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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 245 192 74 it is the complementary color RGB 10 63 181. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 245 192 74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 245 192 74: RGB 250 192 69, RGB 255 210 88, RGB 255 228 107, RGB 255 246 126 and RGB 255 255 145

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 245 192 74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 245 192 74: RGB 245 192 74, RGB 228 174 55, RGB 211 156 36, RGB 194 138 17 and RGB 177 120 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 70 / 4

HEX #F5C04A

RGB 245 192 74

HSL 41.4, 0.9%, 0.63%

LAB 80.52, 7.44, 64.15

 

Complementary color

CMYK 94 / 65 / 0 / 29

HEX #0A3FB5

RGB 10 63 181

HSL 221.4, 0.9%, 0.37%

LAB 31.71, 32.31, -66.19

 

CMYK 0 / 23 / 72 / 2

HEX #FAC045

RGB 250 192 69

HSL 40.77, 0.95%, 0.63%

LAB 80.99, 9.3, 66.8

 

CMYK 0 / 18 / 65 / 0

HEX #FFD258

RGB 255 210 88

HSL 43.83, 1%, 0.67%

LAB 86.04, 3.06, 64.38

 

CMYK 0 / 11 / 58 / 0

HEX #FFE46B

RGB 255 228 107

HSL 49.05, 1%, 0.71%

LAB 90.69, -4.85, 61.24

 

CMYK 0 / 4 / 51 / 0

HEX #FFF67E

RGB 255 246 126

HSL 55.81, 1%, 0.75%

LAB 95.45, -12.33, 58.15

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF91

RGB 255 255 145

HSL 60, 1%, 0.78%

LAB 97.96, -15.02, 52.34

 

CMYK 0 / 22 / 70 / 4

HEX #F5C04A

RGB 245 192 74

HSL 41.4, 0.9%, 0.63%

LAB 80.52, 7.44, 64.15

 

CMYK 0 / 24 / 76 / 11

HEX #E4AE37

RGB 228 174 55

HSL 41.27, 0.76%, 0.55%

LAB 74.22, 8.81, 64.79

 

CMYK 0 / 26 / 83 / 17

HEX #D39C24

RGB 211 156 36

HSL 41.14, 0.71%, 0.48%

LAB 67.84, 10.4, 64.82

 

CMYK 0 / 29 / 91 / 24

HEX #C28A11

RGB 194 138 17

HSL 41.02, 0.84%, 0.41%

LAB 61.38, 12.24, 63.74

 

CMYK 0 / 32 / 100 / 31

HEX #B17800

RGB 177 120 0

HSL 40.68, 1%, 0.35%

LAB 54.85, 14.34, 61.16

 

CMYK 0 / 22 / 70 / 4

HEX #F5C04A

RGB 245 192 74

HSL 41.4, 0.9%, 0.63%

LAB 80.52, 7.44, 64.15

 

CMYK 0 / 10 / 69 / 4

HEX #F5DC4B

RGB 245 220 75

HSL 51.18, 0.89%, 0.63%

LAB 87.54, -6.85, 70.86

 

CMYK 1 / 0 / 69 / 4

HEX #F2F54B

RGB 242 245 75

HSL 61.06, 0.89%, 0.63%

LAB 93.75, -20.37, 76.9

 

CMYK 13 / 0 / 69 / 4

HEX #D6F54B

RGB 214 245 75

HSL 70.94, 0.89%, 0.63%

LAB 91.73, -31.55, 74.24

 

CMYK 24 / 0 / 69 / 4

HEX #BAF54B

RGB 186 245 75

HSL 80.82, 0.89%, 0.63%

LAB 89.98, -42.24, 71.91

 

CMYK 0 / 22 / 70 / 4

HEX #F5C04A

RGB 245 192 74

HSL 41.4, 0.9%, 0.63%

LAB 80.52, 7.44, 64.15

 

CMYK 0 / 22 / 71 / 84

HEX #29200C

RGB 41 32 12

HSL 41.38, 0.55%, 0.1%

LAB 12.8, 1.19, 14

 

CMYK 0 / 22 / 70 / 64

HEX #5C481C

RGB 92 72 28

HSL 41.25, 0.53%, 0.24%

LAB 31.79, 2.98, 28.91

 

CMYK 0 / 22 / 70 / 44

HEX #8F702B

RGB 143 112 43

HSL 41.4, 0.54%, 0.36%

LAB 49.01, 4.54, 41.64

 

CMYK 0 / 22 / 70 / 24

HEX #C2983B

RGB 194 152 59

HSL 41.33, 0.53%, 0.5%

LAB 65.15, 6.06, 52.99

 

CMYK 0 / 22 / 70 / 4

HEX #F5C04A

RGB 245 192 74

HSL 41.4, 0.9%, 0.63%

LAB 80.52, 7.44, 64.15

 

CMYK 61 / 0 / 69 / 4

HEX #5FF54B

RGB 95 245 75

HSL 112.94, 0.89%, 0.63%

LAB 86.13, -69.81, 66.74

 

CMYK 50 / 69 / 0 / 4

HEX #7B4BF5

RGB 123 75 245

HSL 256.94, 0.89%, 0.63%

LAB 46.76, 58.85, -78.1

 

CMYK 0 / 22 / 70 / 4

HEX #F5C04A

RGB 245 192 74

HSL 41.4, 0.9%, 0.63%

LAB 80.52, 7.44, 64.15

 

CMYK 69 / 0 / 22 / 4

HEX #4BF5BF

RGB 75 245 191

HSL 160.94, 0.89%, 0.63%

LAB 87.27, -55.56, 13.6

 

CMYK 22 / 69 / 0 / 4

HEX #BF4BF5

RGB 191 75 245

HSL 280.94, 0.89%, 0.63%

LAB 54.76, 71.18, -64.74

 

CMYK 0 / 22 / 70 / 4

HEX #F5C04A

RGB 245 192 74

HSL 41.4, 0.9%, 0.63%

LAB 80.52, 7.44, 64.15

 

CMYK 61 / 0 / 69 / 4

HEX #5FF54B

RGB 95 245 75

HSL 112.94, 0.89%, 0.63%

LAB 86.13, -69.81, 66.74

 

CMYK 69 / 47 / 0 / 4

HEX #4B81F5

RGB 75 129 245

HSL 220.94, 0.89%, 0.63%

LAB 55.88, 19.82, -63.45

 

CMYK 8 / 69 / 0 / 4

HEX #E14BF5

RGB 225 75 245

HSL 292.94, 0.89%, 0.63%

LAB 59.56, 78.09, -56.79

 

CMYK 0 / 22 / 70 / 4

HEX #F5C04A

RGB 245 192 74

HSL 41.4, 0.9%, 0.63%

LAB 80.52, 7.44, 64.15

 

CMYK 69 / 0 / 57 / 4

HEX #4BF56A

RGB 75 245 106

HSL 130.94, 0.89%, 0.63%

LAB 85.93, -70.5, 53.73

 

CMYK 69 / 47 / 0 / 4

HEX #4B81F5

RGB 75 129 245

HSL 220.94, 0.89%, 0.63%

LAB 55.88, 19.82, -63.45

 

CMYK 0 / 69 / 13 / 4

HEX #F54BD6

RGB 245 75 214

HSL 310.94, 0.89%, 0.63%

LAB 61.05, 77.66, -36.87

 

Description

Color code: RGB 245 192 74 | qconv.com Color code: RGB 245 192 74 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 192 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 192 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 70 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 70% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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