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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 249 102 207 it is the complementary color RGB 6 153 48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 249 102 207. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 249 102 207: RGB 254 102 202, RGB 255 120 221, RGB 255 138 240, RGB 255 156 255 and RGB 255 174 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 249 102 207. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 249 102 207: RGB 249 102 207, RGB 232 84 188, RGB 215 66 169, RGB 198 48 150 and RGB 181 30 131

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 17 / 2

HEX #F966CF

RGB 249 102 207

HSL 317.14, 0.92%, 0.69%

LAB 65.08, 67.38, -26.62

 

Complementary color

CMYK 96 / 0 / 69 / 40

HEX #069930

RGB 6 153 48

HSL 137.14, 0.92%, 0.31%

LAB 55.11, -55.67, 44

 

CMYK 0 / 60 / 20 / 0

HEX #FE66CA

RGB 254 102 202

HSL 320.53, 0.99%, 0.7%

LAB 65.62, 68.06, -22.91

 

CMYK 0 / 53 / 13 / 0

HEX #FF78DD

RGB 255 120 221

HSL 315.11, 1%, 0.74%

LAB 69.41, 63.17, -27.71

 

CMYK 0 / 46 / 6 / 0

HEX #FF8AF0

RGB 255 138 240

HSL 307.69, 1%, 0.77%

LAB 73.37, 57.68, -32.06

 

CMYK 0 / 39 / 0 / 0

HEX #FF9CFF

RGB 255 156 255

HSL 300, 1%, 0.81%

LAB 77.43, 51.32, -33.92

 

CMYK 0 / 32 / 0 / 0

HEX #FFAEFF

RGB 255 174 255

HSL 300, 1%, 0.84%

LAB 81.16, 42.08, -28.2

 

CMYK 0 / 59 / 17 / 2

HEX #F966CF

RGB 249 102 207

HSL 317.14, 0.92%, 0.69%

LAB 65.08, 67.38, -26.62

 

CMYK 0 / 64 / 19 / 9

HEX #E854BC

RGB 232 84 188

HSL 317.84, 0.76%, 0.62%

LAB 59.09, 67.54, -25.26

 

CMYK 0 / 69 / 21 / 16

HEX #D742A9

RGB 215 66 169

HSL 318.52, 0.65%, 0.55%

LAB 53.18, 67.35, -23.58

 

CMYK 0 / 76 / 24 / 22

HEX #C63096

RGB 198 48 150

HSL 319.2, 0.61%, 0.48%

LAB 47.39, 66.62, -21.46

 

CMYK 0 / 83 / 28 / 29

HEX #B51E83

RGB 181 30 131

HSL 319.87, 0.72%, 0.41%

LAB 41.83, 65.07, -18.74

 

CMYK 0 / 59 / 17 / 2

HEX #F966CF

RGB 249 102 207

HSL 317.14, 0.92%, 0.69%

LAB 65.08, 67.38, -26.62

 

CMYK 0 / 58 / 26 / 3

HEX #F867B7

RGB 248 103 183

HSL 326.9, 0.91%, 0.69%

LAB 64.22, 63.44, -14.36

 

CMYK 0 / 58 / 36 / 3

HEX #F8679E

RGB 248 103 158

HSL 337.24, 0.91%, 0.69%

LAB 63.45, 60.47, -1.23

 

CMYK 0 / 58 / 46 / 3

HEX #F86786

RGB 248 103 134

HSL 347.17, 0.91%, 0.69%

LAB 62.83, 58.03, 11.69

 

CMYK 0 / 58 / 56 / 3

HEX #F8676E

RGB 248 103 110

HSL 357.1, 0.91%, 0.69%

LAB 62.32, 56.03, 24.77

 

CMYK 0 / 59 / 17 / 2

HEX #F966CF

RGB 249 102 207

HSL 317.14, 0.92%, 0.69%

LAB 65.08, 67.38, -26.62

 

CMYK 0 / 60 / 18 / 82

HEX #2D1225

RGB 45 18 37

HSL 317.78, 0.43%, 0.12%

LAB 9.99, 17, -6.9

 

CMYK 0 / 59 / 17 / 62

HEX #602750

RGB 96 39 80

HSL 316.84, 0.42%, 0.26%

LAB 25.31, 31.49, -12.86

 

CMYK 0 / 59 / 17 / 42

HEX #933C7A

RGB 147 60 122

HSL 317.24, 0.42%, 0.41%

LAB 39.31, 44.2, -17.57

 

CMYK 0 / 59 / 17 / 22

HEX #C651A5

RGB 198 81 165

HSL 316.92, 0.51%, 0.55%

LAB 52.52, 56.17, -22.47

 

CMYK 0 / 59 / 17 / 2

HEX #F966CF

RGB 249 102 207

HSL 317.14, 0.92%, 0.69%

LAB 65.08, 67.38, -26.62

 

CMYK 0 / 30 / 58 / 3

HEX #F8AD67

RGB 248 173 103

HSL 28.97, 0.91%, 0.69%

LAB 76.57, 20.41, 46.52

 

CMYK 58 / 0 / 7 / 3

HEX #67F8E7

RGB 103 248 231

HSL 172.97, 0.91%, 0.69%

LAB 89.76, -42.81, -3.53

 

CMYK 0 / 59 / 17 / 2

HEX #F966CF

RGB 249 102 207

HSL 317.14, 0.92%, 0.69%

LAB 65.08, 67.38, -26.62

 

CMYK 17 / 0 / 58 / 3

HEX #CFF867

RGB 207 248 103

HSL 76.97, 0.91%, 0.69%

LAB 92.3, -33.77, 63.79

 

CMYK 58 / 17 / 0 / 3

HEX #67CFF8

RGB 103 207 248

HSL 196.97, 0.91%, 0.69%

LAB 78.63, -18.62, -29.24

 

CMYK 0 / 59 / 17 / 2

HEX #F966CF

RGB 249 102 207

HSL 317.14, 0.92%, 0.69%

LAB 65.08, 67.38, -26.62

 

CMYK 0 / 30 / 58 / 3

HEX #F8AD67

RGB 248 173 103

HSL 28.97, 0.91%, 0.69%

LAB 76.57, 20.41, 46.52

 

CMYK 58 / 0 / 42 / 3

HEX #67F890

RGB 103 248 144

HSL 136.97, 0.91%, 0.69%

LAB 87.98, -60.85, 38.52

 

CMYK 58 / 28 / 0 / 3

HEX #67B2F8

RGB 103 178 248

HSL 208.97, 0.91%, 0.69%

LAB 70.53, -3.14, -41.79

 

CMYK 0 / 59 / 17 / 2

HEX #F966CF

RGB 249 102 207

HSL 317.14, 0.92%, 0.69%

LAB 65.08, 67.38, -26.62

 

CMYK 0 / 13 / 58 / 3

HEX #F8D967

RGB 248 217 103

HSL 47.17, 0.91%, 0.69%

LAB 87.27, -2.43, 58.99

 

CMYK 58 / 0 / 42 / 3

HEX #67F890

RGB 103 248 144

HSL 136.97, 0.91%, 0.69%

LAB 87.98, -60.85, 38.52

 

CMYK 58 / 46 / 0 / 3

HEX #6786F8

RGB 103 134 248

HSL 227.17, 0.91%, 0.69%

LAB 58.71, 22.39, -60.5

 

Description

Color code: RGB 249 102 207 | qconv.com Color code: RGB 249 102 207 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 102 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 102 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 17 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 17% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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