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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 248 52 150 it is the complementary color RGB 7 203 105. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 248 52 150. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 248 52 150: RGB 253 52 145, RGB 255 70 164, RGB 255 88 183, RGB 255 106 202 and RGB 255 124 221

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 248 52 150. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 248 52 150: RGB 248 52 150, RGB 231 34 131, RGB 214 16 112, RGB 197 0 93 and RGB 180 0 74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 40 / 3

HEX #F83496

RGB 248 52 150

HSL 330, 0.93%, 0.59%

LAB 56.7, 77.62, -6.53

 

Complementary color

CMYK 97 / 0 / 48 / 20

HEX #07CB69

RGB 7 203 105

HSL 150, 0.93%, 0.41%

LAB 72.08, -63.65, 37.14

 

CMYK 0 / 79 / 43 / 1

HEX #FD3491

RGB 253 52 145

HSL 332.24, 0.98%, 0.6%

LAB 57.45, 78.38, -2.37

 

CMYK 0 / 73 / 36 / 0

HEX #FF46A4

RGB 255 70 164

HSL 329.51, 1%, 0.64%

LAB 60.18, 75.63, -9.4

 

CMYK 0 / 65 / 28 / 0

HEX #FF58B7

RGB 255 88 183

HSL 325.87, 1%, 0.67%

LAB 63.06, 71.49, -16.01

 

CMYK 0 / 58 / 21 / 0

HEX #FF6ACA

RGB 255 106 202

HSL 321.34, 1%, 0.71%

LAB 66.39, 66.65, -21.72

 

CMYK 0 / 51 / 13 / 0

HEX #FF7CDD

RGB 255 124 221

HSL 315.57, 1%, 0.74%

LAB 70.1, 61.33, -26.64

 

CMYK 0 / 79 / 40 / 3

HEX #F83496

RGB 248 52 150

HSL 330, 0.93%, 0.59%

LAB 56.7, 77.62, -6.53

 

CMYK 0 / 85 / 43 / 9

HEX #E72283

RGB 231 34 131

HSL 330.46, 0.8%, 0.52%

LAB 51.58, 75.84, -3.12

 

CMYK 0 / 93 / 48 / 16

HEX #D61070

RGB 214 16 112

HSL 330.91, 0.86%, 0.45%

LAB 46.76, 73.07, 1.02

 

CMYK 0 / 100 / 53 / 23

HEX #C5005D

RGB 197 0 93

HSL 331.68, 1%, 0.39%

LAB 42.25, 69.3, 5.94

 

CMYK 0 / 100 / 59 / 29

HEX #B4004A

RGB 180 0 74

HSL 335.33, 1%, 0.35%

LAB 38.19, 64.09, 11.86

 

CMYK 0 / 79 / 40 / 3

HEX #F83496

RGB 248 52 150

HSL 330, 0.93%, 0.59%

LAB 56.7, 77.62, -6.53

 

CMYK 0 / 79 / 52 / 3

HEX #F73576

RGB 247 53 118

HSL 339.9, 0.92%, 0.59%

LAB 55.71, 74.43, 11.03

 

CMYK 0 / 79 / 66 / 3

HEX #F73555

RGB 247 53 85

HSL 350.1, 0.92%, 0.59%

LAB 55.05, 72.38, 29.76

 

CMYK 0 / 79 / 79 / 3

HEX #F73535

RGB 247 53 53

HSL 0, 0.92%, 0.59%

LAB 54.63, 71.09, 47.39

 

CMYK 0 / 66 / 79 / 3

HEX #F75535

RGB 247 85 53

HSL 9.9, 0.92%, 0.59%

LAB 58.54, 60.32, 51.31

 

CMYK 0 / 79 / 40 / 3

HEX #F83496

RGB 248 52 150

HSL 330, 0.93%, 0.59%

LAB 56.7, 77.62, -6.53

 

CMYK 0 / 80 / 39 / 83

HEX #2C091B

RGB 44 9 27

HSL 329.14, 0.66%, 0.1%

LAB 7.32, 20.11, -3.33

 

CMYK 0 / 79 / 40 / 63

HEX #5F1439

RGB 95 20 57

HSL 330.4, 0.65%, 0.23%

LAB 20.94, 36.59, -3.86

 

CMYK 0 / 79 / 40 / 43

HEX #921F58

RGB 146 31 88

HSL 330.26, 0.65%, 0.35%

LAB 33.55, 51.13, -4.78

 

CMYK 0 / 79 / 40 / 23

HEX #C52977

RGB 197 41 119

HSL 330, 0.66%, 0.47%

LAB 45.34, 64.88, -5.76

 

CMYK 0 / 79 / 40 / 3

HEX #F83496

RGB 248 52 150

HSL 330, 0.93%, 0.59%

LAB 56.7, 77.62, -6.53

 

CMYK 0 / 23 / 79 / 3

HEX #F7BD35

RGB 247 189 53

HSL 42.06, 0.92%, 0.59%

LAB 79.86, 8.96, 71.43

 

CMYK 79 / 8 / 0 / 3

HEX #35E4F7

RGB 53 228 247

HSL 185.88, 0.92%, 0.59%

LAB 83.42, -35.97, -21.5

 

CMYK 0 / 79 / 40 / 3

HEX #F83496

RGB 248 52 150

HSL 330, 0.93%, 0.59%

LAB 56.7, 77.62, -6.53

 

CMYK 39 / 0 / 79 / 3

HEX #96F735

RGB 150 247 53

HSL 90, 0.92%, 0.59%

LAB 88.57, -56.82, 76.87

 

CMYK 79 / 39 / 0 / 3

HEX #3596F7

RGB 53 150 247

HSL 210, 0.92%, 0.59%

LAB 61.03, 5.2, -56.34

 

CMYK 0 / 79 / 40 / 3

HEX #F83496

RGB 248 52 150

HSL 330, 0.93%, 0.59%

LAB 56.7, 77.62, -6.53

 

CMYK 0 / 23 / 79 / 3

HEX #F7BD35

RGB 247 189 53

HSL 42.06, 0.92%, 0.59%

LAB 79.86, 8.96, 71.43

 

CMYK 79 / 0 / 39 / 3

HEX #35F796

RGB 53 247 150

HSL 150, 0.92%, 0.59%

LAB 86.74, -67.43, 33.73

 

CMYK 79 / 55 / 0 / 3

HEX #356FF7

RGB 53 111 247

HSL 222.06, 0.92%, 0.59%

LAB 50.5, 29.13, -73.3

 

CMYK 0 / 79 / 40 / 3

HEX #F83496

RGB 248 52 150

HSL 330, 0.93%, 0.59%

LAB 56.7, 77.62, -6.53

 

CMYK 0 / 0 / 79 / 3

HEX #F7F735

RGB 247 247 53

HSL 60, 0.92%, 0.59%

LAB 94.55, -20.16, 84.48

 

CMYK 79 / 0 / 39 / 3

HEX #35F796

RGB 53 247 150

HSL 150, 0.92%, 0.59%

LAB 86.74, -67.43, 33.73

 

CMYK 79 / 79 / 0 / 3

HEX #3535F7

RGB 53 53 247

HSL 240, 0.92%, 0.59%

LAB 37.88, 62.82, -94.04

 

Description

Color code: RGB 248 52 150 | qconv.com Color code: RGB 248 52 150 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 52 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 52 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 40 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 40% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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