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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 249 51 167 it is the complementary color RGB 6 204 88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 249 51 167. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 249 51 167: RGB 254 51 162, RGB 255 69 181, RGB 255 87 200, RGB 255 105 219 and RGB 255 123 238

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 249 51 167. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 249 51 167: RGB 249 51 167, RGB 232 33 148, RGB 215 15 129, RGB 198 0 110 and RGB 181 0 91

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 33 / 2

HEX #F933A7

RGB 249 51 167

HSL 324.85, 0.94%, 0.59%

LAB 57.36, 79.8, -15.49

 

Complementary color

CMYK 97 / 0 / 57 / 20

HEX #06CC58

RGB 6 204 88

HSL 144.85, 0.94%, 0.41%

LAB 72.18, -66.59, 45.46

 

CMYK 0 / 80 / 36 / 0

HEX #FE33A2

RGB 254 51 162

HSL 327.19, 0.99%, 0.6%

LAB 58.08, 80.45, -11.4

 

CMYK 0 / 73 / 29 / 0

HEX #FF45B5

RGB 255 69 181

HSL 323.87, 1%, 0.64%

LAB 60.65, 77.78, -18.52

 

CMYK 0 / 66 / 22 / 0

HEX #FF57C8

RGB 255 87 200

HSL 319.64, 1%, 0.67%

LAB 63.55, 73.97, -24.94

 

CMYK 0 / 59 / 14 / 0

HEX #FF69DB

RGB 255 105 219

HSL 314.4, 1%, 0.71%

LAB 66.88, 69.45, -30.49

 

CMYK 0 / 52 / 7 / 0

HEX #FF7BEE

RGB 255 123 238

HSL 307.73, 1%, 0.74%

LAB 70.59, 64.44, -35.26

 

CMYK 0 / 80 / 33 / 2

HEX #F933A7

RGB 249 51 167

HSL 324.85, 0.94%, 0.59%

LAB 57.36, 79.8, -15.49

 

CMYK 0 / 86 / 36 / 9

HEX #E82194

RGB 232 33 148

HSL 325.33, 0.81%, 0.52%

LAB 52.27, 77.83, -12.28

 

CMYK 0 / 93 / 40 / 16

HEX #D70F81

RGB 215 15 129

HSL 325.8, 0.87%, 0.45%

LAB 47.46, 74.87, -8.36

 

CMYK 0 / 100 / 44 / 22

HEX #C6006E

RGB 198 0 110

HSL 326.67, 1%, 0.39%

LAB 42.96, 70.86, -3.69

 

CMYK 0 / 100 / 50 / 29

HEX #B5005B

RGB 181 0 91

HSL 329.83, 1%, 0.35%

LAB 38.86, 65.53, 1.91

 

CMYK 0 / 80 / 33 / 2

HEX #F933A7

RGB 249 51 167

HSL 324.85, 0.94%, 0.59%

LAB 57.36, 79.8, -15.49

 

CMYK 0 / 79 / 45 / 3

HEX #F83489

RGB 248 52 137

HSL 333.98, 0.93%, 0.59%

LAB 56.31, 76.45, 0.59

 

CMYK 0 / 79 / 58 / 3

HEX #F83468

RGB 248 52 104

HSL 344.08, 0.93%, 0.59%

LAB 55.49, 73.99, 19.11

 

CMYK 0 / 79 / 71 / 3

HEX #F83447

RGB 248 52 71

HSL 354.18, 0.93%, 0.59%

LAB 54.94, 72.27, 37.81

 

CMYK 0 / 74 / 79 / 3

HEX #F84134

RGB 248 65 52

HSL 3.98, 0.93%, 0.59%

LAB 56.07, 67.81, 49.42

 

CMYK 0 / 80 / 33 / 2

HEX #F933A7

RGB 249 51 167

HSL 324.85, 0.94%, 0.59%

LAB 57.36, 79.8, -15.49

 

CMYK 0 / 80 / 33 / 82

HEX #2D091E

RGB 45 9 30

HSL 325, 0.67%, 0.11%

LAB 7.65, 21.04, -5.14

 

CMYK 0 / 79 / 33 / 62

HEX #601440

RGB 96 20 64

HSL 325.26, 0.66%, 0.23%

LAB 21.42, 37.78, -7.96

 

CMYK 0 / 80 / 33 / 42

HEX #931E63

RGB 147 30 99

HSL 324.62, 0.66%, 0.35%

LAB 34.05, 52.95, -11.11

 

CMYK 0 / 79 / 33 / 22

HEX #C62985

RGB 198 41 133

HSL 324.84, 0.66%, 0.47%

LAB 46.02, 66.6, -13.28

 

CMYK 0 / 80 / 33 / 2

HEX #F933A7

RGB 249 51 167

HSL 324.85, 0.94%, 0.59%

LAB 57.36, 79.8, -15.49

 

CMYK 0 / 31 / 79 / 3

HEX #F8AA34

RGB 248 170 52

HSL 36.12, 0.93%, 0.59%

LAB 75.42, 19.3, 67.79

 

CMYK 79 / 0 / 0 / 3

HEX #34F8F8

RGB 52 248 248

HSL 180, 0.93%, 0.59%

LAB 89.23, -44.81, -13.29

 

CMYK 0 / 80 / 33 / 2

HEX #F933A7

RGB 249 51 167

HSL 324.85, 0.94%, 0.59%

LAB 57.36, 79.8, -15.49

 

CMYK 31 / 0 / 79 / 3

HEX #AAF834

RGB 170 248 52

HSL 83.88, 0.93%, 0.59%

LAB 89.83, -50.47, 78.64

 

CMYK 79 / 31 / 0 / 3

HEX #34AAF8

RGB 52 170 248

HSL 203.88, 0.93%, 0.59%

LAB 66.72, -6.06, -47.88

 

CMYK 0 / 80 / 33 / 2

HEX #F933A7

RGB 249 51 167

HSL 324.85, 0.94%, 0.59%

LAB 57.36, 79.8, -15.49

 

CMYK 0 / 31 / 79 / 3

HEX #F8AA34

RGB 248 170 52

HSL 36.12, 0.93%, 0.59%

LAB 75.42, 19.3, 67.79

 

CMYK 79 / 0 / 48 / 3

HEX #34F882

RGB 52 248 130

HSL 143.88, 0.93%, 0.59%

LAB 86.74, -71.26, 43.51

 

CMYK 79 / 48 / 0 / 3

HEX #3482F8

RGB 52 130 248

HSL 216.12, 0.93%, 0.59%

LAB 55.56, 17.56, -65.67

 

CMYK 0 / 80 / 33 / 2

HEX #F933A7

RGB 249 51 167

HSL 324.85, 0.94%, 0.59%

LAB 57.36, 79.8, -15.49

 

CMYK 0 / 8 / 79 / 3

HEX #F8E534

RGB 248 229 52

HSL 54.18, 0.93%, 0.59%

LAB 89.97, -11.01, 80.78

 

CMYK 79 / 0 / 48 / 3

HEX #34F882

RGB 52 248 130

HSL 143.88, 0.93%, 0.59%

LAB 86.74, -71.26, 43.51

 

CMYK 79 / 71 / 0 / 3

HEX #3447F8

RGB 52 71 248

HSL 234.18, 0.93%, 0.59%

LAB 41.24, 53.69, -89.04

 

Description

Color code: RGB 249 51 167 | qconv.com Color code: RGB 249 51 167 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 51 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 51 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 33 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 33% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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