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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 247 125 63 it is the complementary color RGB 8 130 192. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 247 125 63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 247 125 63: RGB 252 125 58, RGB 255 143 77, RGB 255 161 96, RGB 255 179 115 and RGB 255 197 134

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 247 125 63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 247 125 63: RGB 247 125 63, RGB 230 107 44, RGB 213 89 25, RGB 196 71 6 and RGB 179 53 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 74 / 3

HEX #F77D3F

RGB 247 125 63

HSL 20.22, 0.92%, 0.61%

LAB 65.59, 42.54, 53.67

 

Complementary color

CMYK 96 / 32 / 0 / 25

HEX #0882C0

RGB 8 130 192

HSL 200.22, 0.92%, 0.39%

LAB 51.64, -6.56, -40.48

 

CMYK 0 / 50 / 77 / 1

HEX #FC7D3A

RGB 252 125 58

HSL 20.72, 0.97%, 0.61%

LAB 66.27, 44.25, 56.88

 

CMYK 0 / 44 / 70 / 0

HEX #FF8F4D

RGB 255 143 77

HSL 22.25, 1%, 0.65%

LAB 70.48, 37.22, 52.54

 

CMYK 0 / 37 / 62 / 0

HEX #FFA160

RGB 255 161 96

HSL 24.53, 1%, 0.69%

LAB 74.57, 29.03, 47.84

 

CMYK 0 / 30 / 55 / 0

HEX #FFB373

RGB 255 179 115

HSL 27.43, 1%, 0.73%

LAB 78.89, 20.99, 43.47

 

CMYK 0 / 23 / 47 / 0

HEX #FFC586

RGB 255 197 134

HSL 31.24, 1%, 0.76%

LAB 83.4, 13.23, 39.46

 

CMYK 0 / 49 / 74 / 3

HEX #F77D3F

RGB 247 125 63

HSL 20.22, 0.92%, 0.61%

LAB 65.59, 42.54, 53.67

 

CMYK 0 / 53 / 81 / 10

HEX #E66B2C

RGB 230 107 44

HSL 20.32, 0.79%, 0.54%

LAB 59.45, 44.23, 55.39

 

CMYK 0 / 58 / 88 / 16

HEX #D55919

RGB 213 89 25

HSL 20.43, 0.79%, 0.47%

LAB 53.34, 45.98, 56.58

 

CMYK 0 / 64 / 97 / 23

HEX #C44706

RGB 196 71 6

HSL 20.53, 0.94%, 0.4%

LAB 47.31, 47.7, 56.47

 

CMYK 0 / 70 / 100 / 30

HEX #B33500

RGB 179 53 0

HSL 17.77, 1%, 0.35%

LAB 41.42, 49.21, 53.36

 

CMYK 0 / 49 / 74 / 3

HEX #F77D3F

RGB 247 125 63

HSL 20.22, 0.92%, 0.61%

LAB 65.59, 42.54, 53.67

 

CMYK 0 / 37 / 74 / 3

HEX #F79B40

RGB 247 155 64

HSL 29.84, 0.92%, 0.61%

LAB 71.95, 27.21, 59.71

 

CMYK 0 / 25 / 74 / 3

HEX #F7BA40

RGB 247 186 64

HSL 40, 0.92%, 0.61%

LAB 79.19, 10.95, 66.87

 

CMYK 0 / 13 / 74 / 3

HEX #F7D840

RGB 247 216 64

HSL 49.84, 0.92%, 0.61%

LAB 86.63, -4.5, 73.99

 

CMYK 0 / 0 / 74 / 3

HEX #F7F740

RGB 247 247 64

HSL 60, 0.92%, 0.61%

LAB 94.6, -19.77, 81.42

 

CMYK 0 / 49 / 74 / 3

HEX #F77D3F

RGB 247 125 63

HSL 20.22, 0.92%, 0.61%

LAB 65.59, 42.54, 53.67

 

CMYK 0 / 49 / 74 / 83

HEX #2B160B

RGB 43 22 11

HSL 20.63, 0.59%, 0.11%

LAB 9.89, 9.31, 10.46

 

CMYK 0 / 49 / 74 / 63

HEX #5E3018

RGB 94 48 24

HSL 20.57, 0.59%, 0.23%

LAB 25.44, 18.65, 24.19

 

CMYK 0 / 50 / 74 / 43

HEX #914925

RGB 145 73 37

HSL 20, 0.59%, 0.36%

LAB 39.44, 27.53, 34.53

 

CMYK 0 / 49 / 74 / 23

HEX #C46332

RGB 196 99 50

HSL 20.14, 0.59%, 0.48%

LAB 52.83, 35.23, 44.36

 

CMYK 0 / 49 / 74 / 3

HEX #F77D3F

RGB 247 125 63

HSL 20.22, 0.92%, 0.61%

LAB 65.59, 42.54, 53.67

 

CMYK 40 / 0 / 74 / 3

HEX #95F740

RGB 149 247 64

HSL 92.13, 0.92%, 0.61%

LAB 88.58, -56.57, 73.6

 

CMYK 74 / 69 / 0 / 3

HEX #404CF7

RGB 64 76 247

HSL 236.07, 0.92%, 0.61%

LAB 42.72, 51.47, -86.01

 

CMYK 0 / 49 / 74 / 3

HEX #F77D3F

RGB 247 125 63

HSL 20.22, 0.92%, 0.61%

LAB 65.59, 42.54, 53.67

 

CMYK 74 / 0 / 49 / 3

HEX #40F77D

RGB 64 247 125

HSL 140, 0.92%, 0.61%

LAB 86.55, -70.24, 45.69

 

CMYK 49 / 74 / 0 / 3

HEX #7D40F7

RGB 125 64 247

HSL 260, 0.92%, 0.61%

LAB 45.28, 64.87, -81.64

 

CMYK 0 / 49 / 74 / 3

HEX #F77D3F

RGB 247 125 63

HSL 20.22, 0.92%, 0.61%

LAB 65.59, 42.54, 53.67

 

CMYK 40 / 0 / 74 / 3

HEX #95F740

RGB 149 247 64

HSL 92.13, 0.92%, 0.61%

LAB 88.58, -56.57, 73.6

 

CMYK 74 / 25 / 0 / 3

HEX #40BAF7

RGB 64 186 247

HSL 200, 0.92%, 0.61%

LAB 71.5, -13.86, -39.81

 

CMYK 35 / 74 / 0 / 3

HEX #A140F7

RGB 161 64 247

HSL 271.8, 0.92%, 0.61%

LAB 49.45, 70.46, -74.65

 

CMYK 0 / 49 / 74 / 3

HEX #F77D3F

RGB 247 125 63

HSL 20.22, 0.92%, 0.61%

LAB 65.59, 42.54, 53.67

 

CMYK 62 / 0 / 74 / 3

HEX #5EF740

RGB 94 247 64

HSL 110.16, 0.92%, 0.61%

LAB 86.64, -71.49, 71.04

 

CMYK 74 / 25 / 0 / 3

HEX #40BAF7

RGB 64 186 247

HSL 200, 0.92%, 0.61%

LAB 71.5, -13.86, -39.81

 

CMYK 13 / 74 / 0 / 3

HEX #D840F7

RGB 216 64 247

HSL 289.84, 0.92%, 0.61%

LAB 57.06, 80.32, -61.98

 

Description

Color code: RGB 247 125 63 | qconv.com Color code: RGB 247 125 63 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 125 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 125 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 74 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 74% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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