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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 247 139 126 it is the complementary color RGB 8 116 129. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 247 139 126. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 247 139 126: RGB 252 139 121, RGB 255 157 140, RGB 255 175 159, RGB 255 193 178 and RGB 255 211 197

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 247 139 126. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 247 139 126: RGB 247 139 126, RGB 230 121 107, RGB 213 103 88, RGB 196 85 69 and RGB 179 67 50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 49 / 3

HEX #F78B7E

RGB 247 139 126

HSL 6.45, 0.88%, 0.73%

LAB 69.29, 39.62, 25.07

 

Complementary color

CMYK 94 / 10 / 0 / 49

HEX #087481

RGB 8 116 129

HSL 186.45, 0.88%, 0.27%

LAB 44.42, -21.97, -14.87

 

CMYK 0 / 45 / 52 / 1

HEX #FC8B79

RGB 252 139 121

HSL 8.24, 0.96%, 0.73%

LAB 69.85, 41.04, 28.69

 

CMYK 0 / 38 / 45 / 0

HEX #FF9D8C

RGB 255 157 140

HSL 8.87, 1%, 0.77%

LAB 74.36, 34.69, 24.4

 

CMYK 0 / 31 / 38 / 0

HEX #FFAF9F

RGB 255 175 159

HSL 10, 1%, 0.81%

LAB 78.71, 27.33, 20.06

 

CMYK 0 / 24 / 30 / 0

HEX #FFC1B2

RGB 255 193 178

HSL 11.69, 1%, 0.85%

LAB 83.24, 20.19, 16.18

 

CMYK 0 / 17 / 23 / 0

HEX #FFD3C5

RGB 255 211 197

HSL 14.48, 1%, 0.89%

LAB 87.91, 13.35, 12.71

 

CMYK 0 / 44 / 49 / 3

HEX #F78B7E

RGB 247 139 126

HSL 6.45, 0.88%, 0.73%

LAB 69.29, 39.62, 25.07

 

CMYK 0 / 47 / 53 / 10

HEX #E6796B

RGB 230 121 107

HSL 6.83, 0.71%, 0.66%

LAB 62.98, 40.8, 26.85

 

CMYK 0 / 52 / 59 / 16

HEX #D56758

RGB 213 103 88

HSL 7.2, 0.6%, 0.59%

LAB 56.64, 42.03, 28.88

 

CMYK 0 / 57 / 65 / 23

HEX #C45545

RGB 196 85 69

HSL 7.56, 0.52%, 0.52%

LAB 50.29, 43.31, 31.21

 

CMYK 0 / 63 / 72 / 30

HEX #B34332

RGB 179 67 50

HSL 7.91, 0.56%, 0.45%

LAB 43.99, 44.54, 33.91

 

CMYK 0 / 44 / 49 / 3

HEX #F78B7E

RGB 247 139 126

HSL 6.45, 0.88%, 0.73%

LAB 69.29, 39.62, 25.07

 

CMYK 0 / 36 / 49 / 4

HEX #F69D7D

RGB 246 157 125

HSL 15.87, 0.87%, 0.73%

LAB 73.02, 29.83, 30.53

 

CMYK 0 / 28 / 49 / 4

HEX #F6B27D

RGB 246 178 125

HSL 26.28, 0.87%, 0.73%

LAB 77.82, 18.77, 36.77

 

CMYK 0 / 20 / 49 / 4

HEX #F6C67D

RGB 246 198 125

HSL 36.2, 0.87%, 0.73%

LAB 82.63, 8.29, 42.86

 

CMYK 0 / 11 / 49 / 4

HEX #F6DA7D

RGB 246 218 125

HSL 46.12, 0.87%, 0.73%

LAB 87.59, -2.01, 49

 

CMYK 0 / 44 / 49 / 3

HEX #F78B7E

RGB 247 139 126

HSL 6.45, 0.88%, 0.73%

LAB 69.29, 39.62, 25.07

 

CMYK 0 / 44 / 49 / 83

HEX #2B1816

RGB 43 24 22

HSL 5.71, 0.32%, 0.13%

LAB 10.74, 9.26, 5.38

 

CMYK 0 / 44 / 49 / 63

HEX #5E3530

RGB 94 53 48

HSL 6.52, 0.32%, 0.28%

LAB 27.13, 17.76, 11.07

 

CMYK 0 / 43 / 49 / 43

HEX #91524A

RGB 145 82 74

HSL 6.76, 0.32%, 0.43%

LAB 42.08, 25.35, 16.15

 

CMYK 0 / 44 / 49 / 23

HEX #C46E64

RGB 196 110 100

HSL 6.25, 0.45%, 0.58%

LAB 55.89, 32.95, 20.58

 

CMYK 0 / 44 / 49 / 3

HEX #F78B7E

RGB 247 139 126

HSL 6.45, 0.88%, 0.73%

LAB 69.29, 39.62, 25.07

 

CMYK 15 / 0 / 49 / 4

HEX #D2F67D

RGB 210 246 125

HSL 77.85, 0.87%, 0.73%

LAB 92.17, -29.77, 53.92

 

CMYK 49 / 35 / 0 / 4

HEX #7DA1F6

RGB 125 161 246

HSL 222.15, 0.87%, 0.73%

LAB 66.9, 10.47, -46.31

 

CMYK 0 / 44 / 49 / 3

HEX #F78B7E

RGB 247 139 126

HSL 6.45, 0.88%, 0.73%

LAB 69.29, 39.62, 25.07

 

CMYK 49 / 0 / 44 / 4

HEX #7DF689

RGB 125 246 137

HSL 125.95, 0.87%, 0.73%

LAB 88.01, -55.94, 42.11

 

CMYK 44 / 49 / 0 / 4

HEX #897DF6

RGB 137 125 246

HSL 245.95, 0.87%, 0.73%

LAB 58.64, 34.2, -59.37

 

CMYK 0 / 44 / 49 / 3

HEX #F78B7E

RGB 247 139 126

HSL 6.45, 0.88%, 0.73%

LAB 69.29, 39.62, 25.07

 

CMYK 15 / 0 / 49 / 4

HEX #D2F67D

RGB 210 246 125

HSL 77.85, 0.87%, 0.73%

LAB 92.17, -29.77, 53.92

 

CMYK 49 / 5 / 0 / 4

HEX #7DEAF6

RGB 125 234 246

HSL 185.95, 0.87%, 0.73%

LAB 86.93, -28.23, -15.51

 

CMYK 35 / 49 / 0 / 4

HEX #A17DF6

RGB 161 125 246

HSL 257.85, 0.87%, 0.73%

LAB 60.69, 39.91, -55.98

 

CMYK 0 / 44 / 49 / 3

HEX #F78B7E

RGB 247 139 126

HSL 6.45, 0.88%, 0.73%

LAB 69.29, 39.62, 25.07

 

CMYK 29 / 0 / 49 / 4

HEX #AEF67D

RGB 174 246 125

HSL 95.7, 0.87%, 0.73%

LAB 90.04, -42.67, 50.84

 

CMYK 49 / 5 / 0 / 4

HEX #7DEAF6

RGB 125 234 246

HSL 185.95, 0.87%, 0.73%

LAB 86.93, -28.23, -15.51

 

CMYK 20 / 49 / 0 / 4

HEX #C67DF6

RGB 198 125 246

HSL 276.2, 0.87%, 0.73%

LAB 64.42, 49.45, -49.82

 

Description

Color code: RGB 247 139 126 | qconv.com Color code: RGB 247 139 126 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 139 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 139 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 49 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 49% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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