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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 246 75 167 it is the complementary color RGB 9 180 88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 246 75 167. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 246 75 167: RGB 251 75 162, RGB 255 93 181, RGB 255 111 200, RGB 255 129 219 and RGB 255 147 238

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 246 75 167. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 246 75 167: RGB 246 75 167, RGB 229 57 148, RGB 212 39 129, RGB 195 21 110 and RGB 178 3 91

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 32 / 4

HEX #F64BA7

RGB 246 75 167

HSL 327.72, 0.9%, 0.63%

LAB 59.36, 71.96, -12.53

 

Complementary color

CMYK 95 / 0 / 51 / 29

HEX #09B458

RGB 9 180 88

HSL 147.72, 0.9%, 0.37%

LAB 64.49, -58.76, 36.12

 

CMYK 0 / 70 / 35 / 2

HEX #FB4BA2

RGB 251 75 162

HSL 330.34, 0.96%, 0.64%

LAB 60.02, 72.74, -8.54

 

CMYK 0 / 64 / 29 / 0

HEX #FF5DB5

RGB 255 93 181

HSL 327.41, 1%, 0.68%

LAB 63.69, 69.32, -13.92

 

CMYK 0 / 56 / 22 / 0

HEX #FF6FC8

RGB 255 111 200

HSL 322.92, 1%, 0.72%

LAB 67.13, 64.21, -19.48

 

CMYK 0 / 49 / 14 / 0

HEX #FF81DB

RGB 255 129 219

HSL 317.14, 1%, 0.75%

LAB 70.92, 58.68, -24.28

 

CMYK 0 / 42 / 7 / 0

HEX #FF93EE

RGB 255 147 238

HSL 309.44, 1%, 0.79%

LAB 75.01, 52.92, -28.44

 

CMYK 0 / 70 / 32 / 4

HEX #F64BA7

RGB 246 75 167

HSL 327.72, 0.9%, 0.63%

LAB 59.36, 71.96, -12.53

 

CMYK 0 / 75 / 35 / 10

HEX #E53994

RGB 229 57 148

HSL 328.26, 0.77%, 0.56%

LAB 53.73, 71.37, -10.13

 

CMYK 0 / 82 / 39 / 17

HEX #D42781

RGB 212 39 129

HSL 328.79, 0.69%, 0.49%

LAB 48.3, 70.09, -7.16

 

CMYK 0 / 89 / 44 / 24

HEX #C3156E

RGB 195 21 110

HSL 329.31, 0.81%, 0.42%

LAB 43.16, 67.86, -3.46

 

CMYK 0 / 98 / 49 / 30

HEX #B2035B

RGB 178 3 91

HSL 329.83, 0.97%, 0.35%

LAB 38.35, 64.51, 1.09

 

CMYK 0 / 70 / 32 / 4

HEX #F64BA7

RGB 246 75 167

HSL 327.72, 0.9%, 0.63%

LAB 59.36, 71.96, -12.53

 

CMYK 0 / 69 / 43 / 4

HEX #F54B8C

RGB 245 75 140

HSL 337.06, 0.89%, 0.63%

LAB 58.36, 68.92, 1.74

 

CMYK 0 / 69 / 54 / 4

HEX #F54B70

RGB 245 75 112

HSL 346.94, 0.89%, 0.63%

LAB 57.67, 66.58, 17.25

 

CMYK 0 / 69 / 66 / 4

HEX #F54B54

RGB 245 75 84

HSL 356.82, 0.89%, 0.63%

LAB 57.16, 64.81, 32.91

 

CMYK 0 / 61 / 69 / 4

HEX #F55F4B

RGB 245 95 75

HSL 7.06, 0.89%, 0.63%

LAB 59.98, 56.38, 41.33

 

CMYK 0 / 70 / 32 / 4

HEX #F64BA7

RGB 246 75 167

HSL 327.72, 0.9%, 0.63%

LAB 59.36, 71.96, -12.53

 

CMYK 0 / 69 / 31 / 84

HEX #2A0D1D

RGB 42 13 29

HSL 326.9, 0.53%, 0.11%

LAB 7.85, 17.41, -4.13

 

CMYK 0 / 70 / 32 / 64

HEX #5D1C3F

RGB 93 28 63

HSL 327.69, 0.54%, 0.24%

LAB 22, 33.34, -6.45

 

CMYK 0 / 69 / 32 / 44

HEX #902C62

RGB 144 44 98

HSL 327.6, 0.53%, 0.37%

LAB 35.23, 47.01, -8.74

 

CMYK 0 / 70 / 32 / 24

HEX #C33B84

RGB 195 59 132

HSL 327.79, 0.54%, 0.5%

LAB 47.49, 59.96, -10.51

 

CMYK 0 / 70 / 32 / 4

HEX #F64BA7

RGB 246 75 167

HSL 327.72, 0.9%, 0.63%

LAB 59.36, 71.96, -12.53

 

CMYK 0 / 24 / 69 / 4

HEX #F5BA4B

RGB 245 186 75

HSL 39.18, 0.89%, 0.63%

LAB 79.06, 10.62, 62.23

 

CMYK 69 / 3 / 0 / 4

HEX #4BEDF5

RGB 75 237 245

HSL 182.82, 0.89%, 0.63%

LAB 86.33, -38.36, -16.02

 

CMYK 0 / 70 / 32 / 4

HEX #F64BA7

RGB 246 75 167

HSL 327.72, 0.9%, 0.63%

LAB 59.36, 71.96, -12.53

 

CMYK 31 / 0 / 69 / 4

HEX #A9F54B

RGB 169 245 75

HSL 86.82, 0.89%, 0.63%

LAB 89.04, -48.36, 70.65

 

CMYK 69 / 31 / 0 / 4

HEX #4BA9F5

RGB 75 169 245

HSL 206.82, 0.89%, 0.63%

LAB 66.87, -3.78, -45.96

 

CMYK 0 / 70 / 32 / 4

HEX #F64BA7

RGB 246 75 167

HSL 327.72, 0.9%, 0.63%

LAB 59.36, 71.96, -12.53

 

CMYK 0 / 24 / 69 / 4

HEX #F5BA4B

RGB 245 186 75

HSL 39.18, 0.89%, 0.63%

LAB 79.06, 10.62, 62.23

 

CMYK 69 / 0 / 38 / 4

HEX #4BF598

RGB 75 245 152

HSL 147.18, 0.89%, 0.63%

LAB 86.54, -63.5, 32.52

 

CMYK 69 / 45 / 0 / 4

HEX #4B87F5

RGB 75 135 245

HSL 218.82, 0.89%, 0.63%

LAB 57.48, 16.16, -60.88

 

CMYK 0 / 70 / 32 / 4

HEX #F64BA7

RGB 246 75 167

HSL 327.72, 0.9%, 0.63%

LAB 59.36, 71.96, -12.53

 

CMYK 0 / 3 / 69 / 4

HEX #F5ED4B

RGB 245 237 75

HSL 57.18, 0.89%, 0.63%

LAB 91.9, -15.27, 75.18

 

CMYK 69 / 0 / 38 / 4

HEX #4BF598

RGB 75 245 152

HSL 147.18, 0.89%, 0.63%

LAB 86.54, -63.5, 32.52

 

CMYK 69 / 66 / 0 / 4

HEX #4B54F5

RGB 75 84 245

HSL 236.82, 0.89%, 0.63%

LAB 44.84, 47.3, -81.38

 

Description

Color code: RGB 246 75 167 | qconv.com Color code: RGB 246 75 167 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 75 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 75 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 32 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 32% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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