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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 245 181 58 it is the complementary color RGB 10 74 197. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 245 181 58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 245 181 58: RGB 250 181 53, RGB 255 199 72, RGB 255 217 91, RGB 255 235 110 and RGB 255 253 129

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 245 181 58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 245 181 58: RGB 245 181 58, RGB 228 163 39, RGB 211 145 20, RGB 194 127 1 and RGB 177 109 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 76 / 4

HEX #F5B53A

RGB 245 181 58

HSL 39.47, 0.9%, 0.59%

LAB 77.74, 12.48, 67.65

 

Complementary color

CMYK 95 / 62 / 0 / 23

HEX #0A4AC5

RGB 10 74 197

HSL 219.47, 0.9%, 0.41%

LAB 35.97, 31.28, -68.6

 

CMYK 0 / 28 / 79 / 2

HEX #FAB535

RGB 250 181 53

HSL 38.98, 0.95%, 0.59%

LAB 78.24, 14.41, 70.09

 

CMYK 0 / 22 / 72 / 0

HEX #FFC748

RGB 255 199 72

HSL 41.64, 1%, 0.64%

LAB 83.22, 7.9, 68.01

 

CMYK 0 / 15 / 64 / 0

HEX #FFD95B

RGB 255 217 91

HSL 46.1, 1%, 0.68%

LAB 87.8, -0.33, 64.99

 

CMYK 0 / 8 / 57 / 0

HEX #FFEB6E

RGB 255 235 110

HSL 51.72, 1%, 0.72%

LAB 92.49, -8.14, 61.94

 

CMYK 0 / 1 / 49 / 0

HEX #FFFD81

RGB 255 253 129

HSL 59.05, 1%, 0.75%

LAB 97.27, -15.49, 58.93

 

CMYK 0 / 26 / 76 / 4

HEX #F5B53A

RGB 245 181 58

HSL 39.47, 0.9%, 0.59%

LAB 77.74, 12.48, 67.65

 

CMYK 0 / 29 / 83 / 11

HEX #E4A327

RGB 228 163 39

HSL 39.37, 0.78%, 0.52%

LAB 71.44, 14.11, 67.73

 

CMYK 0 / 31 / 91 / 17

HEX #D39114

RGB 211 145 20

HSL 39.27, 0.83%, 0.45%

LAB 65.08, 15.97, 66.78

 

CMYK 0 / 35 / 99 / 24

HEX #C27F01

RGB 194 127 1

HSL 39.17, 0.99%, 0.38%

LAB 58.65, 18.07, 64.52

 

CMYK 0 / 38 / 100 / 31

HEX #B16D00

RGB 177 109 0

HSL 36.95, 1%, 0.35%

LAB 52.16, 20.48, 59.4

 

CMYK 0 / 26 / 76 / 4

HEX #F5B53A

RGB 245 181 58

HSL 39.47, 0.9%, 0.59%

LAB 77.74, 12.48, 67.65

 

CMYK 0 / 14 / 77 / 4

HEX #F4D238

RGB 244 210 56

HSL 49.15, 0.9%, 0.59%

LAB 84.8, -3.02, 74.84

 

CMYK 0 / 1 / 77 / 4

HEX #F4F138

RGB 244 241 56

HSL 59.04, 0.9%, 0.59%

LAB 92.76, -18.4, 82.01

 

CMYK 11 / 0 / 77 / 4

HEX #D8F438

RGB 216 244 56

HSL 68.94, 0.9%, 0.59%

LAB 91.5, -31.17, 80.09

 

CMYK 25 / 0 / 77 / 4

HEX #B8F438

RGB 184 244 56

HSL 79.15, 0.9%, 0.59%

LAB 89.48, -43.53, 77.5

 

CMYK 0 / 26 / 76 / 4

HEX #F5B53A

RGB 245 181 58

HSL 39.47, 0.9%, 0.59%

LAB 77.74, 12.48, 67.65

 

CMYK 0 / 27 / 76 / 84

HEX #291E0A

RGB 41 30 10

HSL 38.71, 0.61%, 0.1%

LAB 12.1, 2.4, 13.91

 

CMYK 0 / 26 / 76 / 64

HEX #5C4416

RGB 92 68 22

HSL 39.43, 0.61%, 0.22%

LAB 30.56, 5.08, 30.71

 

CMYK 0 / 26 / 76 / 44

HEX #8F6A22

RGB 143 106 34

HSL 39.63, 0.62%, 0.35%

LAB 47.32, 7.52, 43.99

 

CMYK 0 / 26 / 76 / 24

HEX #C28F2E

RGB 194 143 46

HSL 39.32, 0.62%, 0.47%

LAB 62.77, 10.34, 56.03

 

CMYK 0 / 26 / 76 / 4

HEX #F5B53A

RGB 245 181 58

HSL 39.47, 0.9%, 0.59%

LAB 77.74, 12.48, 67.65

 

CMYK 66 / 0 / 77 / 4

HEX #54F438

RGB 84 244 56

HSL 111.06, 0.9%, 0.59%

LAB 85.44, -73.08, 72.26

 

CMYK 58 / 77 / 0 / 4

HEX #6738F4

RGB 103 56 244

HSL 255, 0.9%, 0.59%

LAB 41.6, 64.81, -86.08

 

CMYK 0 / 26 / 76 / 4

HEX #F5B53A

RGB 245 181 58

HSL 39.47, 0.9%, 0.59%

LAB 77.74, 12.48, 67.65

 

CMYK 77 / 0 / 27 / 4

HEX #38F4B2

RGB 56 244 178

HSL 158.94, 0.9%, 0.59%

LAB 86.38, -60.42, 19.02

 

CMYK 27 / 77 / 0 / 4

HEX #B238F4

RGB 178 56 244

HSL 278.94, 0.9%, 0.59%

LAB 50.48, 75.55, -71.19

 

CMYK 0 / 26 / 76 / 4

HEX #F5B53A

RGB 245 181 58

HSL 39.47, 0.9%, 0.59%

LAB 77.74, 12.48, 67.65

 

CMYK 66 / 0 / 77 / 4

HEX #54F438

RGB 84 244 56

HSL 111.06, 0.9%, 0.59%

LAB 85.44, -73.08, 72.26

 

CMYK 77 / 50 / 0 / 4

HEX #387AF4

RGB 56 122 244

HSL 218.94, 0.9%, 0.59%

LAB 53.27, 21.45, -67.14

 

CMYK 11 / 77 / 0 / 4

HEX #D838F4

RGB 216 56 244

HSL 291.06, 0.9%, 0.59%

LAB 56.05, 82.19, -61.93

 

CMYK 0 / 26 / 76 / 4

HEX #F5B53A

RGB 245 181 58

HSL 39.47, 0.9%, 0.59%

LAB 77.74, 12.48, 67.65

 

CMYK 77 / 0 / 66 / 4

HEX #38F454

RGB 56 244 84

HSL 128.94, 0.9%, 0.59%

LAB 85.09, -75.37, 61.97

 

CMYK 77 / 50 / 0 / 4

HEX #387AF4

RGB 56 122 244

HSL 218.94, 0.9%, 0.59%

LAB 53.27, 21.45, -67.14

 

CMYK 0 / 77 / 11 / 4

HEX #F438D8

RGB 244 56 216

HSL 308.94, 0.9%, 0.59%

LAB 58.99, 83.37, -41.23

 

Description

Color code: RGB 245 181 58 | qconv.com Color code: RGB 245 181 58 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 181 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 181 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 76 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 76% 4% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

35% - Coach de vie transpe...
Link: http://chantal.attia.free.fr

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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