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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 249 171 81 it is the complementary color RGB 6 84 174. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 249 171 81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 249 171 81: RGB 254 171 76, RGB 255 189 95, RGB 255 207 114, RGB 255 225 133 and RGB 255 243 152

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 249 171 81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 249 171 81: RGB 249 171 81, RGB 232 153 62, RGB 215 135 43, RGB 198 117 24 and RGB 181 99 5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 67 / 2

HEX #F9AB51

RGB 249 171 81

HSL 32.14, 0.93%, 0.65%

LAB 75.98, 20.47, 56.45

 

Complementary color

CMYK 97 / 52 / 0 / 32

HEX #0654AE

RGB 6 84 174

HSL 212.14, 0.93%, 0.35%

LAB 36.81, 15.19, -53.71

 

CMYK 0 / 33 / 70 / 0

HEX #FEAB4C

RGB 254 171 76

HSL 32.02, 0.99%, 0.65%

LAB 76.51, 22.26, 59.43

 

CMYK 0 / 26 / 63 / 0

HEX #FFBD5F

RGB 255 189 95

HSL 35.25, 1%, 0.69%

LAB 81.01, 14.34, 55.74

 

CMYK 0 / 19 / 55 / 0

HEX #FFCF72

RGB 255 207 114

HSL 39.57, 1%, 0.72%

LAB 85.55, 6.34, 52.04

 

CMYK 0 / 12 / 48 / 0

HEX #FFE185

RGB 255 225 133

HSL 45.25, 1%, 0.76%

LAB 90.23, -1.26, 48.54

 

CMYK 0 / 5 / 40 / 0

HEX #FFF398

RGB 255 243 152

HSL 53.01, 1%, 0.8%

LAB 95, -8.44, 45.27

 

CMYK 0 / 31 / 67 / 2

HEX #F9AB51

RGB 249 171 81

HSL 32.14, 0.93%, 0.65%

LAB 75.98, 20.47, 56.45

 

CMYK 0 / 34 / 73 / 9

HEX #E8993E

RGB 232 153 62

HSL 32.12, 0.79%, 0.58%

LAB 69.67, 21.97, 57.68

 

CMYK 0 / 37 / 80 / 16

HEX #D7872B

RGB 215 135 43

HSL 32.09, 0.68%, 0.51%

LAB 63.3, 23.68, 58.58

 

CMYK 0 / 41 / 88 / 22

HEX #C67518

RGB 198 117 24

HSL 32.07, 0.78%, 0.44%

LAB 56.87, 25.62, 58.73

 

CMYK 0 / 45 / 97 / 29

HEX #B56305

RGB 181 99 5

HSL 32.05, 0.95%, 0.36%

LAB 50.4, 27.8, 57.47

 

CMYK 0 / 31 / 67 / 2

HEX #F9AB51

RGB 249 171 81

HSL 32.14, 0.93%, 0.65%

LAB 75.98, 20.47, 56.45

 

CMYK 0 / 20 / 67 / 3

HEX #F8C652

RGB 248 198 82

HSL 41.93, 0.92%, 0.65%

LAB 82.35, 6, 62.81

 

CMYK 0 / 9 / 67 / 3

HEX #F8E252

RGB 248 226 82

HSL 52.05, 0.92%, 0.65%

LAB 89.37, -8.26, 70.12

 

CMYK 2 / 0 / 67 / 3

HEX #F3F852

RGB 243 248 82

HSL 61.81, 0.92%, 0.65%

LAB 94.65, -21.05, 75.34

 

CMYK 13 / 0 / 67 / 3

HEX #D7F852

RGB 215 248 82

HSL 71.93, 0.92%, 0.65%

LAB 92.66, -32.14, 72.68

 

CMYK 0 / 31 / 67 / 2

HEX #F9AB51

RGB 249 171 81

HSL 32.14, 0.93%, 0.65%

LAB 75.98, 20.47, 56.45

 

CMYK 0 / 31 / 67 / 82

HEX #2D1F0F

RGB 45 31 15

HSL 32, 0.5%, 0.12%

LAB 13.06, 4.42, 12.96

 

CMYK 0 / 31 / 68 / 62

HEX #60421F

RGB 96 66 31

HSL 32.31, 0.51%, 0.25%

LAB 30.6, 8.92, 26.05

 

CMYK 0 / 31 / 67 / 42

HEX #936530

RGB 147 101 48

HSL 32.12, 0.51%, 0.38%

LAB 46.61, 13.05, 36.69

 

CMYK 0 / 31 / 68 / 22

HEX #C68840

RGB 198 136 64

HSL 32.24, 0.54%, 0.51%

LAB 61.64, 16.83, 47.07

 

CMYK 0 / 31 / 67 / 2

HEX #F9AB51

RGB 249 171 81

HSL 32.14, 0.93%, 0.65%

LAB 75.98, 20.47, 56.45

 

CMYK 49 / 0 / 67 / 3

HEX #7FF852

RGB 127 248 82

HSL 103.73, 0.92%, 0.65%

LAB 88.09, -62.34, 66.51

 

CMYK 58 / 67 / 0 / 3

HEX #6852F8

RGB 104 82 248

HSL 247.95, 0.92%, 0.65%

LAB 46.65, 53.14, -80.02

 

CMYK 0 / 31 / 67 / 2

HEX #F9AB51

RGB 249 171 81

HSL 32.14, 0.93%, 0.65%

LAB 75.98, 20.47, 56.45

 

CMYK 67 / 0 / 31 / 3

HEX #52F8AB

RGB 82 248 171

HSL 152.17, 0.92%, 0.65%

LAB 87.91, -59.92, 24.79

 

CMYK 31 / 67 / 0 / 3

HEX #AB52F8

RGB 171 82 248

HSL 272.17, 0.92%, 0.65%

LAB 53.46, 64.88, -68.64

 

CMYK 0 / 31 / 67 / 2

HEX #F9AB51

RGB 249 171 81

HSL 32.14, 0.93%, 0.65%

LAB 75.98, 20.47, 56.45

 

CMYK 49 / 0 / 67 / 3

HEX #7FF852

RGB 127 248 82

HSL 103.73, 0.92%, 0.65%

LAB 88.09, -62.34, 66.51

 

CMYK 67 / 35 / 0 / 3

HEX #52A0F8

RGB 82 160 248

HSL 211.81, 0.92%, 0.65%

LAB 64.73, 3.41, -50.95

 

CMYK 18 / 67 / 0 / 3

HEX #CC52F8

RGB 204 82 248

HSL 284.1, 0.92%, 0.65%

LAB 57.7, 71.62, -61.59

 

CMYK 0 / 31 / 67 / 2

HEX #F9AB51

RGB 249 171 81

HSL 32.14, 0.93%, 0.65%

LAB 75.98, 20.47, 56.45

 

CMYK 67 / 0 / 65 / 3

HEX #52F858

RGB 82 248 88

HSL 122.17, 0.92%, 0.65%

LAB 86.82, -72.24, 62.4

 

CMYK 67 / 35 / 0 / 3

HEX #52A0F8

RGB 82 160 248

HSL 211.81, 0.92%, 0.65%

LAB 64.73, 3.41, -50.95

 

CMYK 0 / 67 / 2 / 3

HEX #F852F3

RGB 248 82 243

HSL 301.81, 0.92%, 0.65%

LAB 63.72, 80.24, -48.85

 

Description

Color code: RGB 249 171 81 | qconv.com Color code: RGB 249 171 81 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 171 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 171 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 67 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 67% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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