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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 247 125 173 it is the complementary color RGB 8 130 82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 247 125 173. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 247 125 173: RGB 252 125 168, RGB 255 143 187, RGB 255 161 206, RGB 255 179 225 and RGB 255 197 244

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 247 125 173. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 247 125 173: RGB 247 125 173, RGB 230 107 154, RGB 213 89 135, RGB 196 71 116 and RGB 179 53 97

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 30 / 3

HEX #F77DAD

RGB 247 125 173

HSL 336.39, 0.88%, 0.73%

LAB 67.62, 51.72, -3.65

 

Complementary color

CMYK 94 / 0 / 37 / 49

HEX #088252

RGB 8 130 82

HSL 156.39, 0.88%, 0.27%

LAB 47.79, -42.04, 17.72

 

CMYK 0 / 50 / 33 / 1

HEX #FC7DA8

RGB 252 125 168

HSL 339.69, 0.95%, 0.74%

LAB 68.16, 52.75, 0.05

 

CMYK 0 / 44 / 27 / 0

HEX #FF8FBB

RGB 255 143 187

HSL 336.43, 1%, 0.78%

LAB 72.56, 47.28, -4.08

 

CMYK 0 / 37 / 19 / 0

HEX #FFA1CE

RGB 255 161 206

HSL 331.28, 1%, 0.82%

LAB 76.8, 40.78, -8.26

 

CMYK 0 / 30 / 12 / 0

HEX #FFB3E1

RGB 255 179 225

HSL 323.68, 1%, 0.85%

LAB 81.26, 34.36, -11.93

 

CMYK 0 / 23 / 4 / 0

HEX #FFC5F4

RGB 255 197 244

HSL 311.38, 1%, 0.89%

LAB 85.87, 28.1, -15.19

 

CMYK 0 / 49 / 30 / 3

HEX #F77DAD

RGB 247 125 173

HSL 336.39, 0.88%, 0.73%

LAB 67.62, 51.72, -3.65

 

CMYK 0 / 53 / 33 / 10

HEX #E66B9A

RGB 230 107 154

HSL 337.07, 0.71%, 0.66%

LAB 61.37, 52.49, -2.28

 

CMYK 0 / 58 / 37 / 16

HEX #D55987

RGB 213 89 135

HSL 337.74, 0.6%, 0.59%

LAB 55.11, 53.17, -0.68

 

CMYK 0 / 64 / 41 / 23

HEX #C44774

RGB 196 71 116

HSL 338.4, 0.51%, 0.52%

LAB 48.89, 53.68, 1.27

 

CMYK 0 / 70 / 46 / 30

HEX #B33561

RGB 179 53 97

HSL 339.05, 0.54%, 0.45%

LAB 42.75, 53.85, 3.69

 

CMYK 0 / 49 / 30 / 3

HEX #F77DAD

RGB 247 125 173

HSL 336.39, 0.88%, 0.73%

LAB 67.62, 51.72, -3.65

 

CMYK 0 / 49 / 38 / 4

HEX #F67D99

RGB 246 125 153

HSL 346.12, 0.87%, 0.73%

LAB 66.95, 49.01, 6.66

 

CMYK 0 / 49 / 46 / 4

HEX #F67D85

RGB 246 125 133

HSL 356.03, 0.87%, 0.73%

LAB 66.48, 46.94, 17.32

 

CMYK 0 / 44 / 49 / 4

HEX #F6897D

RGB 246 137 125

HSL 5.95, 0.87%, 0.73%

LAB 68.73, 40.18, 24.84

 

CMYK 0 / 36 / 49 / 4

HEX #F69D7D

RGB 246 157 125

HSL 15.87, 0.87%, 0.73%

LAB 73.02, 29.83, 30.53

 

CMYK 0 / 49 / 30 / 3

HEX #F77DAD

RGB 247 125 173

HSL 336.39, 0.88%, 0.73%

LAB 67.62, 51.72, -3.65

 

CMYK 0 / 49 / 30 / 83

HEX #2B161E

RGB 43 22 30

HSL 337.14, 0.32%, 0.13%

LAB 10.42, 12.03, -1.04

 

CMYK 0 / 49 / 30 / 63

HEX #5E3042

RGB 94 48 66

HSL 336.52, 0.32%, 0.28%

LAB 26.41, 23.29, -1.9

 

CMYK 0 / 50 / 30 / 43

HEX #914966

RGB 145 73 102

HSL 335.83, 0.33%, 0.43%

LAB 40.81, 33.83, -2.93

 

CMYK 0 / 49 / 30 / 23

HEX #C46389

RGB 196 99 137

HSL 336.49, 0.45%, 0.58%

LAB 54.52, 42.94, -3.02

 

CMYK 0 / 49 / 30 / 3

HEX #F77DAD

RGB 247 125 173

HSL 336.39, 0.88%, 0.73%

LAB 67.62, 51.72, -3.65

 

CMYK 0 / 10 / 49 / 4

HEX #F6DE7D

RGB 246 222 125

HSL 48.1, 0.87%, 0.73%

LAB 88.6, -4.04, 50.23

 

CMYK 49 / 10 / 0 / 4

HEX #7DDEF6

RGB 125 222 246

HSL 191.9, 0.87%, 0.73%

LAB 83.58, -22.35, -20.56

 

CMYK 0 / 49 / 30 / 3

HEX #F77DAD

RGB 247 125 173

HSL 336.39, 0.88%, 0.73%

LAB 67.62, 51.72, -3.65

 

CMYK 29 / 0 / 49 / 4

HEX #AEF67D

RGB 174 246 125

HSL 95.7, 0.87%, 0.73%

LAB 90.04, -42.67, 50.84

 

CMYK 49 / 29 / 0 / 4

HEX #7DAEF6

RGB 125 174 246

HSL 215.7, 0.87%, 0.73%

LAB 70.38, 3.1, -40.86

 

CMYK 0 / 49 / 30 / 3

HEX #F77DAD

RGB 247 125 173

HSL 336.39, 0.88%, 0.73%

LAB 67.62, 51.72, -3.65

 

CMYK 0 / 10 / 49 / 4

HEX #F6DE7D

RGB 246 222 125

HSL 48.1, 0.87%, 0.73%

LAB 88.6, -4.04, 50.23

 

CMYK 49 / 0 / 20 / 4

HEX #7DF6C6

RGB 125 246 198

HSL 156.2, 0.87%, 0.73%

LAB 89.09, -45.06, 12.73

 

CMYK 49 / 39 / 0 / 4

HEX #7D95F6

RGB 125 149 246

HSL 228.1, 0.87%, 0.73%

LAB 63.76, 17.43, -51.27

 

CMYK 0 / 49 / 30 / 3

HEX #F77DAD

RGB 247 125 173

HSL 336.39, 0.88%, 0.73%

LAB 67.62, 51.72, -3.65

 

CMYK 5 / 0 / 49 / 4

HEX #EAF67D

RGB 234 246 125

HSL 65.95, 0.87%, 0.73%

LAB 93.83, -20.62, 56.3

 

CMYK 49 / 0 / 20 / 4

HEX #7DF6C6

RGB 125 246 198

HSL 156.2, 0.87%, 0.73%

LAB 89.09, -45.06, 12.73

 

CMYK 44 / 49 / 0 / 4

HEX #897DF6

RGB 137 125 246

HSL 245.95, 0.87%, 0.73%

LAB 58.64, 34.2, -59.37

 

Description

Color code: RGB 247 125 173 | qconv.com Color code: RGB 247 125 173 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 125 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 125 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 30 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 30% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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