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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 247 150 70 it is the complementary color RGB 8 105 185. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 247 150 70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 247 150 70: RGB 252 150 65, RGB 255 168 84, RGB 255 186 103, RGB 255 204 122 and RGB 255 222 141

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 247 150 70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 247 150 70: RGB 247 150 70, RGB 230 132 51, RGB 213 114 32, RGB 196 96 13 and RGB 179 78 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 72 / 3

HEX #F79646

RGB 247 150 70

HSL 27.12, 0.92%, 0.62%

LAB 70.89, 30.09, 55.96

 

Complementary color

CMYK 96 / 43 / 0 / 27

HEX #0869B9

RGB 8 105 185

HSL 207.12, 0.92%, 0.38%

LAB 43.74, 5.99, -49.01

 

CMYK 0 / 40 / 74 / 1

HEX #FC9641

RGB 252 150 65

HSL 27.27, 0.97%, 0.62%

LAB 71.48, 31.88, 59

 

CMYK 0 / 34 / 67 / 0

HEX #FFA854

RGB 255 168 84

HSL 29.47, 1%, 0.66%

LAB 76.01, 24.66, 55.29

 

CMYK 0 / 27 / 60 / 0

HEX #FFBA67

RGB 255 186 103

HSL 32.76, 1%, 0.7%

LAB 80.38, 16.44, 51.22

 

CMYK 0 / 20 / 52 / 0

HEX #FFCC7A

RGB 255 204 122

HSL 36.99, 1%, 0.74%

LAB 84.92, 8.53, 47.39

 

CMYK 0 / 13 / 45 / 0

HEX #FFDE8D

RGB 255 222 141

HSL 42.63, 1%, 0.78%

LAB 89.59, 1.01, 43.82

 

CMYK 0 / 39 / 72 / 3

HEX #F79646

RGB 247 150 70

HSL 27.12, 0.92%, 0.62%

LAB 70.89, 30.09, 55.96

 

CMYK 0 / 43 / 78 / 10

HEX #E68433

RGB 230 132 51

HSL 27.15, 0.78%, 0.55%

LAB 64.62, 31.79, 57.28

 

CMYK 0 / 46 / 85 / 16

HEX #D57220

RGB 213 114 32

HSL 27.18, 0.74%, 0.48%

LAB 58.31, 33.67, 58.14

 

CMYK 0 / 51 / 93 / 23

HEX #C4600D

RGB 196 96 13

HSL 27.21, 0.88%, 0.41%

LAB 51.98, 35.73, 57.89

 

CMYK 0 / 56 / 100 / 30

HEX #B34E00

RGB 179 78 0

HSL 26.15, 1%, 0.35%

LAB 45.68, 37.92, 55.6

 

CMYK 0 / 39 / 72 / 3

HEX #F79646

RGB 247 150 70

HSL 27.12, 0.92%, 0.62%

LAB 70.89, 30.09, 55.96

 

CMYK 0 / 28 / 72 / 3

HEX #F7B244

RGB 247 178 68

HSL 36.87, 0.92%, 0.62%

LAB 77.3, 15.31, 63.41

 

CMYK 0 / 16 / 72 / 3

HEX #F7D044

RGB 247 208 68

HSL 46.93, 0.92%, 0.62%

LAB 84.64, -0.26, 70.67

 

CMYK 0 / 4 / 72 / 3

HEX #F7EE44

RGB 247 238 68

HSL 56.98, 0.92%, 0.62%

LAB 92.28, -15.26, 77.99

 

CMYK 9 / 0 / 72 / 3

HEX #E2F744

RGB 226 247 68

HSL 67.04, 0.92%, 0.62%

LAB 93.06, -28.07, 78.17

 

CMYK 0 / 39 / 72 / 3

HEX #F79646

RGB 247 150 70

HSL 27.12, 0.92%, 0.62%

LAB 70.89, 30.09, 55.96

 

CMYK 0 / 40 / 72 / 83

HEX #2B1A0C

RGB 43 26 12

HSL 27.1, 0.56%, 0.11%

LAB 11.13, 6.56, 11.76

 

CMYK 0 / 39 / 71 / 63

HEX #5E391B

RGB 94 57 27

HSL 26.87, 0.55%, 0.24%

LAB 27.8, 13.29, 25.1

 

CMYK 0 / 39 / 72 / 43

HEX #915829

RGB 145 88 41

HSL 27.12, 0.56%, 0.36%

LAB 43, 19.24, 36.27

 

CMYK 0 / 39 / 71 / 23

HEX #C47738

RGB 196 119 56

HSL 27, 0.56%, 0.49%

LAB 57.28, 24.84, 46.14

 

CMYK 0 / 39 / 72 / 3

HEX #F79646

RGB 247 150 70

HSL 27.12, 0.92%, 0.62%

LAB 70.89, 30.09, 55.96

 

CMYK 47 / 0 / 72 / 3

HEX #83F744

RGB 131 247 68

HSL 98.88, 0.92%, 0.62%

LAB 87.85, -61.85, 71.33

 

CMYK 69 / 72 / 0 / 3

HEX #4D44F7

RGB 77 68 247

HSL 243.02, 0.92%, 0.62%

LAB 41.89, 57.09, -87.36

 

CMYK 0 / 39 / 72 / 3

HEX #F79646

RGB 247 150 70

HSL 27.12, 0.92%, 0.62%

LAB 70.89, 30.09, 55.96

 

CMYK 72 / 0 / 40 / 3

HEX #44F795

RGB 68 247 149

HSL 147.15, 0.92%, 0.62%

LAB 86.96, -65.78, 34.55

 

CMYK 40 / 72 / 0 / 3

HEX #9544F7

RGB 149 68 247

HSL 267.15, 0.92%, 0.62%

LAB 48.56, 66.82, -76.16

 

CMYK 0 / 39 / 72 / 3

HEX #F79646

RGB 247 150 70

HSL 27.12, 0.92%, 0.62%

LAB 70.89, 30.09, 55.96

 

CMYK 47 / 0 / 72 / 3

HEX #83F744

RGB 131 247 68

HSL 98.88, 0.92%, 0.62%

LAB 87.85, -61.85, 71.33

 

CMYK 72 / 32 / 0 / 3

HEX #44A7F7

RGB 68 167 247

HSL 206.82, 0.92%, 0.62%

LAB 66.2, -2.92, -48.12

 

CMYK 26 / 72 / 0 / 3

HEX #B844F7

RGB 184 68 247

HSL 278.88, 0.92%, 0.62%

LAB 52.99, 72.96, -68.76

 

CMYK 0 / 39 / 72 / 3

HEX #F79646

RGB 247 150 70

HSL 27.12, 0.92%, 0.62%

LAB 70.89, 30.09, 55.96

 

CMYK 69 / 0 / 72 / 3

HEX #4DF744

RGB 77 247 68

HSL 116.98, 0.92%, 0.62%

LAB 86.26, -74.52, 69.21

 

CMYK 72 / 32 / 0 / 3

HEX #44A7F7

RGB 68 167 247

HSL 206.82, 0.92%, 0.62%

LAB 66.2, -2.92, -48.12

 

CMYK 4 / 72 / 0 / 3

HEX #EE44F7

RGB 238 68 247

HSL 296.98, 0.92%, 0.62%

LAB 60.81, 83.35, -55.79

 

Description

Color code: RGB 247 150 70 | qconv.com Color code: RGB 247 150 70 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 150 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 150 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 72 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 72% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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