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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 245 76 11 it is the complementary color RGB 10 179 244. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 245 76 11. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 245 76 11: RGB 250 76 6, RGB 255 94 25, RGB 255 112 44, RGB 255 130 63 and RGB 255 148 82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 245 76 11. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 245 76 11: RGB 245 76 11, RGB 228 58 0, RGB 211 40 0, RGB 194 22 0 and RGB 177 4 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 96 / 4

HEX #F54C0B

RGB 245 76 11

HSL 16.67, 0.92%, 0.5%

LAB 56.69, 62.32, 65.31

 

Complementary color

CMYK 96 / 27 / 0 / 4

HEX #0AB3F4

RGB 10 179 244

HSL 196.67, 0.92%, 0.5%

LAB 68.63, -14.89, -42.72

 

CMYK 0 / 70 / 98 / 2

HEX #FA4C06

RGB 250 76 6

HSL 17.21, 0.96%, 0.5%

LAB 57.57, 63.87, 67.25

 

CMYK 0 / 63 / 90 / 0

HEX #FF5E19

RGB 255 94 25

HSL 18, 1%, 0.55%

LAB 61.08, 58.67, 65.38

 

CMYK 0 / 56 / 83 / 0

HEX #FF702C

RGB 255 112 44

HSL 19.34, 1%, 0.59%

LAB 64.19, 51.13, 61.08

 

CMYK 0 / 49 / 75 / 0

HEX #FF823F

RGB 255 130 63

HSL 20.94, 1%, 0.62%

LAB 67.71, 43.12, 56.21

 

CMYK 0 / 42 / 68 / 0

HEX #FF9452

RGB 255 148 82

HSL 22.89, 1%, 0.66%

LAB 71.59, 34.92, 51.33

 

CMYK 0 / 69 / 96 / 4

HEX #F54C0B

RGB 245 76 11

HSL 16.67, 0.92%, 0.5%

LAB 56.69, 62.32, 65.31

 

CMYK 0 / 75 / 100 / 11

HEX #E43A00

RGB 228 58 0

HSL 15.26, 1%, 0.45%

LAB 51.29, 63.17, 63.23

 

CMYK 0 / 81 / 100 / 17

HEX #D32800

RGB 211 40 0

HSL 11.37, 1%, 0.41%

LAB 46.13, 63.38, 59.07

 

CMYK 0 / 89 / 100 / 24

HEX #C21600

RGB 194 22 0

HSL 6.8, 1%, 0.38%

LAB 41.28, 62.55, 55.05

 

CMYK 0 / 98 / 100 / 31

HEX #B10400

RGB 177 4 0

HSL 1.36, 1%, 0.35%

LAB 36.81, 60.44, 51.12

 

CMYK 0 / 69 / 96 / 4

HEX #F54C0B

RGB 245 76 11

HSL 16.67, 0.92%, 0.5%

LAB 56.69, 62.32, 65.31

 

CMYK 0 / 55 / 96 / 4

HEX #F46F0A

RGB 244 111 10

HSL 25.9, 0.92%, 0.5%

LAB 62.19, 46.96, 68.72

 

CMYK 0 / 39 / 96 / 4

HEX #F4960A

RGB 244 150 10

HSL 35.9, 0.92%, 0.5%

LAB 70.22, 27.26, 73.98

 

CMYK 0 / 22 / 96 / 4

HEX #F4BE0A

RGB 244 190 10

HSL 46.15, 0.92%, 0.5%

LAB 79.66, 6.28, 80.57

 

CMYK 0 / 6 / 96 / 4

HEX #F4E50A

RGB 244 229 10

HSL 56.15, 0.92%, 0.5%

LAB 89.53, -13.49, 87.76

 

CMYK 0 / 69 / 96 / 4

HEX #F54C0B

RGB 245 76 11

HSL 16.67, 0.92%, 0.5%

LAB 56.69, 62.32, 65.31

 

CMYK 0 / 68 / 95 / 84

HEX #290D02

RGB 41 13 2

HSL 16.92, 0.91%, 0.08%

LAB 6.9, 13.34, 9.77

 

CMYK 0 / 68 / 96 / 64

HEX #5C1D04

RGB 92 29 4

HSL 17.05, 0.92%, 0.19%

LAB 20.68, 27.65, 28.96

 

CMYK 0 / 69 / 96 / 44

HEX #8F2C06

RGB 143 44 6

HSL 16.64, 0.92%, 0.29%

LAB 33.25, 40.35, 42.99

 

CMYK 0 / 69 / 95 / 24

HEX #C23C09

RGB 194 60 9

HSL 16.54, 0.91%, 0.4%

LAB 45.25, 51.64, 54.28

 

CMYK 0 / 69 / 96 / 4

HEX #F54C0B

RGB 245 76 11

HSL 16.67, 0.92%, 0.5%

LAB 56.69, 62.32, 65.31

 

CMYK 45 / 0 / 96 / 4

HEX #87F40A

RGB 135 244 10

HSL 87.95, 0.92%, 0.5%

LAB 86.94, -61.65, 82.83

 

CMYK 96 / 83 / 0 / 4

HEX #0A29F4

RGB 10 41 244

HSL 232.05, 0.92%, 0.5%

LAB 34.36, 66.01, -98.23

 

CMYK 0 / 69 / 96 / 4

HEX #F54C0B

RGB 245 76 11

HSL 16.67, 0.92%, 0.5%

LAB 56.69, 62.32, 65.31

 

CMYK 96 / 0 / 70 / 4

HEX #0AF448

RGB 10 244 72

HSL 135.9, 0.92%, 0.5%

LAB 84.6, -79.94, 65.87

 

CMYK 70 / 96 / 0 / 4

HEX #480AF4

RGB 72 10 244

HSL 255.9, 0.92%, 0.5%

LAB 34.24, 76.34, -98.35

 

CMYK 0 / 69 / 96 / 4

HEX #F54C0B

RGB 245 76 11

HSL 16.67, 0.92%, 0.5%

LAB 56.69, 62.32, 65.31

 

CMYK 45 / 0 / 96 / 4

HEX #87F40A

RGB 135 244 10

HSL 87.95, 0.92%, 0.5%

LAB 86.94, -61.65, 82.83

 

CMYK 96 / 25 / 0 / 4

HEX #0AB6F4

RGB 10 182 244

HSL 195.9, 0.92%, 0.5%

LAB 69.51, -16.5, -41.36

 

CMYK 51 / 96 / 0 / 4

HEX #770AF4

RGB 119 10 244

HSL 267.95, 0.92%, 0.5%

LAB 39.02, 79.07, -90.28

 

CMYK 0 / 69 / 96 / 4

HEX #F54C0B

RGB 245 76 11

HSL 16.67, 0.92%, 0.5%

LAB 56.69, 62.32, 65.31

 

CMYK 74 / 0 / 96 / 4

HEX #40F40A

RGB 64 244 10

HSL 106.15, 0.92%, 0.5%

LAB 84.9, -78.18, 80.34

 

CMYK 96 / 25 / 0 / 4

HEX #0AB6F4

RGB 10 182 244

HSL 195.9, 0.92%, 0.5%

LAB 69.51, -16.5, -41.36

 

CMYK 22 / 96 / 0 / 4

HEX #BE0AF4

RGB 190 10 244

HSL 286.15, 0.92%, 0.5%

LAB 49.13, 86.57, -73.32

 

Description

Color code: RGB 245 76 11 | qconv.com Color code: RGB 245 76 11 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 76 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 76 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 96 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 96% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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