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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 245 129 70 it is the complementary color RGB 10 126 185. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 245 129 70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 245 129 70: RGB 250 129 65, RGB 255 147 84, RGB 255 165 103, RGB 255 183 122 and RGB 255 201 141

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 245 129 70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 245 129 70: RGB 245 129 70, RGB 228 111 51, RGB 211 93 32, RGB 194 75 13 and RGB 177 57 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 71 / 4

HEX #F58146

RGB 245 129 70

HSL 20.23, 0.9%, 0.62%

LAB 66.18, 40.08, 50.85

 

Complementary color

CMYK 95 / 32 / 0 / 27

HEX #0A7EB9

RGB 10 126 185

HSL 200.23, 0.9%, 0.38%

LAB 50.08, -6.81, -38.92

 

CMYK 0 / 48 / 74 / 2

HEX #FA8141

RGB 250 129 65

HSL 20.76, 0.95%, 0.62%

LAB 66.83, 41.78, 54.15

 

CMYK 0 / 42 / 67 / 0

HEX #FF9354

RGB 255 147 84

HSL 22.11, 1%, 0.66%

LAB 71.4, 35.54, 50.14

 

CMYK 0 / 35 / 60 / 0

HEX #FFA567

RGB 255 165 103

HSL 24.47, 1%, 0.7%

LAB 75.54, 27.41, 45.47

 

CMYK 0 / 28 / 52 / 0

HEX #FFB77A

RGB 255 183 122

HSL 27.52, 1%, 0.74%

LAB 79.92, 19.47, 41.18

 

CMYK 0 / 21 / 45 / 0

HEX #FFC98D

RGB 255 201 141

HSL 31.58, 1%, 0.78%

LAB 84.46, 11.82, 37.24

 

CMYK 0 / 47 / 71 / 4

HEX #F58146

RGB 245 129 70

HSL 20.23, 0.9%, 0.62%

LAB 66.18, 40.08, 50.85

 

CMYK 0 / 51 / 78 / 11

HEX #E46F33

RGB 228 111 51

HSL 20.34, 0.77%, 0.55%

LAB 59.98, 41.73, 52.68

 

CMYK 0 / 56 / 85 / 17

HEX #D35D20

RGB 211 93 32

HSL 20.45, 0.74%, 0.48%

LAB 53.79, 43.48, 54.21

 

CMYK 0 / 61 / 93 / 24

HEX #C24B0D

RGB 194 75 13

HSL 20.55, 0.87%, 0.41%

LAB 47.66, 45.25, 54.78

 

CMYK 0 / 68 / 100 / 31

HEX #B13900

RGB 177 57 0

HSL 19.32, 1%, 0.35%

LAB 41.65, 46.89, 53.26

 

CMYK 0 / 47 / 71 / 4

HEX #F58146

RGB 245 129 70

HSL 20.23, 0.9%, 0.62%

LAB 66.18, 40.08, 50.85

 

CMYK 0 / 36 / 71 / 4

HEX #F59E46

RGB 245 158 70

HSL 30.17, 0.9%, 0.62%

LAB 72.43, 25.09, 57.5

 

CMYK 0 / 24 / 71 / 4

HEX #F5BB46

RGB 245 187 70

HSL 40.11, 0.9%, 0.62%

LAB 79.27, 9.85, 64.51

 

CMYK 0 / 12 / 71 / 4

HEX #F5D846

RGB 245 216 70

HSL 50.06, 0.9%, 0.62%

LAB 86.49, -5.07, 71.67

 

CMYK 0 / 0 / 71 / 4

HEX #F5F546

RGB 245 245 70

HSL 60, 0.9%, 0.62%

LAB 93.95, -19.38, 78.86

 

CMYK 0 / 47 / 71 / 4

HEX #F58146

RGB 245 129 70

HSL 20.23, 0.9%, 0.62%

LAB 66.18, 40.08, 50.85

 

CMYK 0 / 46 / 71 / 84

HEX #29160C

RGB 41 22 12

HSL 20.69, 0.55%, 0.1%

LAB 9.58, 8.34, 9.53

 

CMYK 0 / 48 / 72 / 64

HEX #5C301A

RGB 92 48 26

HSL 20, 0.56%, 0.23%

LAB 25.15, 17.85, 22.57

 

CMYK 0 / 48 / 71 / 44

HEX #8F4B29

RGB 143 75 41

HSL 20, 0.55%, 0.36%

LAB 39.63, 25.78, 32.47

 

CMYK 0 / 47 / 72 / 24

HEX #C26637

RGB 194 102 55

HSL 20.29, 0.56%, 0.49%

LAB 53.22, 33.1, 42.17

 

CMYK 0 / 47 / 71 / 4

HEX #F58146

RGB 245 129 70

HSL 20.23, 0.9%, 0.62%

LAB 66.18, 40.08, 50.85

 

CMYK 38 / 0 / 71 / 4

HEX #98F546

RGB 152 245 70

HSL 91.89, 0.9%, 0.62%

LAB 88.17, -54.45, 71.26

 

CMYK 71 / 67 / 0 / 4

HEX #4652F5

RGB 70 82 245

HSL 235.89, 0.9%, 0.62%

LAB 44.13, 47.92, -82.56

 

CMYK 0 / 47 / 71 / 4

HEX #F58146

RGB 245 129 70

HSL 20.23, 0.9%, 0.62%

LAB 66.18, 40.08, 50.85

 

CMYK 71 / 0 / 47 / 4

HEX #46F581

RGB 70 245 129

HSL 140.23, 0.9%, 0.62%

LAB 86.1, -68.1, 43.25

 

CMYK 47 / 71 / 0 / 4

HEX #8146F5

RGB 129 70 245

HSL 260.23, 0.9%, 0.62%

LAB 46.5, 62.21, -78.5

 

CMYK 0 / 47 / 71 / 4

HEX #F58146

RGB 245 129 70

HSL 20.23, 0.9%, 0.62%

LAB 66.18, 40.08, 50.85

 

CMYK 38 / 0 / 71 / 4

HEX #98F546

RGB 152 245 70

HSL 91.89, 0.9%, 0.62%

LAB 88.17, -54.45, 71.26

 

CMYK 71 / 24 / 0 / 4

HEX #46BBF5

RGB 70 187 245

HSL 199.89, 0.9%, 0.62%

LAB 71.85, -14.31, -38.18

 

CMYK 33 / 71 / 0 / 4

HEX #A346F5

RGB 163 70 245

HSL 271.89, 0.9%, 0.62%

LAB 50.4, 67.93, -71.97

 

CMYK 0 / 47 / 71 / 4

HEX #F58146

RGB 245 129 70

HSL 20.23, 0.9%, 0.62%

LAB 66.18, 40.08, 50.85

 

CMYK 60 / 0 / 71 / 4

HEX #63F546

RGB 99 245 70

HSL 110.06, 0.9%, 0.62%

LAB 86.21, -69.3, 68.64

 

CMYK 71 / 24 / 0 / 4

HEX #46BBF5

RGB 70 187 245

HSL 199.89, 0.9%, 0.62%

LAB 71.85, -14.31, -38.18

 

CMYK 12 / 71 / 0 / 4

HEX #D846F5

RGB 216 70 245

HSL 290.06, 0.9%, 0.62%

LAB 57.63, 78, -59.95

 

Description

Color code: RGB 245 129 70 | qconv.com Color code: RGB 245 129 70 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 129 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 129 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 71 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 71% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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