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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 248 164 154 it is the complementary color RGB 7 91 101. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 248 164 154. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 248 164 154: RGB 253 164 149, RGB 255 182 168, RGB 255 200 187, RGB 255 218 206 and RGB 255 236 225

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 248 164 154. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 248 164 154: RGB 248 164 154, RGB 231 146 135, RGB 214 128 116, RGB 197 110 97 and RGB 180 92 78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 38 / 3

HEX #F8A49A

RGB 248 164 154

HSL 6.38, 0.87%, 0.79%

LAB 75.35, 29.9, 18

 

Complementary color

CMYK 93 / 10 / 0 / 60

HEX #075B65

RGB 7 91 101

HSL 186.38, 0.87%, 0.21%

LAB 34.94, -18.52, -12.2

 

CMYK 0 / 35 / 41 / 1

HEX #FDA495

RGB 253 164 149

HSL 8.65, 0.96%, 0.79%

LAB 75.83, 31.22, 21.46

 

CMYK 0 / 29 / 34 / 0

HEX #FFB6A8

RGB 255 182 168

HSL 9.66, 1%, 0.83%

LAB 80.48, 24.72, 17.68

 

CMYK 0 / 22 / 27 / 0

HEX #FFC8BB

RGB 255 200 187

HSL 11.47, 1%, 0.87%

LAB 85.08, 17.71, 13.98

 

CMYK 0 / 15 / 19 / 0

HEX #FFDACE

RGB 255 218 206

HSL 14.69, 1%, 0.9%

LAB 89.79, 11.01, 10.65

 

CMYK 0 / 7 / 12 / 0

HEX #FFECE1

RGB 255 236 225

HSL 22, 1%, 0.94%

LAB 94.61, 4.65, 7.64

 

CMYK 0 / 34 / 38 / 3

HEX #F8A49A

RGB 248 164 154

HSL 6.38, 0.87%, 0.79%

LAB 75.35, 29.9, 18

 

CMYK 0 / 37 / 42 / 9

HEX #E79287

RGB 231 146 135

HSL 6.87, 0.67%, 0.72%

LAB 68.97, 30.85, 19.31

 

CMYK 0 / 40 / 46 / 16

HEX #D68074

RGB 214 128 116

HSL 7.35, 0.54%, 0.65%

LAB 62.5, 31.9, 20.78

 

CMYK 0 / 44 / 51 / 23

HEX #C56E61

RGB 197 110 97

HSL 7.8, 0.46%, 0.58%

LAB 55.97, 33.05, 22.43

 

CMYK 0 / 49 / 57 / 29

HEX #B45C4E

RGB 180 92 78

HSL 8.24, 0.4%, 0.51%

LAB 49.38, 34.31, 24.34

 

CMYK 0 / 34 / 38 / 3

HEX #F8A49A

RGB 248 164 154

HSL 6.38, 0.87%, 0.79%

LAB 75.35, 29.9, 18

 

CMYK 0 / 28 / 38 / 3

HEX #F8B39A

RGB 248 179 154

HSL 15.96, 0.87%, 0.79%

LAB 78.77, 22.01, 22.71

 

CMYK 0 / 21 / 38 / 3

HEX #F8C39A

RGB 248 195 154

HSL 26.17, 0.87%, 0.79%

LAB 82.55, 13.59, 27.84

 

CMYK 0 / 15 / 38 / 3

HEX #F8D29A

RGB 248 210 154

HSL 35.74, 0.87%, 0.79%

LAB 86.2, 5.79, 32.71

 

CMYK 0 / 9 / 38 / 3

HEX #F8E29A

RGB 248 226 154

HSL 45.96, 0.87%, 0.79%

LAB 90.18, -2.41, 37.95

 

CMYK 0 / 34 / 38 / 3

HEX #F8A49A

RGB 248 164 154

HSL 6.38, 0.87%, 0.79%

LAB 75.35, 29.9, 18

 

CMYK 0 / 34 / 39 / 83

HEX #2C1D1B

RGB 44 29 27

HSL 7.06, 0.24%, 0.14%

LAB 12.57, 7.01, 4.29

 

CMYK 0 / 34 / 38 / 63

HEX #5F3F3B

RGB 95 63 59

HSL 6.67, 0.23%, 0.3%

LAB 30.17, 13.41, 8.12

 

CMYK 0 / 34 / 38 / 43

HEX #92615B

RGB 146 97 91

HSL 6.55, 0.23%, 0.46%

LAB 46.2, 19.13, 11.55

 

CMYK 0 / 34 / 38 / 23

HEX #C5827A

RGB 197 130 122

HSL 6.4, 0.39%, 0.63%

LAB 60.99, 24.87, 14.97

 

CMYK 0 / 34 / 38 / 3

HEX #F8A49A

RGB 248 164 154

HSL 6.38, 0.87%, 0.79%

LAB 75.35, 29.9, 18

 

CMYK 11 / 0 / 38 / 3

HEX #DCF89A

RGB 220 248 154

HSL 77.87, 0.87%, 0.79%

LAB 93.75, -23.86, 42.16

 

CMYK 38 / 27 / 0 / 3

HEX #9AB6F8

RGB 154 182 248

HSL 222.13, 0.87%, 0.79%

LAB 74.26, 6.35, -35.78

 

CMYK 0 / 34 / 38 / 3

HEX #F8A49A

RGB 248 164 154

HSL 6.38, 0.87%, 0.79%

LAB 75.35, 29.9, 18

 

CMYK 38 / 0 / 34 / 3

HEX #9AF8A4

RGB 154 248 164

HSL 126.38, 0.87%, 0.79%

LAB 90.18, -44.58, 31.81

 

CMYK 34 / 38 / 0 / 3

HEX #A49AF8

RGB 164 154 248

HSL 246.38, 0.87%, 0.79%

LAB 67.86, 24.77, -45.71

 

CMYK 0 / 34 / 38 / 3

HEX #F8A49A

RGB 248 164 154

HSL 6.38, 0.87%, 0.79%

LAB 75.35, 29.9, 18

 

CMYK 11 / 0 / 38 / 3

HEX #DCF89A

RGB 220 248 154

HSL 77.87, 0.87%, 0.79%

LAB 93.75, -23.86, 42.16

 

CMYK 38 / 4 / 0 / 3

HEX #9AEEF8

RGB 154 238 248

HSL 186.38, 0.87%, 0.79%

LAB 89.3, -22.95, -12.88

 

CMYK 27 / 38 / 0 / 3

HEX #B69AF8

RGB 182 154 248

HSL 257.87, 0.87%, 0.79%

LAB 69.35, 29.7, -43.27

 

CMYK 0 / 34 / 38 / 3

HEX #F8A49A

RGB 248 164 154

HSL 6.38, 0.87%, 0.79%

LAB 75.35, 29.9, 18

 

CMYK 23 / 0 / 38 / 3

HEX #C0F89A

RGB 192 248 154

HSL 95.74, 0.87%, 0.79%

LAB 91.99, -33.85, 39.54

 

CMYK 38 / 4 / 0 / 3

HEX #9AEEF8

RGB 154 238 248

HSL 186.38, 0.87%, 0.79%

LAB 89.3, -22.95, -12.88

 

CMYK 15 / 38 / 0 / 3

HEX #D29AF8

RGB 210 154 248

HSL 275.74, 0.87%, 0.79%

LAB 71.95, 37.74, -39.01

 

Description

Color code: RGB 248 164 154 | qconv.com Color code: RGB 248 164 154 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 164 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 164 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 38 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 38% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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