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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 245 166 74 it is the complementary color RGB 10 89 181. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 245 166 74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 245 166 74: RGB 250 166 69, RGB 255 184 88, RGB 255 202 107, RGB 255 220 126 and RGB 255 238 145

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 245 166 74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 245 166 74: RGB 245 166 74, RGB 228 148 55, RGB 211 130 36, RGB 194 112 17 and RGB 177 94 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 70 / 4

HEX #F5A64A

RGB 245 166 74

HSL 32.28, 0.9%, 0.63%

LAB 74.3, 21.08, 57.68

 

Complementary color

CMYK 94 / 51 / 0 / 29

HEX #0A59B5

RGB 10 89 181

HSL 212.28, 0.9%, 0.37%

LAB 38.8, 14.87, -54.61

 

CMYK 0 / 34 / 72 / 2

HEX #FAA645

RGB 250 166 69

HSL 32.15, 0.95%, 0.63%

LAB 74.84, 22.9, 60.61

 

CMYK 0 / 28 / 65 / 0

HEX #FFB858

RGB 255 184 88

HSL 34.49, 1%, 0.67%

LAB 79.75, 16.53, 57.57

 

CMYK 0 / 21 / 58 / 0

HEX #FFCA6B

RGB 255 202 107

HSL 38.51, 1%, 0.71%

LAB 84.26, 8.4, 53.84

 

CMYK 0 / 14 / 51 / 0

HEX #FFDC7E

RGB 255 220 126

HSL 43.72, 1%, 0.75%

LAB 88.9, 0.66, 50.3

 

CMYK 0 / 7 / 43 / 0

HEX #FFEE91

RGB 255 238 145

HSL 50.73, 1%, 0.78%

LAB 93.65, -6.66, 46.97

 

CMYK 0 / 32 / 70 / 4

HEX #F5A64A

RGB 245 166 74

HSL 32.28, 0.9%, 0.63%

LAB 74.3, 21.08, 57.68

 

CMYK 0 / 35 / 76 / 11

HEX #E49437

RGB 228 148 55

HSL 32.25, 0.76%, 0.55%

LAB 67.98, 22.65, 58.79

 

CMYK 0 / 38 / 83 / 17

HEX #D38224

RGB 211 130 36

HSL 32.23, 0.71%, 0.48%

LAB 61.6, 24.45, 59.44

 

CMYK 0 / 42 / 91 / 24

HEX #C27011

RGB 194 112 17

HSL 32.2, 0.84%, 0.41%

LAB 55.17, 26.48, 59.09

 

CMYK 0 / 47 / 100 / 31

HEX #B15E00

RGB 177 94 0

HSL 31.86, 1%, 0.35%

LAB 48.7, 28.73, 57.22

 

CMYK 0 / 32 / 70 / 4

HEX #F5A64A

RGB 245 166 74

HSL 32.28, 0.9%, 0.63%

LAB 74.3, 21.08, 57.68

 

CMYK 0 / 21 / 69 / 4

HEX #F5C24B

RGB 245 194 75

HSL 42, 0.89%, 0.63%

LAB 81.02, 6.45, 64.25

 

CMYK 0 / 9 / 69 / 4

HEX #F5DE4B

RGB 245 222 75

HSL 51.88, 0.89%, 0.63%

LAB 88.05, -7.86, 71.37

 

CMYK 2 / 0 / 69 / 4

HEX #EFF54B

RGB 239 245 75

HSL 62.12, 0.89%, 0.63%

LAB 93.52, -21.58, 76.6

 

CMYK 14 / 0 / 69 / 4

HEX #D3F54B

RGB 211 245 75

HSL 72, 0.89%, 0.63%

LAB 91.53, -32.72, 73.98

 

CMYK 0 / 32 / 70 / 4

HEX #F5A64A

RGB 245 166 74

HSL 32.28, 0.9%, 0.63%

LAB 74.3, 21.08, 57.68

 

CMYK 0 / 32 / 71 / 84

HEX #291C0C

RGB 41 28 12

HSL 33.1, 0.55%, 0.1%

LAB 11.47, 4.03, 12.19

 

CMYK 0 / 33 / 70 / 64

HEX #5C3E1C

RGB 92 62 28

HSL 31.88, 0.53%, 0.24%

LAB 28.91, 9.25, 25.7

 

CMYK 0 / 32 / 70 / 44

HEX #8F612B

RGB 143 97 43

HSL 32.4, 0.54%, 0.36%

LAB 45.03, 13.24, 37.38

 

CMYK 0 / 32 / 70 / 24

HEX #C2833B

RGB 194 131 59

HSL 32, 0.53%, 0.5%

LAB 59.9, 17.57, 47.44

 

CMYK 0 / 32 / 70 / 4

HEX #F5A64A

RGB 245 166 74

HSL 32.28, 0.9%, 0.63%

LAB 74.3, 21.08, 57.68

 

CMYK 51 / 0 / 69 / 4

HEX #79F54B

RGB 121 245 75

HSL 103.76, 0.89%, 0.63%

LAB 86.94, -63.44, 67.83

 

CMYK 60 / 69 / 0 / 4

HEX #624BF5

RGB 98 75 245

HSL 248.12, 0.89%, 0.63%

LAB 44.55, 55.19, -81.81

 

CMYK 0 / 32 / 70 / 4

HEX #F5A64A

RGB 245 166 74

HSL 32.28, 0.9%, 0.63%

LAB 74.3, 21.08, 57.68

 

CMYK 69 / 0 / 32 / 4

HEX #4BF5A6

RGB 75 245 166

HSL 152.12, 0.89%, 0.63%

LAB 86.78, -60.85, 25.77

 

CMYK 32 / 69 / 0 / 4

HEX #A64BF5

RGB 166 75 245

HSL 272.12, 0.89%, 0.63%

LAB 51.53, 66.35, -70.12

 

CMYK 0 / 32 / 70 / 4

HEX #F5A64A

RGB 245 166 74

HSL 32.28, 0.9%, 0.63%

LAB 74.3, 21.08, 57.68

 

CMYK 51 / 0 / 69 / 4

HEX #79F54B

RGB 121 245 75

HSL 103.76, 0.89%, 0.63%

LAB 86.94, -63.44, 67.83

 

CMYK 69 / 37 / 0 / 4

HEX #4B9AF5

RGB 75 154 245

HSL 212.12, 0.89%, 0.63%

LAB 62.68, 4.83, -52.59

 

CMYK 18 / 69 / 0 / 4

HEX #C84BF5

RGB 200 75 245

HSL 284.12, 0.89%, 0.63%

LAB 55.99, 72.98, -62.7

 

CMYK 0 / 32 / 70 / 4

HEX #F5A64A

RGB 245 166 74

HSL 32.28, 0.9%, 0.63%

LAB 74.3, 21.08, 57.68

 

CMYK 69 / 0 / 67 / 4

HEX #4BF551

RGB 75 245 81

HSL 122.12, 0.89%, 0.63%

LAB 85.7, -73.16, 63.9

 

CMYK 69 / 37 / 0 / 4

HEX #4B9AF5

RGB 75 154 245

HSL 212.12, 0.89%, 0.63%

LAB 62.68, 4.83, -52.59

 

CMYK 0 / 69 / 2 / 4

HEX #F54BEF

RGB 245 75 239

HSL 302.12, 0.89%, 0.63%

LAB 62.23, 81.33, -49.01

 

Description

Color code: RGB 245 166 74 | qconv.com Color code: RGB 245 166 74 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 166 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 166 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 70 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 70% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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