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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 249 181 86 it is the complementary color RGB 6 74 169. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 249 181 86. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 249 181 86: RGB 254 181 81, RGB 255 199 100, RGB 255 217 119, RGB 255 235 138 and RGB 255 253 157

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 249 181 86. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 249 181 86: RGB 249 181 86, RGB 232 163 67, RGB 215 145 48, RGB 198 127 29 and RGB 181 109 10

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 65 / 2

HEX #F9B556

RGB 249 181 86

HSL 34.97, 0.93%, 0.66%

LAB 78.38, 15.5, 56.79

 

Complementary color

CMYK 96 / 56 / 0 / 34

HEX #064AA9

RGB 6 74 169

HSL 214.97, 0.93%, 0.34%

LAB 33.56, 19.9, -56.01

 

CMYK 0 / 29 / 68 / 0

HEX #FEB551

RGB 254 181 81

HSL 34.68, 0.99%, 0.66%

LAB 78.88, 17.29, 59.73

 

CMYK 0 / 22 / 61 / 0

HEX #FFC764

RGB 255 199 100

HSL 38.32, 1%, 0.7%

LAB 83.46, 9.47, 56.2

 

CMYK 0 / 15 / 53 / 0

HEX #FFD977

RGB 255 217 119

HSL 43.24, 1%, 0.73%

LAB 88.07, 1.61, 52.66

 

CMYK 0 / 8 / 46 / 0

HEX #FFEB8A

RGB 255 235 138

HSL 49.74, 1%, 0.77%

LAB 92.8, -5.83, 49.3

 

CMYK 0 / 1 / 38 / 0

HEX #FFFD9D

RGB 255 253 157

HSL 58.78, 1%, 0.81%

LAB 97.61, -12.84, 46.15

 

CMYK 0 / 27 / 65 / 2

HEX #F9B556

RGB 249 181 86

HSL 34.97, 0.93%, 0.66%

LAB 78.38, 15.5, 56.79

 

CMYK 0 / 30 / 71 / 9

HEX #E8A343

RGB 232 163 67

HSL 34.91, 0.78%, 0.59%

LAB 72.06, 16.89, 57.96

 

CMYK 0 / 33 / 78 / 16

HEX #D79130

RGB 215 145 48

HSL 34.85, 0.68%, 0.52%

LAB 65.68, 18.47, 58.86

 

CMYK 0 / 36 / 85 / 22

HEX #C67F1D

RGB 198 127 29

HSL 34.79, 0.74%, 0.45%

LAB 59.23, 20.29, 59.11

 

CMYK 0 / 40 / 94 / 29

HEX #B56D0A

RGB 181 109 10

HSL 34.74, 0.9%, 0.37%

LAB 52.71, 22.38, 58.04

 

CMYK 0 / 27 / 65 / 2

HEX #F9B556

RGB 249 181 86

HSL 34.97, 0.93%, 0.66%

LAB 78.38, 15.5, 56.79

 

CMYK 0 / 17 / 65 / 3

HEX #F8CD57

RGB 248 205 87

HSL 43.98, 0.92%, 0.66%

LAB 84.13, 2.67, 62.56

 

CMYK 0 / 6 / 65 / 3

HEX #F8E857

RGB 248 232 87

HSL 54.04, 0.92%, 0.66%

LAB 90.94, -10.96, 69.77

 

CMYK 4 / 0 / 65 / 3

HEX #EEF857

RGB 238 248 87

HSL 63.73, 0.92%, 0.66%

LAB 94.31, -22.78, 73.02

 

CMYK 15 / 0 / 65 / 3

HEX #D3F857

RGB 211 248 87

HSL 73.79, 0.92%, 0.66%

LAB 92.43, -33.38, 70.47

 

CMYK 0 / 27 / 65 / 2

HEX #F9B556

RGB 249 181 86

HSL 34.97, 0.93%, 0.66%

LAB 78.38, 15.5, 56.79

 

CMYK 0 / 27 / 64 / 82

HEX #2D2110

RGB 45 33 16

HSL 35.17, 0.48%, 0.12%

LAB 13.73, 3.13, 13.31

 

CMYK 0 / 27 / 66 / 62

HEX #604621

RGB 96 70 33

HSL 35.24, 0.49%, 0.25%

LAB 31.75, 6.59, 26.25

 

CMYK 0 / 27 / 65 / 42

HEX #936B33

RGB 147 107 51

HSL 35, 0.48%, 0.39%

LAB 48.21, 9.78, 36.94

 

CMYK 0 / 27 / 66 / 22

HEX #C69044

RGB 198 144 68

HSL 35.08, 0.53%, 0.52%

LAB 63.65, 12.69, 47.36

 

CMYK 0 / 27 / 65 / 2

HEX #F9B556

RGB 249 181 86

HSL 34.97, 0.93%, 0.66%

LAB 78.38, 15.5, 56.79

 

CMYK 50 / 0 / 65 / 3

HEX #7DF857

RGB 125 248 87

HSL 105.84, 0.92%, 0.66%

LAB 88.06, -62.48, 64.51

 

CMYK 54 / 65 / 0 / 3

HEX #7257F8

RGB 114 87 248

HSL 250.06, 0.92%, 0.66%

LAB 48.47, 51.95, -77.01

 

CMYK 0 / 27 / 65 / 2

HEX #F9B556

RGB 249 181 86

HSL 34.97, 0.93%, 0.66%

LAB 78.38, 15.5, 56.79

 

CMYK 65 / 0 / 28 / 3

HEX #57F8B3

RGB 87 248 179

HSL 154.29, 0.92%, 0.66%

LAB 88.17, -57.48, 21.08

 

CMYK 28 / 65 / 0 / 3

HEX #B357F8

RGB 179 87 248

HSL 274.29, 0.92%, 0.66%

LAB 55.25, 64.23, -65.69

 

CMYK 0 / 27 / 65 / 2

HEX #F9B556

RGB 249 181 86

HSL 34.97, 0.93%, 0.66%

LAB 78.38, 15.5, 56.79

 

CMYK 50 / 0 / 65 / 3

HEX #7DF857

RGB 125 248 87

HSL 105.84, 0.92%, 0.66%

LAB 88.06, -62.48, 64.51

 

CMYK 65 / 37 / 0 / 3

HEX #579DF8

RGB 87 157 248

HSL 213.91, 0.92%, 0.66%

LAB 64.09, 5.94, -51.96

 

CMYK 15 / 65 / 0 / 3

HEX #D357F8

RGB 211 87 248

HSL 286.21, 0.92%, 0.66%

LAB 59.38, 71.07, -58.84

 

CMYK 0 / 27 / 65 / 2

HEX #F9B556

RGB 249 181 86

HSL 34.97, 0.93%, 0.66%

LAB 78.38, 15.5, 56.79

 

CMYK 65 / 0 / 60 / 3

HEX #57F862

RGB 87 248 98

HSL 124.1, 0.92%, 0.66%

LAB 87.02, -70.28, 58.54

 

CMYK 65 / 37 / 0 / 3

HEX #579DF8

RGB 87 157 248

HSL 213.91, 0.92%, 0.66%

LAB 64.09, 5.94, -51.96

 

CMYK 0 / 65 / 4 / 3

HEX #F857EE

RGB 248 87 238

HSL 303.73, 0.92%, 0.66%

LAB 64.12, 77.67, -45.45

 

Description

Color code: RGB 249 181 86 | qconv.com Color code: RGB 249 181 86 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 181 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 181 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 65 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 65% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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