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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 248 65 199 it is the complementary color RGB 7 190 56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 248 65 199. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 248 65 199: RGB 253 65 194, RGB 255 83 213, RGB 255 101 232, RGB 255 119 251 and RGB 255 137 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 248 65 199. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 248 65 199: RGB 248 65 199, RGB 231 47 180, RGB 214 29 161, RGB 197 11 142 and RGB 180 0 123

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 20 / 3

HEX #F841C7

RGB 248 65 199

HSL 316.07, 0.93%, 0.61%

LAB 59.76, 79.5, -30.31

 

Complementary color

CMYK 96 / 0 / 71 / 25

HEX #07BE38

RGB 7 190 56

HSL 136.07, 0.93%, 0.39%

LAB 67.4, -66.01, 53.85

 

CMYK 0 / 74 / 23 / 1

HEX #FD41C2

RGB 253 65 194

HSL 318.83, 0.98%, 0.62%

LAB 60.39, 80.03, -26.41

 

CMYK 0 / 67 / 16 / 0

HEX #FF53D5

RGB 255 83 213

HSL 314.65, 1%, 0.66%

LAB 63.55, 77.14, -32.28

 

CMYK 0 / 60 / 9 / 0

HEX #FF65E8

RGB 255 101 232

HSL 308.96, 1%, 0.7%

LAB 66.82, 73.03, -37.82

 

CMYK 0 / 53 / 2 / 0

HEX #FF77FB

RGB 255 119 251

HSL 301.76, 1%, 0.73%

LAB 70.47, 68.37, -42.58

 

CMYK 0 / 46 / 0 / 0

HEX #FF89FF

RGB 255 137 255

HSL 300, 1%, 0.77%

LAB 73.79, 60.7, -39.58

 

CMYK 0 / 74 / 20 / 3

HEX #F841C7

RGB 248 65 199

HSL 316.07, 0.93%, 0.61%

LAB 59.76, 79.5, -30.31

 

CMYK 0 / 80 / 22 / 9

HEX #E72FB4

RGB 231 47 180

HSL 316.63, 0.79%, 0.55%

LAB 54.36, 78.19, -27.95

 

CMYK 0 / 86 / 25 / 16

HEX #D61DA1

RGB 214 29 161

HSL 317.19, 0.76%, 0.48%

LAB 49.19, 76.04, -25.03

 

CMYK 0 / 94 / 28 / 23

HEX #C50B8E

RGB 197 11 142

HSL 317.74, 0.89%, 0.41%

LAB 44.32, 72.79, -21.38

 

CMYK 0 / 100 / 32 / 29

HEX #B4007B

RGB 180 0 123

HSL 319, 1%, 0.35%

LAB 39.8, 68.3, -16.92

 

CMYK 0 / 74 / 20 / 3

HEX #F841C7

RGB 248 65 199

HSL 316.07, 0.93%, 0.61%

LAB 59.76, 79.5, -30.31

 

CMYK 0 / 75 / 33 / 3

HEX #F83FA7

RGB 248 63 167

HSL 326.27, 0.93%, 0.61%

LAB 58.32, 76.33, -14.06

 

CMYK 0 / 75 / 45 / 3

HEX #F83F89

RGB 248 63 137

HSL 336, 0.93%, 0.61%

LAB 57.38, 73.4, 2.16

 

CMYK 0 / 75 / 57 / 3

HEX #F83F6A

RGB 248 63 106

HSL 346.05, 0.93%, 0.61%

LAB 56.64, 71.02, 19.47

 

CMYK 0 / 75 / 70 / 3

HEX #F83F4B

RGB 248 63 75

HSL 356.11, 0.93%, 0.61%

LAB 56.11, 69.3, 36.91

 

CMYK 0 / 74 / 20 / 3

HEX #F841C7

RGB 248 65 199

HSL 316.07, 0.93%, 0.61%

LAB 59.76, 79.5, -30.31

 

CMYK 0 / 73 / 20 / 83

HEX #2C0C23

RGB 44 12 35

HSL 316.88, 0.57%, 0.11%

LAB 8.3, 19.91, -7.98

 

CMYK 0 / 74 / 20 / 63

HEX #5F194C

RGB 95 25 76

HSL 316.29, 0.58%, 0.24%

LAB 22.48, 37.26, -14.56

 

CMYK 0 / 74 / 20 / 43

HEX #922675

RGB 146 38 117

HSL 316.11, 0.59%, 0.36%

LAB 35.56, 52.44, -20.24

 

CMYK 0 / 74 / 20 / 23

HEX #C5349E

RGB 197 52 158

HSL 316.14, 0.58%, 0.49%

LAB 48, 66.17, -25.32

 

CMYK 0 / 74 / 20 / 3

HEX #F841C7

RGB 248 65 199

HSL 316.07, 0.93%, 0.61%

LAB 59.76, 79.5, -30.31

 

CMYK 0 / 40 / 75 / 3

HEX #F8953F

RGB 248 149 63

HSL 27.89, 0.93%, 0.61%

LAB 70.74, 30.7, 58.96

 

CMYK 75 / 0 / 10 / 3

HEX #3FF8DF

RGB 63 248 223

HSL 171.89, 0.93%, 0.61%

LAB 88.69, -50.53, -1.03

 

CMYK 0 / 74 / 20 / 3

HEX #F841C7

RGB 248 65 199

HSL 316.07, 0.93%, 0.61%

LAB 59.76, 79.5, -30.31

 

CMYK 20 / 0 / 75 / 3

HEX #C6F83F

RGB 198 248 63

HSL 76.22, 0.93%, 0.61%

LAB 91.46, -39.69, 77.57

 

CMYK 75 / 20 / 0 / 3

HEX #3FC6F8

RGB 63 198 248

HSL 196.22, 0.93%, 0.61%

LAB 74.96, -19.95, -34.98

 

CMYK 0 / 74 / 20 / 3

HEX #F841C7

RGB 248 65 199

HSL 316.07, 0.93%, 0.61%

LAB 59.76, 79.5, -30.31

 

CMYK 0 / 40 / 75 / 3

HEX #F8953F

RGB 248 149 63

HSL 27.89, 0.93%, 0.61%

LAB 70.74, 30.7, 58.96

 

CMYK 75 / 0 / 55 / 3

HEX #3FF870

RGB 63 248 112

HSL 135.89, 0.93%, 0.61%

LAB 86.68, -72.51, 51.88

 

CMYK 75 / 35 / 0 / 3

HEX #3FA1F8

RGB 63 161 248

HSL 208.22, 0.93%, 0.61%

LAB 64.42, 0.24, -51.49

 

CMYK 0 / 74 / 20 / 3

HEX #F841C7

RGB 248 65 199

HSL 316.07, 0.93%, 0.61%

LAB 59.76, 79.5, -30.31

 

CMYK 0 / 18 / 75 / 3

HEX #F8CC3F

RGB 248 204 63

HSL 45.73, 0.93%, 0.61%

LAB 83.71, 2, 71.6

 

CMYK 75 / 0 / 55 / 3

HEX #3FF870

RGB 63 248 112

HSL 135.89, 0.93%, 0.61%

LAB 86.68, -72.51, 51.88

 

CMYK 75 / 57 / 0 / 3

HEX #3F6AF8

RGB 63 106 248

HSL 226.05, 0.93%, 0.61%

LAB 49.67, 33.62, -75.19

 

Description

Color code: RGB 248 65 199 | qconv.com Color code: RGB 248 65 199 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 65 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 65 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 20 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 20% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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