

LAB 41.45, 66.44, 42.98

 

CMYK 0 / 100 / 93 / 29

HEX #B5000C

RGB 181 0 12

HSL 356.02, 1%, 0.35%

LAB 37.57, 62.06, 47.35

 

CMYK 0 / 78 / 65 / 2

HEX #F93858

RGB 249 56 88

HSL 350.05, 0.94%, 0.6%

LAB 55.76, 72.27, 28.98

 

CMYK 0 / 77 / 77 / 3

HEX #F83939

RGB 248 57 57

HSL 0, 0.93%, 0.6%

LAB 55.26, 70.39, 45.96

 

CMYK 0 / 64 / 77 / 3

HEX #F85939

RGB 248 89 57

HSL 10.05, 0.93%, 0.6%

LAB 59.34, 59.16, 50.19

 

CMYK 0 / 51 / 77 / 3

HEX #F87939

RGB 248 121 57

HSL 20.1, 0.93%, 0.6%

LAB 64.9, 44.65, 55.79

 

CMYK 0 / 38 / 77 / 3

HEX #F89939

RGB 248 153 57

HSL 30.16, 0.93%, 0.6%

LAB 71.58, 28.39, 62.3

 

CMYK 0 / 78 / 65 / 2

HEX #F93858

RGB 249 56 88

HSL 350.05, 0.94%, 0.6%

LAB 55.76, 72.27, 28.98

 

CMYK 0 / 78 / 64 / 82

HEX #2D0A10

RGB 45 10 16

HSL 349.71, 0.64%, 0.11%

LAB 7.34, 18.49, 4.37

 

CMYK 0 / 77 / 65 / 62

HEX #601622

RGB 96 22 34

HSL 350.27, 0.63%, 0.23%

LAB 20.74, 33.87, 12

 

CMYK 0 / 78 / 65 / 42

HEX #932134

RGB 147 33 52

HSL 350, 0.63%, 0.35%

LAB 33, 47.69, 17.96

 

CMYK 0 / 77 / 65 / 22

HEX #C62D46

RGB 198 45 70

HSL 350.2, 0.63%, 0.48%

LAB 44.7, 60.16, 23.68

 

CMYK 0 / 78 / 65 / 2

HEX #F93858

RGB 249 56 88

HSL 350.05, 0.94%, 0.6%

LAB 55.76, 72.27, 28.98

 

CMYK 2 / 0 / 77 / 3

HEX #F2F839

RGB 242 248 57

HSL 61.88, 0.93%, 0.6%

LAB 94.44, -22.54, 83.17

 

CMYK 77 / 33 / 0 / 3

HEX #39A5F8

RGB 57 165 248

HSL 206.07, 0.93%, 0.6%

LAB 65.4, -2.73, -49.94

 

CMYK 0 / 78 / 65 / 2

HEX #F93858

RGB 249 56 88

HSL 350.05, 0.94%, 0.6%

LAB 55.76, 72.27, 28.98

 

CMYK 64 / 0 / 77 / 3

HEX #59F839

RGB 89 248 57

HSL 109.95, 0.93%, 0.6%

LAB 86.78, -73.29, 73.29

 

CMYK 77 / 64 / 0 / 3

HEX #3959F8

RGB 57 89 248

HSL 229.95, 0.93%, 0.6%

LAB 45.35, 43.51, -82.27

 

CMYK 0 / 78 / 65 / 2

HEX #F93858

RGB 249 56 88

HSL 350.05, 0.94%, 0.6%

LAB 55.76, 72.27, 28.98

 

CMYK 2 / 0 / 77 / 3

HEX #F2F839

RGB 242 248 57

HSL 61.88, 0.93%, 0.6%

LAB 94.44, -22.54, 83.17

 

CMYK 77 / 0 / 13 / 3

HEX #39F8D8

RGB 57 248 216

HSL 169.95, 0.93%, 0.6%

LAB 88.43, -52.93, 2.22

 

CMYK 75 / 77 / 0 / 3

HEX #3F39F8

RGB 63 57 248

HSL 241.88, 0.93%, 0.6%

LAB 39.17, 61.82, -92.43

 

CMYK 0 / 78 / 65 / 2

HEX #F93858

RGB 249 56 88

HSL 350.05, 0.94%, 0.6%

LAB 55.76, 72.27, 28.98

 

CMYK 26 / 0 / 77 / 3

HEX #B8F839

RGB 184 248 57

HSL 80.1, 0.93%, 0.6%

LAB 90.61, -45.21, 78.26

 

CMYK 77 / 0 / 13 / 3

HEX #39F8D8

RGB 57 248 216

HSL 169.95, 0.93%, 0.6%

LAB 88.43, -52.93, 2.22

 

CMYK 51 / 77 / 0 / 3

HEX #7939F8

RGB 121 57 248

HSL 260.1, 0.93%, 0.6%

LAB 43.9, 67.6, -84.48

 

Description

Color code: RGB 249 56 88 | qconv.com Color code: RGB 249 56 88 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 56 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 56 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 65 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 65% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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