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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 248 172 8 it is the complementary color RGB 7 83 247. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 248 172 8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 248 172 8: RGB 253 172 3, RGB 255 190 22, RGB 255 208 41, RGB 255 226 60 and RGB 255 244 79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 248 172 8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 248 172 8: RGB 248 172 8, RGB 231 154 0, RGB 214 136 0, RGB 197 118 0 and RGB 180 100 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 97 / 3

HEX #F8AC08

RGB 248 172 8

HSL 41, 0.94%, 0.5%

LAB 75.75, 17.39, 78.22

 

Complementary color

CMYK 97 / 66 / 0 / 3

HEX #0753F7

RGB 7 83 247

HSL 221, 0.94%, 0.5%

LAB 42.68, 44.3, -86.13

 

CMYK 0 / 32 / 99 / 1

HEX #FDAC03

RGB 253 172 3

HSL 40.56, 0.98%, 0.5%

LAB 76.31, 19.46, 79.42

 

CMYK 0 / 25 / 91 / 0

HEX #FFBE16

RGB 255 190 22

HSL 43.26, 1%, 0.54%

LAB 80.82, 11.11, 80.36

 

CMYK 0 / 18 / 84 / 0

HEX #FFD029

RGB 255 208 41

HSL 46.82, 1%, 0.58%

LAB 85.27, 2.2, 79.91

 

CMYK 0 / 11 / 76 / 0

HEX #FFE23C

RGB 255 226 60

HSL 51.08, 1%, 0.62%

LAB 89.85, -6.33, 78.54

 

CMYK 0 / 4 / 69 / 0

HEX #FFF44F

RGB 255 244 79

HSL 56.25, 1%, 0.65%

LAB 94.54, -14.41, 76.62

 

CMYK 0 / 31 / 97 / 3

HEX #F8AC08

RGB 248 172 8

HSL 41, 0.94%, 0.5%

LAB 75.75, 17.39, 78.22

 

CMYK 0 / 33 / 100 / 9

HEX #E79A00

RGB 231 154 0

HSL 40, 1%, 0.45%

LAB 69.54, 19.57, 74.03

 

CMYK 0 / 36 / 100 / 16

HEX #D68800

RGB 214 136 0

HSL 38.13, 1%, 0.42%

LAB 63.26, 21.89, 68.91

 

CMYK 0 / 40 / 100 / 23

HEX #C57600

RGB 197 118 0

HSL 35.94, 1%, 0.39%

LAB 56.91, 24.29, 63.74

 

CMYK 0 / 44 / 100 / 29

HEX #B46400

RGB 180 100 0

HSL 33.33, 1%, 0.35%

LAB 50.47, 26.76, 58.53

 

CMYK 0 / 31 / 97 / 3

HEX #F8AC08

RGB 248 172 8

HSL 41, 0.94%, 0.5%

LAB 75.75, 17.39, 78.22

 

CMYK 0 / 15 / 97 / 3

HEX #F7D307

RGB 247 211 7

HSL 51, 0.94%, 0.5%

LAB 85.19, -3.25, 84.95

 

CMYK 2 / 0 / 97 / 3

HEX #F3F707

RGB 243 247 7

HSL 61, 0.94%, 0.5%

LAB 94.14, -22.64, 91.36

 

CMYK 18 / 0 / 97 / 3

HEX #CBF707

RGB 203 247 7

HSL 71, 0.94%, 0.5%

LAB 91.34, -38.75, 88.02

 

CMYK 34 / 0 / 97 / 3

HEX #A3F707

RGB 163 247 7

HSL 81, 0.94%, 0.5%

LAB 89.08, -53.63, 85.29

 

CMYK 0 / 31 / 97 / 3

HEX #F8AC08

RGB 248 172 8

HSL 41, 0.94%, 0.5%

LAB 75.75, 17.39, 78.22

 

CMYK 0 / 30 / 98 / 83

HEX #2C1F01

RGB 44 31 1

HSL 41.86, 0.96%, 0.09%

LAB 12.72, 2.57, 18.49

 

CMYK 0 / 31 / 97 / 63

HEX #5F4203

RGB 95 66 3

HSL 41.09, 0.94%, 0.19%

LAB 30.24, 7.05, 38.46

 

CMYK 0 / 31 / 97 / 43

HEX #926505

RGB 146 101 5

HSL 40.85, 0.93%, 0.3%

LAB 46.22, 10.95, 52.39

 

CMYK 0 / 30 / 97 / 23

HEX #C58906

RGB 197 137 6

HSL 41.15, 0.94%, 0.4%

LAB 61.46, 13.97, 65.8

 

CMYK 0 / 31 / 97 / 3

HEX #F8AC08

RGB 248 172 8

HSL 41, 0.94%, 0.5%

LAB 75.75, 17.39, 78.22

 

CMYK 86 / 0 / 97 / 3

HEX #23F707

RGB 35 247 7

HSL 113, 0.94%, 0.5%

LAB 85.45, -82.38, 80.87

 

CMYK 70 / 97 / 0 / 3

HEX #4B07F7

RGB 75 7 247

HSL 257, 0.94%, 0.5%

LAB 34.73, 77.58, -99.23

 

CMYK 0 / 31 / 97 / 3

HEX #F8AC08

RGB 248 172 8

HSL 41, 0.94%, 0.5%

LAB 75.75, 17.39, 78.22

 

CMYK 97 / 0 / 31 / 3

HEX #07F7AB

RGB 7 247 171

HSL 161, 0.94%, 0.5%

LAB 86.75, -66.04, 23.07

 

CMYK 31 / 97 / 0 / 3

HEX #AB07F7

RGB 171 7 247

HSL 281, 0.94%, 0.5%

LAB 46.35, 85.02, -79.66

 

CMYK 0 / 31 / 97 / 3

HEX #F8AC08

RGB 248 172 8

HSL 41, 0.94%, 0.5%

LAB 75.75, 17.39, 78.22

 

CMYK 86 / 0 / 97 / 3

HEX #23F707

RGB 35 247 7

HSL 113, 0.94%, 0.5%

LAB 85.45, -82.38, 80.87

 

CMYK 97 / 66 / 0 / 3

HEX #0753F7

RGB 7 83 247

HSL 221, 0.94%, 0.5%

LAB 42.68, 44.3, -86.13

 

CMYK 11 / 97 / 0 / 3

HEX #DB07F7

RGB 219 7 247

HSL 293, 0.94%, 0.5%

LAB 53.95, 91.28, -66.95

 

CMYK 0 / 31 / 97 / 3

HEX #F8AC08

RGB 248 172 8

HSL 41, 0.94%, 0.5%

LAB 75.75, 17.39, 78.22

 

CMYK 97 / 0 / 79 / 3

HEX #07F733

RGB 7 247 51

HSL 131, 0.94%, 0.5%

LAB 85.41, -82.35, 73.32

 

CMYK 97 / 66 / 0 / 3

HEX #0753F7

RGB 7 83 247

HSL 221, 0.94%, 0.5%

LAB 42.68, 44.3, -86.13

 

CMYK 0 / 97 / 18 / 3

HEX #F707CB

RGB 247 7 203

HSL 311, 0.94%, 0.5%

LAB 56.33, 89.75, -37.97

 

Description

Color code: RGB 248 172 8 | qconv.com Color code: RGB 248 172 8 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 172 green and 8 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 172 8 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 97 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 97% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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