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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 249 132 130 it is the complementary color RGB 6 123 125. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 249 132 130. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 249 132 130: RGB 254 132 125, RGB 255 150 144, RGB 255 168 163, RGB 255 186 182 and RGB 255 204 201

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 249 132 130. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 249 132 130: RGB 249 132 130, RGB 232 114 111, RGB 215 96 92, RGB 198 78 73 and RGB 181 60 54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 48 / 2

HEX #F98482

RGB 249 132 130

HSL 1.01, 0.91%, 0.74%

LAB 68.21, 44.26, 21.43

 

Complementary color

CMYK 95 / 2 / 0 / 51

HEX #067B7D

RGB 6 123 125

HSL 181.01, 0.91%, 0.26%

LAB 46.56, -27.03, -9.24

 

CMYK 0 / 48 / 51 / 0

HEX #FE847D

RGB 254 132 125

HSL 3.26, 0.98%, 0.74%

LAB 68.79, 45.62, 25.12

 

CMYK 0 / 41 / 44 / 0

HEX #FF9690

RGB 255 150 144

HSL 3.24, 1%, 0.78%

LAB 72.95, 38.69, 20.28

 

CMYK 0 / 34 / 36 / 0

HEX #FFA8A3

RGB 255 168 163

HSL 3.26, 1%, 0.82%

LAB 77.23, 31.45, 15.83

 

CMYK 0 / 27 / 29 / 0

HEX #FFBAB6

RGB 255 186 182

HSL 3.29, 1%, 0.86%

LAB 81.7, 24.38, 11.88

 

CMYK 0 / 20 / 21 / 0

HEX #FFCCC9

RGB 255 204 201

HSL 3.33, 1%, 0.89%

LAB 86.34, 17.57, 8.35

 

CMYK 0 / 47 / 48 / 2

HEX #F98482

RGB 249 132 130

HSL 1.01, 0.91%, 0.74%

LAB 68.21, 44.26, 21.43

 

CMYK 0 / 51 / 52 / 9

HEX #E8726F

RGB 232 114 111

HSL 1.49, 0.72%, 0.67%

LAB 61.94, 45.37, 23.27

 

CMYK 0 / 55 / 57 / 16

HEX #D7605C

RGB 215 96 92

HSL 1.95, 0.61%, 0.6%

LAB 55.67, 46.49, 25.4

 

CMYK 0 / 61 / 63 / 22

HEX #C64E49

RGB 198 78 73

HSL 2.4, 0.52%, 0.53%

LAB 49.42, 47.58, 27.88

 

CMYK 0 / 67 / 70 / 29

HEX #B53C36

RGB 181 60 54

HSL 2.83, 0.54%, 0.46%

LAB 43.24, 48.52, 30.83

 

CMYK 0 / 47 / 48 / 2

HEX #F98482

RGB 249 132 130

HSL 1.01, 0.91%, 0.74%

LAB 68.21, 44.26, 21.43

 

CMYK 0 / 40 / 49 / 2

HEX #F99680

RGB 249 150 128

HSL 10.91, 0.91%, 0.74%

LAB 71.9, 34.9, 27.5

 

CMYK 0 / 32 / 49 / 2

HEX #F9AA80

RGB 249 170 128

HSL 20.83, 0.91%, 0.74%

LAB 76.34, 24.45, 33.35

 

CMYK 0 / 24 / 49 / 2

HEX #F9BE80

RGB 249 190 128

HSL 30.74, 0.91%, 0.74%

LAB 81.03, 13.94, 39.38

 

CMYK 0 / 16 / 49 / 2

HEX #F9D280

RGB 249 210 128

HSL 40.66, 0.91%, 0.74%

LAB 85.9, 3.55, 45.51

 

CMYK 0 / 47 / 48 / 2

HEX #F98482

RGB 249 132 130

HSL 1.01, 0.91%, 0.74%

LAB 68.21, 44.26, 21.43

 

CMYK 0 / 47 / 49 / 82

HEX #2D1817

RGB 45 24 23

HSL 2.73, 0.32%, 0.13%

LAB 11.09, 10.41, 5.18

 

CMYK 0 / 47 / 48 / 62

HEX #603332

RGB 96 51 50

HSL 1.3, 0.32%, 0.29%

LAB 26.97, 20.1, 9.59

 

CMYK 0 / 47 / 48 / 42

HEX #934E4D

RGB 147 78 77

HSL 0.86, 0.31%, 0.44%

LAB 41.51, 28.73, 13.6

 

CMYK 0 / 47 / 48 / 22

HEX #C66967

RGB 198 105 103

HSL 1.26, 0.45%, 0.59%

LAB 55.16, 36.65, 17.9

 

CMYK 0 / 47 / 48 / 2

HEX #F98482

RGB 249 132 130

HSL 1.01, 0.91%, 0.74%

LAB 68.21, 44.26, 21.43

 

CMYK 11 / 0 / 49 / 2

HEX #DEF980

RGB 222 249 128

HSL 73.39, 0.91%, 0.74%

LAB 93.81, -26.37, 54.69

 

CMYK 49 / 30 / 0 / 2

HEX #80AEF9

RGB 128 174 249

HSL 217.19, 0.91%, 0.74%

LAB 70.66, 4.66, -42.03

 

CMYK 0 / 47 / 48 / 2

HEX #F98482

RGB 249 132 130

HSL 1.01, 0.91%, 0.74%

LAB 68.21, 44.26, 21.43

 

CMYK 49 / 0 / 48 / 2

HEX #80F982

RGB 128 249 130

HSL 120.99, 0.91%, 0.74%

LAB 88.9, -57.31, 46.62

 

CMYK 48 / 49 / 0 / 2

HEX #8280F9

RGB 130 128 249

HSL 240.99, 0.91%, 0.74%

LAB 59, 31.76, -60.49

 

CMYK 0 / 47 / 48 / 2

HEX #F98482

RGB 249 132 130

HSL 1.01, 0.91%, 0.74%

LAB 68.21, 44.26, 21.43

 

CMYK 11 / 0 / 49 / 2

HEX #DEF980

RGB 222 249 128

HSL 73.39, 0.91%, 0.74%

LAB 93.81, -26.37, 54.69

 

CMYK 49 / 1 / 0 / 2

HEX #80F7F9

RGB 128 247 249

HSL 180.99, 0.91%, 0.74%

LAB 90.76, -33.01, -11.34

 

CMYK 38 / 49 / 0 / 2

HEX #9A80F9

RGB 154 128 249

HSL 252.89, 0.91%, 0.74%

LAB 60.91, 37.29, -57.31

 

CMYK 0 / 47 / 48 / 2

HEX #F98482

RGB 249 132 130

HSL 1.01, 0.91%, 0.74%

LAB 68.21, 44.26, 21.43

 

CMYK 25 / 0 / 49 / 2

HEX #BAF980

RGB 186 249 128

HSL 91.24, 0.91%, 0.74%

LAB 91.57, -39.52, 51.46

 

CMYK 49 / 1 / 0 / 2

HEX #80F7F9

RGB 128 247 249

HSL 180.99, 0.91%, 0.74%

LAB 90.76, -33.01, -11.34

 

CMYK 24 / 49 / 0 / 2

HEX #BE80F9

RGB 190 128 249

HSL 270.74, 0.91%, 0.74%

LAB 64.34, 46.41, -51.65

 

Description

Color code: RGB 249 132 130 | qconv.com Color code: RGB 249 132 130 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 132 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 132 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 48 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 48% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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