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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 246 3 174 it is the complementary color RGB 9 252 81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 246 3 174. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 246 3 174: RGB 251 3 169, RGB 255 21 188, RGB 255 39 207, RGB 255 57 226 and RGB 255 75 245

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 246 3 174. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 246 3 174: RGB 246 3 174, RGB 229 0 155, RGB 212 0 136, RGB 195 0 117 and RGB 178 0 98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 99 / 29 / 4

HEX #F603AE

RGB 246 3 174

HSL 317.78, 0.98%, 0.49%

LAB 54.78, 86.58, -23.58

 

Complementary color

CMYK 96 / 0 / 68 / 1

HEX #09FC51

RGB 9 252 81

HSL 137.78, 0.98%, 0.51%

LAB 87.13, -81.4, 65.21

 

CMYK 0 / 99 / 33 / 2

HEX #FB03A9

RGB 251 3 169

HSL 319.84, 0.98%, 0.5%

LAB 55.52, 87.04, -19.43

 

CMYK 0 / 92 / 26 / 0

HEX #FF15BC

RGB 255 21 188

HSL 317.18, 1%, 0.54%

LAB 57.49, 88.43, -27.41

 

CMYK 0 / 85 / 19 / 0

HEX #FF27CF

RGB 255 39 207

HSL 313.33, 1%, 0.58%

LAB 59.17, 88.11, -35.7

 

CMYK 0 / 78 / 11 / 0

HEX #FF39E2

RGB 255 57 226

HSL 308.79, 1%, 0.61%

LAB 61.37, 86.73, -42.99

 

CMYK 0 / 71 / 4 / 0

HEX #FF4BF5

RGB 255 75 245

HSL 303.33, 1%, 0.65%

LAB 64.07, 84.36, -49.34

 

CMYK 0 / 99 / 29 / 4

HEX #F603AE

RGB 246 3 174

HSL 317.78, 0.98%, 0.49%

LAB 54.78, 86.58, -23.58

 

CMYK 0 / 100 / 32 / 10

HEX #E5009B

RGB 229 0 155

HSL 319.39, 1%, 0.45%

LAB 50.72, 81.51, -18.86

 

CMYK 0 / 100 / 36 / 17

HEX #D40088

RGB 212 0 136

HSL 321.51, 1%, 0.42%

LAB 46.68, 76.2, -13.87

 

CMYK 0 / 100 / 40 / 24

HEX #C30075

RGB 195 0 117

HSL 324, 1%, 0.38%

LAB 42.59, 70.84, -8.67

 

CMYK 0 / 100 / 45 / 30

HEX #B20062

RGB 178 0 98

HSL 326.97, 1%, 0.35%

LAB 38.46, 65.44, -3.23

 

CMYK 0 / 99 / 29 / 4

HEX #F603AE

RGB 246 3 174

HSL 317.78, 0.98%, 0.49%

LAB 54.78, 86.58, -23.58

 

CMYK 0 / 99 / 45 / 3

HEX #F70289

RGB 247 2 137

HSL 326.94, 0.98%, 0.49%

LAB 53.63, 83.41, -3.36

 

CMYK 0 / 99 / 61 / 3

HEX #F70260

RGB 247 2 96

HSL 336.98, 0.98%, 0.49%

LAB 52.58, 80.63, 19.96

 

CMYK 0 / 99 / 78 / 3

HEX #F70237

RGB 247 2 55

HSL 347.02, 0.98%, 0.49%

LAB 51.94, 78.91, 43.51

 

CMYK 0 / 99 / 94 / 3

HEX #F7020E

RGB 247 2 14

HSL 357.06, 0.98%, 0.49%

LAB 51.67, 78.15, 62.03

 

CMYK 0 / 99 / 29 / 4

HEX #F603AE

RGB 246 3 174

HSL 317.78, 0.98%, 0.49%

LAB 54.78, 86.58, -23.58

 

CMYK 0 / 98 / 29 / 84

HEX #2A011E

RGB 42 1 30

HSL 317.56, 0.95%, 0.08%

LAB 5.49, 23.8, -8.45

 

CMYK 0 / 99 / 29 / 64

HEX #5D0142

RGB 93 1 66

HSL 317.61, 0.98%, 0.18%

LAB 18.98, 42.72, -13.14

 

CMYK 0 / 99 / 29 / 44

HEX #900266

RGB 144 2 102

HSL 317.75, 0.97%, 0.29%

LAB 31.65, 58.17, -16.76

 

CMYK 0 / 99 / 29 / 24

HEX #C3028A

RGB 195 2 138

HSL 317.72, 0.98%, 0.39%

LAB 43.48, 72.78, -20.27

 

CMYK 0 / 99 / 29 / 4

HEX #F603AE

RGB 246 3 174

HSL 317.78, 0.98%, 0.49%

LAB 54.78, 86.58, -23.58

 

CMYK 0 / 51 / 99 / 3

HEX #F77802

RGB 247 120 2

HSL 28.9, 0.98%, 0.49%

LAB 64.33, 43.69, 71.51

 

CMYK 99 / 0 / 12 / 3

HEX #02F7DA

RGB 2 247 218

HSL 172.9, 0.98%, 0.49%

LAB 87.77, -54.91, 0.17

 

CMYK 0 / 99 / 29 / 4

HEX #F603AE

RGB 246 3 174

HSL 317.78, 0.98%, 0.49%

LAB 54.78, 86.58, -23.58

 

CMYK 28 / 0 / 99 / 3

HEX #B2F702

RGB 178 247 2

HSL 76.9, 0.98%, 0.49%

LAB 89.86, -48.3, 86.61

 

CMYK 99 / 28 / 0 / 3

HEX #02B2F7

RGB 2 178 247

HSL 196.9, 0.98%, 0.49%

LAB 68.44, -13.48, -44.66

 

CMYK 0 / 99 / 29 / 4

HEX #F603AE

RGB 246 3 174

HSL 317.78, 0.98%, 0.49%

LAB 54.78, 86.58, -23.58

 

CMYK 0 / 51 / 99 / 3

HEX #F77802

RGB 247 120 2

HSL 28.9, 0.98%, 0.49%

LAB 64.33, 43.69, 71.51

 

CMYK 99 / 0 / 71 / 3

HEX #02F747

RGB 2 247 71

HSL 136.9, 0.98%, 0.49%

LAB 85.5, -81.09, 67.14

 

CMYK 99 / 48 / 0 / 3

HEX #0281F7

RGB 2 129 247

HSL 208.9, 0.98%, 0.49%

LAB 54.48, 15.13, -66.89

 

CMYK 0 / 99 / 29 / 4

HEX #F603AE

RGB 246 3 174

HSL 317.78, 0.98%, 0.49%

LAB 54.78, 86.58, -23.58

 

CMYK 0 / 21 / 99 / 3

HEX #F7C202

RGB 247 194 2

HSL 47.02, 0.98%, 0.49%

LAB 80.94, 5.43, 82.39

 

CMYK 99 / 0 / 71 / 3

HEX #02F747

RGB 2 247 71

HSL 136.9, 0.98%, 0.49%

LAB 85.5, -81.09, 67.14

 

CMYK 99 / 78 / 0 / 3

HEX #0237F7

RGB 2 55 247

HSL 227.02, 0.98%, 0.49%

LAB 36.86, 60.25, -95.77

 

Description

Color code: RGB 246 3 174 | qconv.com Color code: RGB 246 3 174 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 3 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 3 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 99 magenta, 29 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 99% 29% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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