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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 247 39 232 it is the complementary color RGB 8 216 23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 247 39 232. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 247 39 232: RGB 252 39 227, RGB 255 57 246, RGB 255 75 255, RGB 255 93 255 and RGB 255 111 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 247 39 232. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 247 39 232: RGB 247 39 232, RGB 230 21 213, RGB 213 3 194, RGB 196 0 175 and RGB 179 0 156

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 6 / 3

HEX #F727E8

RGB 247 39 232

HSL 304.33, 0.93%, 0.56%

LAB 59.02, 89.85, -50.17

 

Complementary color

CMYK 96 / 0 / 89 / 15

HEX #08D817

RGB 8 216 23

HSL 124.33, 0.93%, 0.44%

LAB 75.59, -75.24, 70.78

 

CMYK 0 / 85 / 10 / 1

HEX #FC27E3

RGB 252 39 227

HSL 307.04, 0.97%, 0.57%

LAB 59.61, 90.08, -46.37

 

CMYK 0 / 78 / 4 / 0

HEX #FF39F6

RGB 255 57 246

HSL 302.73, 1%, 0.61%

LAB 62.37, 89.52, -52.58

 

CMYK 0 / 71 / 0 / 0

HEX #FF4BFF

RGB 255 75 255

HSL 300, 1%, 0.65%

LAB 64.57, 85.88, -54.06

 

CMYK 0 / 64 / 0 / 0

HEX #FF5DFF

RGB 255 93 255

HSL 300, 1%, 0.68%

LAB 66.76, 79.72, -50.61

 

CMYK 0 / 56 / 0 / 0

HEX #FF6FFF

RGB 255 111 255

HSL 300, 1%, 0.72%

LAB 69.36, 72.52, -46.5

 

CMYK 0 / 84 / 6 / 3

HEX #F727E8

RGB 247 39 232

HSL 304.33, 0.93%, 0.56%

LAB 59.02, 89.85, -50.17

 

CMYK 0 / 91 / 7 / 10

HEX #E615D5

RGB 230 21 213

HSL 304.88, 0.83%, 0.49%

LAB 54.2, 86.86, -47.25

 

CMYK 0 / 99 / 9 / 16

HEX #D503C2

RGB 213 3 194

HSL 305.43, 0.97%, 0.42%

LAB 49.62, 82.91, -43.76

 

CMYK 0 / 100 / 11 / 23

HEX #C400AF

RGB 196 0 175

HSL 306.43, 1%, 0.38%

LAB 45.4, 77.66, -39.51

 

CMYK 0 / 100 / 13 / 30

HEX #B3009C

RGB 179 0 156

HSL 307.71, 1%, 0.35%

LAB 41.19, 72.09, -35.01

 

CMYK 0 / 84 / 6 / 3

HEX #F727E8

RGB 247 39 232

HSL 304.33, 0.93%, 0.56%

LAB 59.02, 89.85, -50.17

 

CMYK 0 / 85 / 20 / 3

HEX #F726C6

RGB 247 38 198

HSL 314.07, 0.93%, 0.56%

LAB 57.31, 85.61, -33.57

 

CMYK 0 / 85 / 34 / 3

HEX #F726A3

RGB 247 38 163

HSL 324.11, 0.93%, 0.56%

LAB 55.89, 81.72, -15.41

 

CMYK 0 / 85 / 48 / 3

HEX #F72680

RGB 247 38 128

HSL 334.16, 0.93%, 0.56%

LAB 54.78, 78.59, 3.72

 

CMYK 0 / 85 / 62 / 3

HEX #F7265E

RGB 247 38 94

HSL 343.92, 0.93%, 0.56%

LAB 53.99, 76.31, 23.05

 

CMYK 0 / 84 / 6 / 3

HEX #F727E8

RGB 247 39 232

HSL 304.33, 0.93%, 0.56%

LAB 59.02, 89.85, -50.17

 

CMYK 0 / 84 / 7 / 83

HEX #2B0728

RGB 43 7 40

HSL 305, 0.72%, 0.1%

LAB 7.4, 23.31, -13.2

 

CMYK 0 / 84 / 6 / 63

HEX #5E0F58

RGB 94 15 88

HSL 304.56, 0.72%, 0.21%

LAB 21.67, 42.58, -23.9

 

CMYK 0 / 84 / 6 / 43

HEX #911788

RGB 145 23 136

HSL 304.43, 0.73%, 0.33%

LAB 34.82, 59.45, -33.27

 

CMYK 0 / 84 / 6 / 23

HEX #C41FB8

RGB 196 31 184

HSL 304.36, 0.73%, 0.45%

LAB 47.21, 75.06, -41.95

 

CMYK 0 / 84 / 6 / 3

HEX #F727E8

RGB 247 39 232

HSL 304.33, 0.93%, 0.56%

LAB 59.02, 89.85, -50.17

 

CMYK 0 / 62 / 85 / 3

HEX #F75E26

RGB 247 94 38

HSL 16.08, 0.93%, 0.56%

LAB 59.82, 56.18, 59.23

 

CMYK 85 / 0 / 28 / 3

HEX #26F7B1

RGB 38 247 177

HSL 159.9, 0.93%, 0.56%

LAB 87.05, -63.35, 20.43

 

CMYK 0 / 84 / 6 / 3

HEX #F727E8

RGB 247 39 232

HSL 304.33, 0.93%, 0.56%

LAB 59.02, 89.85, -50.17

 

CMYK 6 / 0 / 85 / 3

HEX #E9F726

RGB 233 247 38

HSL 64.02, 0.93%, 0.56%

LAB 93.44, -26.28, 86.56

 

CMYK 85 / 6 / 0 / 3

HEX #26E9F7

RGB 38 233 247

HSL 184.02, 0.93%, 0.56%

LAB 84.69, -39.4, -19.6

 

CMYK 0 / 84 / 6 / 3

HEX #F727E8

RGB 247 39 232

HSL 304.33, 0.93%, 0.56%

LAB 59.02, 89.85, -50.17

 

CMYK 0 / 62 / 85 / 3

HEX #F75E26

RGB 247 94 38

HSL 16.08, 0.93%, 0.56%

LAB 59.82, 56.18, 59.23

 

CMYK 85 / 0 / 79 / 3

HEX #26F734

RGB 38 247 52

HSL 124.02, 0.93%, 0.56%

LAB 85.6, -80.63, 73.29

 

CMYK 85 / 23 / 0 / 3

HEX #26BFF7

RGB 38 191 247

HSL 196.08, 0.93%, 0.56%

LAB 72.49, -18.92, -38.31

 

CMYK 0 / 84 / 6 / 3

HEX #F727E8

RGB 247 39 232

HSL 304.33, 0.93%, 0.56%

LAB 59.02, 89.85, -50.17

 

CMYK 0 / 37 / 85 / 3

HEX #F79C26

RGB 247 156 38

HSL 33.88, 0.93%, 0.56%

LAB 72.02, 25.82, 69.41

 

CMYK 85 / 0 / 79 / 3

HEX #26F734

RGB 38 247 52

HSL 124.02, 0.93%, 0.56%

LAB 85.6, -80.63, 73.29

 

CMYK 85 / 48 / 0 / 3

HEX #2680F7

RGB 38 128 247

HSL 214.16, 0.93%, 0.56%

LAB 54.62, 17.26, -66.64

 

Description

Color code: RGB 247 39 232 | qconv.com Color code: RGB 247 39 232 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 39 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 39 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 6 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 6% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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