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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 245 82 202 it is the complementary color RGB 10 173 53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 245 82 202. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 245 82 202: RGB 250 82 197, RGB 255 100 216, RGB 255 118 235, RGB 255 136 254 and RGB 255 154 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 245 82 202. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 245 82 202: RGB 245 82 202, RGB 228 64 183, RGB 211 46 164, RGB 194 28 145 and RGB 177 10 126

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 18 / 4

HEX #F552CA

RGB 245 82 202

HSL 315.83, 0.89%, 0.64%

LAB 61.4, 73.55, -29.51

 

Complementary color

CMYK 94 / 0 / 69 / 32

HEX #0AAD35

RGB 10 173 53

HSL 135.83, 0.89%, 0.36%

LAB 61.83, -61.08, 49.15

 

CMYK 0 / 67 / 21 / 2

HEX #FA52C5

RGB 250 82 197

HSL 318.93, 0.94%, 0.65%

LAB 61.99, 74.14, -25.7

 

CMYK 0 / 61 / 15 / 0

HEX #FF64D8

RGB 255 100 216

HSL 315.1, 1%, 0.7%

LAB 66.01, 71.09, -30.16

 

CMYK 0 / 54 / 8 / 0

HEX #FF76EB

RGB 255 118 235

HSL 308.76, 1%, 0.73%

LAB 69.62, 66.23, -35.11

 

CMYK 0 / 47 / 0 / 0

HEX #FF88FE

RGB 255 136 254

HSL 300.5, 1%, 0.77%

LAB 73.56, 61.01, -39.39

 

CMYK 0 / 40 / 0 / 0

HEX #FF9AFF

RGB 255 154 255

HSL 300, 1%, 0.8%

LAB 77.04, 52.33, -34.54

 

CMYK 0 / 67 / 18 / 4

HEX #F552CA

RGB 245 82 202

HSL 315.83, 0.89%, 0.64%

LAB 61.4, 73.55, -29.51

 

CMYK 0 / 72 / 20 / 11

HEX #E440B7

RGB 228 64 183

HSL 316.46, 0.75%, 0.57%

LAB 55.66, 73.07, -27.72

 

CMYK 0 / 78 / 22 / 17

HEX #D32EA4

RGB 211 46 164

HSL 317.09, 0.65%, 0.5%

LAB 50.08, 72, -25.47

 

CMYK 0 / 86 / 25 / 24

HEX #C21C91

RGB 194 28 145

HSL 317.71, 0.75%, 0.44%

LAB 44.72, 70.06, -22.63

 

CMYK 0 / 94 / 29 / 31

HEX #B10A7E

RGB 177 10 126

HSL 318.32, 0.89%, 0.37%

LAB 39.7, 66.94, -19

 

CMYK 0 / 67 / 18 / 4

HEX #F552CA

RGB 245 82 202

HSL 315.83, 0.89%, 0.64%

LAB 61.4, 73.55, -29.51

 

CMYK 0 / 67 / 28 / 4

HEX #F451B0

RGB 244 81 176

HSL 325.03, 0.88%, 0.64%

LAB 60.12, 70.33, -16.62

 

CMYK 0 / 67 / 39 / 4

HEX #F45195

RGB 244 81 149

HSL 334.97, 0.88%, 0.64%

LAB 59.24, 67.33, -2.26

 

CMYK 0 / 67 / 50 / 4

HEX #F4517A

RGB 244 81 122

HSL 344.91, 0.88%, 0.64%

LAB 58.53, 64.84, 12.54

 

CMYK 0 / 67 / 61 / 4

HEX #F4515F

RGB 244 81 95

HSL 354.85, 0.88%, 0.64%

LAB 57.98, 62.89, 27.57

 

CMYK 0 / 67 / 18 / 4

HEX #F552CA

RGB 245 82 202

HSL 315.83, 0.89%, 0.64%

LAB 61.4, 73.55, -29.51

 

CMYK 0 / 66 / 17 / 84

HEX #290E22

RGB 41 14 34

HSL 315.56, 0.49%, 0.11%

LAB 8.14, 17.35, -7.53

 

CMYK 0 / 66 / 17 / 64

HEX #5C1F4C

RGB 92 31 76

HSL 315.74, 0.5%, 0.24%

LAB 22.92, 33.6, -13.92

 

CMYK 0 / 66 / 17 / 44

HEX #8F3076

RGB 143 48 118

HSL 315.79, 0.5%, 0.37%

LAB 36.48, 47.86, -19.49

 

CMYK 0 / 66 / 18 / 24

HEX #C241A0

RGB 194 65 160

HSL 315.81, 0.51%, 0.51%

LAB 49.24, 61.05, -24.63

 

CMYK 0 / 67 / 18 / 4

HEX #F552CA

RGB 245 82 202

HSL 315.83, 0.89%, 0.64%

LAB 61.4, 73.55, -29.51

 

CMYK 0 / 36 / 67 / 4

HEX #F49B51

RGB 244 155 81

HSL 27.24, 0.88%, 0.64%

LAB 71.74, 26.83, 51.61

 

CMYK 67 / 0 / 10 / 4

HEX #51F4DC

RGB 81 244 220

HSL 171.17, 0.88%, 0.64%

LAB 87.78, -47.35, -0.75

 

CMYK 0 / 67 / 18 / 4

HEX #F552CA

RGB 245 82 202

HSL 315.83, 0.89%, 0.64%

LAB 61.4, 73.55, -29.51

 

CMYK 16 / 0 / 67 / 4

HEX #CCF451

RGB 204 244 81

HSL 74.72, 0.88%, 0.64%

LAB 90.84, -34.63, 70.96

 

CMYK 67 / 16 / 0 / 4

HEX #51CCF4

RGB 81 204 244

HSL 194.72, 0.88%, 0.64%

LAB 76.96, -21.94, -29.72

 

CMYK 0 / 67 / 18 / 4

HEX #F552CA

RGB 245 82 202

HSL 315.83, 0.89%, 0.64%

LAB 61.4, 73.55, -29.51

 

CMYK 0 / 36 / 67 / 4

HEX #F49B51

RGB 244 155 81

HSL 27.24, 0.88%, 0.64%

LAB 71.74, 26.83, 51.61

 

CMYK 67 / 0 / 50 / 4

HEX #51F47A

RGB 81 244 122

HSL 135.09, 0.88%, 0.64%

LAB 85.93, -67.01, 46.42

 

CMYK 67 / 30 / 0 / 4

HEX #51ABF4

RGB 81 171 244

HSL 206.87, 0.88%, 0.64%

LAB 67.58, -4.34, -44.29

 

CMYK 0 / 67 / 18 / 4

HEX #F552CA

RGB 245 82 202

HSL 315.83, 0.89%, 0.64%

LAB 61.4, 73.55, -29.51

 

CMYK 0 / 16 / 67 / 4

HEX #F4CC51

RGB 244 204 81

HSL 45.28, 0.88%, 0.64%

LAB 83.45, 1.18, 64.27

 

CMYK 67 / 0 / 50 / 4

HEX #51F47A

RGB 81 244 122

HSL 135.09, 0.88%, 0.64%

LAB 85.93, -67.01, 46.42

 

CMYK 67 / 50 / 0 / 4

HEX #517AF4

RGB 81 122 244

HSL 224.91, 0.88%, 0.64%

LAB 54.24, 24.64, -65.52

 

Description

Color code: RGB 245 82 202 | qconv.com Color code: RGB 245 82 202 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 82 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 82 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 18 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 18% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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