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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 245 223 64 it is the complementary color RGB 10 32 191. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 245 223 64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 245 223 64: RGB 250 223 59, RGB 255 241 78, RGB 255 255 97, RGB 255 255 116 and RGB 255 255 135

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 245 223 64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 245 223 64: RGB 245 223 64, RGB 228 205 45, RGB 211 187 26, RGB 194 169 7 and RGB 177 151 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 74 / 4

HEX #F5DF40

RGB 245 223 64

HSL 52.71, 0.9%, 0.61%

LAB 88.24, -8.85, 75.44

 

Complementary color

CMYK 95 / 83 / 0 / 25

HEX #0A20BF

RGB 10 32 191

HSL 232.71, 0.9%, 0.39%

LAB 26.33, 53.95, -81.01

 

CMYK 0 / 11 / 76 / 2

HEX #FADF3B

RGB 250 223 59

HSL 51.52, 0.95%, 0.61%

LAB 88.65, -6.95, 77.6

 

CMYK 0 / 5 / 69 / 0

HEX #FFF14E

RGB 255 241 78

HSL 55.25, 1%, 0.65%

LAB 93.76, -12.99, 76.21

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF61

RGB 255 255 97

HSL 60, 1%, 0.69%

LAB 97.49, -18.75, 72.86

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF74

RGB 255 255 116

HSL 60, 1%, 0.73%

LAB 97.65, -17.48, 65.16

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF87

RGB 255 255 135

HSL 60, 1%, 0.76%

LAB 97.84, -15.94, 56.87

 

CMYK 0 / 9 / 74 / 4

HEX #F5DF40

RGB 245 223 64

HSL 52.71, 0.9%, 0.61%

LAB 88.24, -8.85, 75.44

 

CMYK 0 / 10 / 80 / 11

HEX #E4CD2D

RGB 228 205 45

HSL 52.46, 0.77%, 0.54%

LAB 82.03, -7.64, 75.11

 

CMYK 0 / 11 / 88 / 17

HEX #D3BB1A

RGB 211 187 26

HSL 52.22, 0.78%, 0.46%

LAB 75.74, -6.25, 73.84

 

CMYK 0 / 13 / 96 / 24

HEX #C2A907

RGB 194 169 7

HSL 51.98, 0.93%, 0.39%

LAB 69.37, -4.63, 71.2

 

CMYK 0 / 15 / 100 / 31

HEX #B19700

RGB 177 151 0

HSL 51.19, 1%, 0.35%

LAB 62.91, -2.76, 66.71

 

CMYK 0 / 9 / 74 / 4

HEX #F5DF40

RGB 245 223 64

HSL 52.71, 0.9%, 0.61%

LAB 88.24, -8.85, 75.44

 

CMYK 2 / 0 / 73 / 4

HEX #EFF542

RGB 239 245 66

HSL 62.01, 0.9%, 0.61%

LAB 93.47, -21.98, 79.53

 

CMYK 15 / 0 / 73 / 4

HEX #D1F542

RGB 209 245 66

HSL 72.07, 0.9%, 0.61%

LAB 91.35, -33.96, 76.77

 

CMYK 27 / 0 / 73 / 4

HEX #B3F542

RGB 179 245 66

HSL 82.12, 0.9%, 0.61%

LAB 89.52, -45.32, 74.39

 

CMYK 39 / 0 / 73 / 4

HEX #95F542

RGB 149 245 66

HSL 92.18, 0.9%, 0.61%

LAB 88.01, -55.67, 72.39

 

CMYK 0 / 9 / 74 / 4

HEX #F5DF40

RGB 245 223 64

HSL 52.71, 0.9%, 0.61%

LAB 88.24, -8.85, 75.44

 

CMYK 0 / 10 / 73 / 84

HEX #29250B

RGB 41 37 11

HSL 52, 0.58%, 0.1%

LAB 14.51, -2.38, 16.69

 

CMYK 0 / 9 / 74 / 64

HEX #5C5418

RGB 92 84 24

HSL 52.94, 0.59%, 0.23%

LAB 35.36, -4.59, 34.66

 

CMYK 0 / 9 / 74 / 44

HEX #8F8225

RGB 143 130 37

HSL 52.64, 0.59%, 0.35%

LAB 53.96, -5.94, 49.25

 

CMYK 0 / 9 / 74 / 24

HEX #C2B133

RGB 194 177 51

HSL 52.87, 0.58%, 0.48%

LAB 71.66, -7.67, 62.65

 

CMYK 0 / 9 / 74 / 4

HEX #F5DF40

RGB 245 223 64

HSL 52.71, 0.9%, 0.61%

LAB 88.24, -8.85, 75.44

 

CMYK 73 / 0 / 69 / 4

HEX #42F54D

RGB 66 245 77

HSL 123.69, 0.9%, 0.61%

LAB 85.5, -74.95, 65.15

 

CMYK 39 / 73 / 0 / 4

HEX #9542F5

RGB 149 66 245

HSL 267.82, 0.9%, 0.61%

LAB 48.11, 67.2, -75.78

 

CMYK 0 / 9 / 74 / 4

HEX #F5DF40

RGB 245 223 64

HSL 52.71, 0.9%, 0.61%

LAB 88.24, -8.85, 75.44

 

CMYK 73 / 0 / 10 / 4

HEX #42F5DD

RGB 66 245 221

HSL 171.96, 0.9%, 0.61%

LAB 87.82, -49.45, -1.26

 

CMYK 10 / 73 / 0 / 4

HEX #DD42F5

RGB 221 66 245

HSL 291.96, 0.9%, 0.61%

LAB 57.91, 80.3, -59.46

 

CMYK 0 / 9 / 74 / 4

HEX #F5DF40

RGB 245 223 64

HSL 52.71, 0.9%, 0.61%

LAB 88.24, -8.85, 75.44

 

CMYK 73 / 0 / 69 / 4

HEX #42F54D

RGB 66 245 77

HSL 123.69, 0.9%, 0.61%

LAB 85.5, -74.95, 65.15

 

CMYK 73 / 64 / 0 / 4

HEX #4259F5

RGB 66 89 245

HSL 232.29, 0.9%, 0.61%

LAB 45.49, 43.34, -80.34

 

CMYK 0 / 73 / 5 / 4

HEX #F542E9

RGB 245 66 233

HSL 304.02, 0.9%, 0.61%

LAB 60.95, 83.23, -47.69

 

CMYK 0 / 9 / 74 / 4

HEX #F5DF40

RGB 245 223 64

HSL 52.71, 0.9%, 0.61%

LAB 88.24, -8.85, 75.44

 

CMYK 73 / 0 / 47 / 4

HEX #42F583

RGB 66 245 131

HSL 141.79, 0.9%, 0.61%

LAB 86.06, -68.37, 42.21

 

CMYK 73 / 64 / 0 / 4

HEX #4259F5

RGB 66 89 245

HSL 232.29, 0.9%, 0.61%

LAB 45.49, 43.34, -80.34

 

CMYK 0 / 73 / 27 / 4

HEX #F542B3

RGB 245 66 179

HSL 322.12, 0.9%, 0.61%

LAB 58.57, 76.04, -20.69

 

Description

Color code: RGB 245 223 64 | qconv.com Color code: RGB 245 223 64 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 223 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 223 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 74 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 74% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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