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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 246 169 66 it is the complementary color RGB 9 86 189. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 246 169 66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 246 169 66: RGB 251 169 61, RGB 255 187 80, RGB 255 205 99, RGB 255 223 118 and RGB 255 241 137

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 246 169 66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 246 169 66: RGB 246 169 66, RGB 229 151 47, RGB 212 133 28, RGB 195 115 9 and RGB 178 97 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 73 / 4

HEX #F6A942

RGB 246 169 66

HSL 34.33, 0.91%, 0.61%

LAB 75.05, 19.53, 61.94

 

Complementary color

CMYK 95 / 54 / 0 / 26

HEX #0956BD

RGB 9 86 189

HSL 214.33, 0.91%, 0.39%

LAB 38.53, 20.08, -59.75

 

CMYK 0 / 33 / 76 / 2

HEX #FBA93D

RGB 251 169 61

HSL 34.11, 0.96%, 0.61%

LAB 75.59, 21.4, 64.69

 

CMYK 0 / 27 / 69 / 0

HEX #FFBB50

RGB 255 187 80

HSL 36.69, 1%, 0.66%

LAB 80.39, 14.52, 61.81

 

CMYK 0 / 20 / 61 / 0

HEX #FFCD63

RGB 255 205 99

HSL 40.77, 1%, 0.69%

LAB 84.91, 6.3, 58.3

 

CMYK 0 / 13 / 54 / 0

HEX #FFDF76

RGB 255 223 118

HSL 45.99, 1%, 0.73%

LAB 89.55, -1.52, 54.89

 

CMYK 0 / 5 / 46 / 0

HEX #FFF189

RGB 255 241 137

HSL 52.88, 1%, 0.77%

LAB 94.3, -8.91, 51.63

 

CMYK 0 / 31 / 73 / 4

HEX #F6A942

RGB 246 169 66

HSL 34.33, 0.91%, 0.61%

LAB 75.05, 19.53, 61.94

 

CMYK 0 / 34 / 79 / 10

HEX #E5972F

RGB 229 151 47

HSL 34.29, 0.78%, 0.54%

LAB 68.75, 21.18, 62.69

 

CMYK 0 / 37 / 87 / 17

HEX #D4851C

RGB 212 133 28

HSL 34.24, 0.77%, 0.47%

LAB 62.39, 23.05, 62.72

 

CMYK 0 / 41 / 95 / 24

HEX #C37309

RGB 195 115 9

HSL 34.19, 0.91%, 0.4%

LAB 55.97, 25.17, 61.38

 

CMYK 0 / 46 / 100 / 30

HEX #B26100

RGB 178 97 0

HSL 32.7, 1%, 0.35%

LAB 49.51, 27.53, 57.8

 

CMYK 0 / 31 / 73 / 4

HEX #F6A942

RGB 246 169 66

HSL 34.33, 0.91%, 0.61%

LAB 75.05, 19.53, 61.94

 

CMYK 0 / 20 / 74 / 4

HEX #F6C541

RGB 246 197 65

HSL 43.76, 0.91%, 0.61%

LAB 81.79, 4.85, 68.97

 

CMYK 0 / 8 / 74 / 4

HEX #F6E341

RGB 246 227 65

HSL 53.7, 0.91%, 0.61%

LAB 89.35, -10.38, 76.19

 

CMYK 5 / 0 / 74 / 4

HEX #E9F641

RGB 233 246 65

HSL 64.31, 0.91%, 0.61%

LAB 93.28, -24.93, 79.51

 

CMYK 17 / 0 / 74 / 4

HEX #CBF641

RGB 203 246 65

HSL 74.25, 0.91%, 0.61%

LAB 91.23, -36.79, 76.84

 

CMYK 0 / 31 / 73 / 4

HEX #F6A942

RGB 246 169 66

HSL 34.33, 0.91%, 0.61%

LAB 75.05, 19.53, 61.94

 

CMYK 0 / 31 / 74 / 84

HEX #2A1D0B

RGB 42 29 11

HSL 34.84, 0.58%, 0.1%

LAB 11.93, 3.77, 13.28

 

CMYK 0 / 31 / 73 / 64

HEX #5D4019

RGB 93 64 25

HSL 34.41, 0.58%, 0.23%

LAB 29.57, 8.27, 28.14

 

CMYK 0 / 31 / 73 / 44

HEX #906327

RGB 144 99 39

HSL 34.29, 0.57%, 0.36%

LAB 45.63, 12.3, 40.03

 

CMYK 0 / 31 / 73 / 24

HEX #C38634

RGB 195 134 52

HSL 34.41, 0.58%, 0.48%

LAB 60.69, 15.99, 51.51

 

CMYK 0 / 31 / 73 / 4

HEX #F6A942

RGB 246 169 66

HSL 34.33, 0.91%, 0.61%

LAB 75.05, 19.53, 61.94

 

CMYK 57 / 0 / 74 / 4

HEX #6BF641

RGB 107 246 65

HSL 106.08, 0.91%, 0.61%

LAB 86.71, -68.11, 70.91

 

CMYK 61 / 74 / 0 / 4

HEX #5F41F6

RGB 95 65 246

HSL 249.94, 0.91%, 0.61%

LAB 42.56, 60.25, -85.64

 

CMYK 0 / 31 / 73 / 4

HEX #F6A942

RGB 246 169 66

HSL 34.33, 0.91%, 0.61%

LAB 75.05, 19.53, 61.94

 

CMYK 74 / 0 / 32 / 4

HEX #41F6A7

RGB 65 246 167

HSL 153.81, 0.91%, 0.61%

LAB 86.91, -62.41, 25.41

 

CMYK 32 / 74 / 0 / 4

HEX #A741F6

RGB 167 65 246

HSL 273.81, 0.91%, 0.61%

LAB 50.28, 70.87, -72.71

 

CMYK 0 / 31 / 73 / 4

HEX #F6A942

RGB 246 169 66

HSL 34.33, 0.91%, 0.61%

LAB 75.05, 19.53, 61.94

 

CMYK 57 / 0 / 74 / 4

HEX #6BF641

RGB 107 246 65

HSL 106.08, 0.91%, 0.61%

LAB 86.71, -68.11, 70.91

 

CMYK 74 / 42 / 0 / 4

HEX #418FF6

RGB 65 143 246

HSL 214.14, 0.91%, 0.61%

LAB 59.36, 10.35, -58.43

 

CMYK 17 / 74 / 0 / 4

HEX #CB41F6

RGB 203 65 246

HSL 285.75, 0.91%, 0.61%

LAB 55.21, 77.37, -64.49

 

CMYK 0 / 31 / 73 / 4

HEX #F6A942

RGB 246 169 66

HSL 34.33, 0.91%, 0.61%

LAB 75.05, 19.53, 61.94

 

CMYK 74 / 0 / 69 / 4

HEX #41F64D

RGB 65 246 77

HSL 123.98, 0.91%, 0.61%

LAB 85.79, -75.41, 65.45

 

CMYK 74 / 42 / 0 / 4

HEX #418FF6

RGB 65 143 246

HSL 214.14, 0.91%, 0.61%

LAB 59.36, 10.35, -58.43

 

CMYK 0 / 74 / 5 / 4

HEX #F641E9

RGB 246 65 233

HSL 304.31, 0.91%, 0.61%

LAB 61.01, 83.73, -47.59

 

Description

Color code: RGB 246 169 66 | qconv.com Color code: RGB 246 169 66 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 169 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 169 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 73 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 73% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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