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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 244 61 156 it is the complementary color RGB 11 194 99. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 244 61 156. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 244 61 156: RGB 249 61 151, RGB 255 79 170, RGB 255 97 189, RGB 255 115 208 and RGB 255 133 227

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 244 61 156. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 244 61 156: RGB 244 61 156, RGB 227 43 137, RGB 210 25 118, RGB 193 7 99 and RGB 176 0 80

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 36 / 4

HEX #F43D9C

RGB 244 61 156

HSL 328.85, 0.89%, 0.6%

LAB 57.05, 74.78, -9.61

 

Complementary color

CMYK 94 / 0 / 49 / 24

HEX #0BC263

RGB 11 194 99

HSL 148.85, 0.89%, 0.4%

LAB 69.15, -61.53, 36.45

 

CMYK 0 / 76 / 39 / 2

HEX #F93D97

RGB 249 61 151

HSL 331.28, 0.94%, 0.61%

LAB 57.76, 75.54, -5.52

 

CMYK 0 / 69 / 33 / 0

HEX #FF4FAA

RGB 255 79 170

HSL 328.98, 1%, 0.65%

LAB 61.44, 73.27, -10.99

 

CMYK 0 / 62 / 26 / 0

HEX #FF61BD

RGB 255 97 189

HSL 325.06, 1%, 0.69%

LAB 64.55, 68.7, -17.17

 

CMYK 0 / 55 / 18 / 0

HEX #FF73D0

RGB 255 115 208

HSL 320.14, 1%, 0.73%

LAB 68.08, 63.54, -22.51

 

CMYK 0 / 48 / 11 / 0

HEX #FF85E3

RGB 255 133 227

HSL 313.77, 1%, 0.76%

LAB 71.95, 58, -27.12

 

CMYK 0 / 75 / 36 / 4

HEX #F43D9C

RGB 244 61 156

HSL 328.85, 0.89%, 0.6%

LAB 57.05, 74.78, -9.61

 

CMYK 0 / 81 / 40 / 11

HEX #E32B89

RGB 227 43 137

HSL 329.35, 0.77%, 0.53%

LAB 51.68, 73.53, -6.66

 

CMYK 0 / 88 / 44 / 18

HEX #D21976

RGB 210 25 118

HSL 329.84, 0.79%, 0.46%

LAB 46.58, 71.41, -3.03

 

CMYK 0 / 96 / 49 / 24

HEX #C10763

RGB 193 7 99

HSL 330.32, 0.93%, 0.39%

LAB 41.83, 68.16, 1.44

 

CMYK 0 / 100 / 55 / 31

HEX #B00050

RGB 176 0 80

HSL 332.73, 1%, 0.35%

LAB 37.5, 63.56, 6.89

 

CMYK 0 / 75 / 36 / 4

HEX #F43D9C

RGB 244 61 156

HSL 328.85, 0.89%, 0.6%

LAB 57.05, 74.78, -9.61

 

CMYK 0 / 74 / 47 / 5

HEX #F33E80

RGB 243 62 128

HSL 338.12, 0.88%, 0.6%

LAB 56.15, 71.61, 5.59

 

CMYK 0 / 74 / 60 / 5

HEX #F33E62

RGB 243 62 98

HSL 348.07, 0.88%, 0.6%

LAB 55.46, 69.42, 22.48

 

CMYK 0 / 74 / 72 / 5

HEX #F33E44

RGB 243 62 68

HSL 358.01, 0.88%, 0.6%

LAB 54.99, 67.87, 39.33

 

CMYK 0 / 65 / 74 / 5

HEX #F3563E

RGB 243 86 62

HSL 7.96, 0.88%, 0.6%

LAB 58.09, 58.92, 46.06

 

CMYK 0 / 75 / 36 / 4

HEX #F43D9C

RGB 244 61 156

HSL 328.85, 0.89%, 0.6%

LAB 57.05, 74.78, -9.61

 

CMYK 0 / 75 / 35 / 84

HEX #280A1A

RGB 40 10 26

HSL 328, 0.6%, 0.1%

LAB 6.71, 17.56, -3.54

 

CMYK 0 / 75 / 36 / 64

HEX #5B173A

RGB 91 23 58

HSL 329.12, 0.6%, 0.22%

LAB 20.61, 34.25, -5.13

 

CMYK 0 / 75 / 36 / 44

HEX #8E245B

RGB 142 36 91

HSL 328.87, 0.6%, 0.35%

LAB 33.49, 48.66, -6.89

 

CMYK 0 / 75 / 36 / 24

HEX #C1307B

RGB 193 48 123

HSL 328.97, 0.6%, 0.47%

LAB 45.47, 62.19, -8.1

 

CMYK 0 / 75 / 36 / 4

HEX #F43D9C

RGB 244 61 156

HSL 328.85, 0.89%, 0.6%

LAB 57.05, 74.78, -9.61

 

CMYK 0 / 25 / 74 / 5

HEX #F3B73E

RGB 243 183 62

HSL 40.11, 0.88%, 0.6%

LAB 78.03, 10.74, 66.36

 

CMYK 74 / 5 / 0 / 5

HEX #3EE7F3

RGB 62 231 243

HSL 183.98, 0.88%, 0.6%

LAB 84.3, -37.68, -18.05

 

CMYK 0 / 75 / 36 / 4

HEX #F43D9C

RGB 244 61 156

HSL 328.85, 0.89%, 0.6%

LAB 57.05, 74.78, -9.61

 

CMYK 35 / 0 / 74 / 5

HEX #9FF33E

RGB 159 243 62

HSL 87.85, 0.88%, 0.6%

LAB 87.88, -51.77, 73.72

 

CMYK 74 / 35 / 0 / 5

HEX #3E9FF3

RGB 62 159 243

HSL 207.85, 0.88%, 0.6%

LAB 63.58, -0.48, -50.08

 

CMYK 0 / 75 / 36 / 4

HEX #F43D9C

RGB 244 61 156

HSL 328.85, 0.89%, 0.6%

LAB 57.05, 74.78, -9.61

 

CMYK 0 / 25 / 74 / 5

HEX #F3B73E

RGB 243 183 62

HSL 40.11, 0.88%, 0.6%

LAB 78.03, 10.74, 66.36

 

CMYK 74 / 0 / 40 / 5

HEX #3EF392

RGB 62 243 146

HSL 147.85, 0.88%, 0.6%

LAB 85.61, -65.69, 34.25

 

CMYK 74 / 50 / 0 / 5

HEX #3E7AF3

RGB 62 122 243

HSL 220.11, 0.88%, 0.6%

LAB 53.4, 21.75, -66.36

 

CMYK 0 / 75 / 36 / 4

HEX #F43D9C

RGB 244 61 156

HSL 328.85, 0.89%, 0.6%

LAB 57.05, 74.78, -9.61

 

CMYK 0 / 2 / 74 / 5

HEX #F3ED3E

RGB 243 237 62

HSL 58.01, 0.88%, 0.6%

LAB 91.67, -16.66, 79.22

 

CMYK 74 / 0 / 40 / 5

HEX #3EF392

RGB 62 243 146

HSL 147.85, 0.88%, 0.6%

LAB 85.61, -65.69, 34.25

 

CMYK 74 / 72 / 0 / 5

HEX #3E44F3

RGB 62 68 243

HSL 238.01, 0.88%, 0.6%

LAB 40.62, 54.48, -87.23

 

Description

Color code: RGB 244 61 156 | qconv.com Color code: RGB 244 61 156 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 61 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 61 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 36 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 36% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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