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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 249 199 161 it is the complementary color RGB 6 56 94. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 249 199 161. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 249 199 161: RGB 254 199 156, RGB 255 217 175, RGB 255 235 194, RGB 255 253 213 and RGB 255 255 232

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 249 199 161. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 249 199 161: RGB 249 199 161, RGB 232 181 142, RGB 215 163 123, RGB 198 145 104 and RGB 181 127 85

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 35 / 2

HEX #F9C7A1

RGB 249 199 161

HSL 25.91, 0.88%, 0.8%

LAB 83.74, 12.7, 25.78

 

Complementary color

CMYK 94 / 40 / 0 / 63

HEX #06385E

RGB 6 56 94

HSL 205.91, 0.88%, 0.2%

LAB 22.57, 0.26, -26.97

 

CMYK 0 / 22 / 39 / 0

HEX #FEC79C

RGB 254 199 156

HSL 26.33, 0.98%, 0.8%

LAB 84.13, 14.05, 29.02

 

CMYK 0 / 15 / 31 / 0

HEX #FFD9AF

RGB 255 217 175

HSL 31.5, 1%, 0.84%

LAB 88.91, 7.33, 25.62

 

CMYK 0 / 8 / 24 / 0

HEX #FFEBC2

RGB 255 235 194

HSL 40.33, 1%, 0.88%

LAB 93.7, 0.59, 22.38

 

CMYK 0 / 1 / 16 / 0

HEX #FFFDD5

RGB 255 253 213

HSL 57.14, 1%, 0.92%

LAB 98.56, -5.76, 19.42

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFE8

RGB 255 255 232

HSL 60, 1%, 0.95%

LAB 99.46, -3.85, 10.99

 

CMYK 0 / 20 / 35 / 2

HEX #F9C7A1

RGB 249 199 161

HSL 25.91, 0.88%, 0.8%

LAB 83.74, 12.7, 25.78

 

CMYK 0 / 22 / 39 / 9

HEX #E8B58E

RGB 232 181 142

HSL 26, 0.66%, 0.73%

LAB 77.37, 13.38, 26.95

 

CMYK 0 / 24 / 43 / 16

HEX #D7A37B

RGB 215 163 123

HSL 26.09, 0.53%, 0.66%

LAB 70.92, 14.16, 28.21

 

CMYK 0 / 27 / 47 / 22

HEX #C69168

RGB 198 145 104

HSL 26.17, 0.45%, 0.59%

LAB 64.37, 15.06, 29.57

 

CMYK 0 / 30 / 53 / 29

HEX #B57F55

RGB 181 127 85

HSL 26.25, 0.39%, 0.52%

LAB 57.71, 16.1, 31.05

 

CMYK 0 / 20 / 35 / 2

HEX #F9C7A1

RGB 249 199 161

HSL 25.91, 0.88%, 0.8%

LAB 83.74, 12.7, 25.78

 

CMYK 0 / 15 / 36 / 3

HEX #F8D39F

RGB 248 211 159

HSL 35.06, 0.86%, 0.8%

LAB 86.53, 5.84, 30.57

 

CMYK 0 / 9 / 36 / 3

HEX #F8E29F

RGB 248 226 159

HSL 45.17, 0.86%, 0.8%

LAB 90.25, -1.85, 35.52

 

CMYK 0 / 3 / 36 / 3

HEX #F8F19F

RGB 248 241 159

HSL 55.28, 0.86%, 0.8%

LAB 94.04, -9.38, 40.48

 

CMYK 3 / 0 / 36 / 3

HEX #F1F89F

RGB 241 248 159

HSL 64.72, 0.86%, 0.8%

LAB 95.3, -15.47, 42

 

CMYK 0 / 20 / 35 / 2

HEX #F9C7A1

RGB 249 199 161

HSL 25.91, 0.88%, 0.8%

LAB 83.74, 12.7, 25.78

 

CMYK 0 / 20 / 36 / 82

HEX #2D241D

RGB 45 36 29

HSL 26.25, 0.22%, 0.15%

LAB 15, 2.91, 6.27

 

CMYK 0 / 20 / 35 / 62

HEX #604D3E

RGB 96 77 62

HSL 26.47, 0.22%, 0.31%

LAB 34.28, 5.53, 11.92

 

CMYK 0 / 20 / 35 / 42

HEX #93755F

RGB 147 117 95

HSL 25.38, 0.21%, 0.47%

LAB 51.56, 8.47, 16.6

 

CMYK 0 / 20 / 35 / 22

HEX #C69E80

RGB 198 158 128

HSL 25.71, 0.38%, 0.64%

LAB 68.03, 10.63, 21.31

 

CMYK 0 / 20 / 35 / 2

HEX #F9C7A1

RGB 249 199 161

HSL 25.91, 0.88%, 0.8%

LAB 83.74, 12.7, 25.78

 

CMYK 22 / 0 / 36 / 3

HEX #C1F89F

RGB 193 248 159

HSL 97.08, 0.86%, 0.8%

LAB 92.12, -32.83, 37.25

 

CMYK 35 / 36 / 0 / 3

HEX #A09FF8

RGB 160 159 248

HSL 240.67, 0.86%, 0.8%

LAB 68.79, 20.86, -44.28

 

CMYK 0 / 20 / 35 / 2

HEX #F9C7A1

RGB 249 199 161

HSL 25.91, 0.88%, 0.8%

LAB 83.74, 12.7, 25.78

 

CMYK 36 / 0 / 21 / 3

HEX #9FF8C4

RGB 159 248 196

HSL 144.94, 0.86%, 0.8%

LAB 91, -37.54, 16.67

 

CMYK 21 / 36 / 0 / 3

HEX #C49FF8

RGB 196 159 248

HSL 264.94, 0.86%, 0.8%

LAB 71.76, 30.92, -39.4

 

CMYK 0 / 20 / 35 / 2

HEX #F9C7A1

RGB 249 199 161

HSL 25.91, 0.88%, 0.8%

LAB 83.74, 12.7, 25.78

 

CMYK 22 / 0 / 36 / 3

HEX #C1F89F

RGB 193 248 159

HSL 97.08, 0.86%, 0.8%

LAB 92.12, -32.83, 37.25

 

CMYK 36 / 15 / 0 / 3

HEX #9FD3F8

RGB 159 211 248

HSL 204.94, 0.86%, 0.8%

LAB 82.24, -7.96, -23.5

 

CMYK 14 / 36 / 0 / 3

HEX #D69FF8

RGB 214 159 248

HSL 277.08, 0.86%, 0.8%

LAB 73.46, 36.22, -36.63

 

CMYK 0 / 20 / 35 / 2

HEX #F9C7A1

RGB 249 199 161

HSL 25.91, 0.88%, 0.8%

LAB 83.74, 12.7, 25.78

 

CMYK 33 / 0 / 36 / 3

HEX #A6F89F

RGB 166 248 159

HSL 115.28, 0.86%, 0.8%

LAB 90.66, -41.71, 35.06

 

CMYK 36 / 15 / 0 / 3

HEX #9FD3F8

RGB 159 211 248

HSL 204.94, 0.86%, 0.8%

LAB 82.24, -7.96, -23.5

 

CMYK 3 / 36 / 0 / 3

HEX #F19FF8

RGB 241 159 248

HSL 295.28, 0.86%, 0.8%

LAB 76.24, 44.33, -32.12

 

Description

Color code: RGB 249 199 161 | qconv.com Color code: RGB 249 199 161 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 199 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 199 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 35 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 35% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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