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Color name
RGB 245 142 54

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Complementary color

Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 245 142 54 it is the complementary color RGB 10 113 201. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Lighter colors

Exposures are based on the same hue and represent lighter versions of the current color RGB 245 142 54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 245 142 54: RGB 250 142 49, RGB 255 160 68, RGB 255 178 87, RGB 255 196 106 and RGB 255 214 125

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Darker colors

Shades are based on the same hue and represent a darker version of the current color RGB 245 142 54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 245 142 54: RGB 245 142 54, RGB 228 124 35, RGB 211 106 16, RGB 194 88 0 and RGB 177 70 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Analogue colors

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

Monochromatic colors

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

Partial complementary colors

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

Triadic colors

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

Square colors

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 78 / 4

HSL 27.64, 0.91%, 0.59%

LAB 68.77, 32.77, 60.7

Complementary color

CMYK 95 / 44 / 0 / 21

HSL 207.64, 0.91%, 0.41%

LAB 47.09, 7.37, -52.87

Lighter colors

CMYK 0 / 43 / 80 / 2

HSL 27.76, 0.95%, 0.59%

LAB 69.39, 34.62, 63.5

CMYK 0 / 37 / 73 / 0

HSL 29.52, 1%, 0.63%

LAB 74.07, 28.04, 60.45

CMYK 0 / 30 / 66 / 0

HSL 32.5, 1%, 0.67%

LAB 78.34, 19.6, 56.47

CMYK 0 / 23 / 58 / 0

RGB 255 196 106

HSL 36.24, 1%, 0.71%

LAB 82.8, 11.44, 52.61

CMYK 0 / 16 / 51 / 0

RGB 255 214 125

HSL 41.08, 1%, 0.75%

LAB 87.4, 3.64, 48.96

Darker colors

CMYK 0 / 42 / 78 / 4

HSL 27.64, 0.91%, 0.59%

LAB 68.77, 32.77, 60.7

CMYK 0 / 46 / 85 / 11

HSL 27.67, 0.78%, 0.52%

LAB 62.53, 34.64, 61.48

CMYK 0 / 50 / 92 / 17

HSL 27.69, 0.86%, 0.45%

LAB 56.28, 36.68, 61.23

CMYK 0 / 55 / 100 / 24

HSL 27.22, 1%, 0.38%

LAB 50.04, 38.84, 59.35

CMYK 0 / 60 / 100 / 31

HSL 23.73, 1%, 0.35%

LAB 43.84, 41.05, 54.4

Analogue colors

CMYK 0 / 42 / 78 / 4

HSL 27.64, 0.91%, 0.59%

LAB 68.77, 32.77, 60.7

CMYK 0 / 30 / 78 / 4

HSL 36.95, 0.9%, 0.59%

LAB 75.57, 17.09, 66.72

CMYK 0 / 17 / 78 / 4

HSL 47.05, 0.9%, 0.59%

LAB 83.38, 0.43, 73.9

CMYK 0 / 4 / 78 / 4

HSL 57.16, 0.9%, 0.59%

LAB 91.54, -15.6, 81.23

CMYK 9 / 0 / 78 / 4

HSL 66.95, 0.9%, 0.59%

LAB 92.25, -28.87, 81.23

Monochromatic colors

CMYK 0 / 42 / 78 / 4

HSL 27.64, 0.91%, 0.59%

LAB 68.77, 32.77, 60.7

CMYK 0 / 41 / 78 / 84

HSL 28.13, 0.64%, 0.1%

LAB 10.14, 6.6, 11.6

CMYK 0 / 42 / 78 / 64

HSL 27.5, 0.64%, 0.22%

LAB 26.37, 14.38, 27.38

CMYK 0 / 42 / 78 / 44

HSL 27.57, 0.63%, 0.34%

LAB 41.42, 20.76, 39.04

CMYK 0 / 42 / 78 / 24

HSL 27.42, 0.64%, 0.46%

LAB 55.31, 27.2, 50.07

Partial complementary colors

CMYK 0 / 42 / 78 / 4

HSL 27.64, 0.91%, 0.59%

LAB 68.77, 32.77, 60.7

CMYK 51 / 0 / 78 / 4

HSL 99.16, 0.9%, 0.59%

LAB 86.82, -64.71, 74.25

CMYK 74 / 78 / 0 / 4

HSL 242.84, 0.9%, 0.59%

LAB 38.58, 61.96, -91.73

Triadic colors

CMYK 0 / 42 / 78 / 4

HSL 27.64, 0.91%, 0.59%

LAB 68.77, 32.77, 60.7

CMYK 78 / 0 / 43 / 4

HSL 146.84, 0.9%, 0.59%

LAB 86.01, -68.28, 37.73

CMYK 43 / 78 / 0 / 4

HSL 266.84, 0.9%, 0.59%

LAB 45.5, 70.22, -80.09

Rectangular (tetradic) colors

CMYK 0 / 42 / 78 / 4

HSL 27.64, 0.91%, 0.59%

LAB 68.77, 32.77, 60.7

CMYK 51 / 0 / 78 / 4

HSL 99.16, 0.9%, 0.59%

LAB 86.82, -64.71, 74.25

CMYK 78 / 35 / 0 / 4

HSL 207.16, 0.9%, 0.59%

LAB 63.51, -0.56, -51.3

CMYK 27 / 78 / 0 / 4

HSL 278.84, 0.9%, 0.59%

LAB 50.44, 76.08, -71.82

Square colors

CMYK 0 / 42 / 78 / 4

HSL 27.64, 0.91%, 0.59%

LAB 68.77, 32.77, 60.7

CMYK 74 / 0 / 78 / 4

HSL 117.16, 0.9%, 0.59%

LAB 85.34, -76.87, 72.32

CMYK 78 / 35 / 0 / 4

HSL 207.16, 0.9%, 0.59%

LAB 63.51, -0.56, -51.3

CMYK 4 / 78 / 0 / 4

HSL 297.16, 0.9%, 0.59%

LAB 59.12, 86.29, -57.39

Description

Color code: RGB 245 142 54 | qconv.com

Color code: RGB 245 142 54 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 142 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.

In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 78 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.

Verification of their color palette as a manufacturer!

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PANTONE® to HKS®

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PANTONE® to Sherwin Williams®

convert from Pantone®-number (Pantone 0000) to Sherwin Williams®-number (SW 0000)

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NCS® to Sherwin Williams®

convert from NCS-number (S0000-X00X) to Sherwin Williams®-number (SW 0000)

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