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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 244 227 201 it is the complementary color RGB 11 28 54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 244 227 201. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 244 227 201: RGB 249 227 196, RGB 255 245 215, RGB 255 255 234, RGB 255 255 253

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 244 227 201. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 244 227 201: RGB 244 227 201, RGB 227 209 182, RGB 210 191 163, RGB 193 173 144 and RGB 176 155 125

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 18 / 4

HEX #F4E3C9

RGB 244 227 201

HSL 36.28, 0.66%, 0.87%

LAB 90.96, 1.67, 14.79

 

Complementary color

CMYK 80 / 48 / 0 / 79

HEX #0B1C36

RGB 11 28 54

HSL 216.28, 0.66%, 0.13%

LAB 10.32, 3.6, -19.12

 

CMYK 0 / 9 / 21 / 2

HEX #F9E3C4

RGB 249 227 196

HSL 35.09, 0.82%, 0.87%

LAB 91.26, 2.76, 17.88

 

CMYK 0 / 4 / 16 / 0

HEX #FFF5D7

RGB 255 245 215

HSL 45, 1%, 0.92%

LAB 96.6, -1.46, 15.65

 

CMYK 0 / 0 / 8 / 0

HEX #FFFFEA

RGB 255 255 234

HSL 60, 1%, 0.96%

LAB 99.5, -3.53, 10.03

 

CMYK 0 / 0 / 1 / 0

HEX #FFFFFD

RGB 255 255 253

HSL 60, 1%, 1%

LAB 99.95, -0.34, 0.94

 

CMYK 0 / 7 / 18 / 4

HEX #F4E3C9

RGB 244 227 201

HSL 36.28, 0.66%, 0.87%

LAB 90.96, 1.67, 14.79

 

CMYK 0 / 8 / 20 / 11

HEX #E3D1B6

RGB 227 209 182

HSL 36, 0.45%, 0.8%

LAB 84.64, 1.97, 15.66

 

CMYK 0 / 9 / 22 / 18

HEX #D2BFA3

RGB 210 191 163

HSL 35.74, 0.34%, 0.73%

LAB 78.23, 2.29, 16.57

 

CMYK 0 / 10 / 25 / 24

HEX #C1AD90

RGB 193 173 144

HSL 35.51, 0.28%, 0.66%

LAB 71.72, 2.66, 17.55

 

CMYK 0 / 12 / 29 / 31

HEX #B09B7D

RGB 176 155 125

HSL 35.29, 0.24%, 0.59%

LAB 65.08, 3.08, 18.59

 

CMYK 0 / 7 / 18 / 4

HEX #F4E3C9

RGB 244 227 201

HSL 36.28, 0.66%, 0.87%

LAB 90.96, 1.67, 14.79

 

CMYK 0 / 4 / 18 / 5

HEX #F3E9C7

RGB 243 233 199

HSL 46.36, 0.65%, 0.87%

LAB 92.33, -2.04, 17.75

 

CMYK 0 / 1 / 18 / 5

HEX #F3F0C7

RGB 243 240 199

HSL 55.91, 0.65%, 0.87%

LAB 94.1, -5.58, 20.22

 

CMYK 2 / 0 / 18 / 5

HEX #EFF3C7

RGB 239 243 199

HSL 65.45, 0.65%, 0.87%

LAB 94.56, -8.51, 20.81

 

CMYK 5 / 0 / 18 / 5

HEX #E8F3C7

RGB 232 243 199

HSL 75, 0.65%, 0.87%

LAB 94.05, -11, 20.03

 

CMYK 0 / 7 / 18 / 4

HEX #F4E3C9

RGB 244 227 201

HSL 36.28, 0.66%, 0.87%

LAB 90.96, 1.67, 14.79

 

CMYK 0 / 7 / 18 / 84

HEX #282521

RGB 40 37 33

HSL 34.29, 0.1%, 0.14%

LAB 14.87, 0.5, 3.16

 

CMYK 0 / 7 / 18 / 64

HEX #5B554B

RGB 91 85 75

HSL 37.5, 0.1%, 0.33%

LAB 36.42, 0.52, 6.71

 

CMYK 0 / 7 / 18 / 44

HEX #8E8475

RGB 142 132 117

HSL 36, 0.1%, 0.51%

LAB 55.62, 1.13, 9.46

 

CMYK 0 / 7 / 18 / 24

HEX #C1B49F

RGB 193 180 159

HSL 37.06, 0.22%, 0.69%

LAB 73.86, 1.14, 12.38

 

CMYK 0 / 7 / 18 / 4

HEX #F4E3C9

RGB 244 227 201

HSL 36.28, 0.66%, 0.87%

LAB 90.96, 1.67, 14.79

 

CMYK 14 / 0 / 18 / 5

HEX #D0F3C7

RGB 208 243 199

HSL 107.73, 0.65%, 0.87%

LAB 92.41, -19.29, 17.5

 

CMYK 14 / 18 / 0 / 5

HEX #D0C7F3

RGB 208 199 243

HSL 252.27, 0.65%, 0.87%

LAB 82.23, 11.64, -20.54

 

CMYK 0 / 7 / 18 / 4

HEX #F4E3C9

RGB 244 227 201

HSL 36.28, 0.66%, 0.87%

LAB 90.96, 1.67, 14.79

 

CMYK 18 / 0 / 7 / 5

HEX #C7F3E2

RGB 199 243 226

HSL 156.82, 0.65%, 0.87%

LAB 92.46, -17.4, 3.51

 

CMYK 7 / 18 / 0 / 5

HEX #E2C7F3

RGB 226 199 243

HSL 276.82, 0.65%, 0.87%

LAB 83.7, 17.38, -18.18

 

CMYK 0 / 7 / 18 / 4

HEX #F4E3C9

RGB 244 227 201

HSL 36.28, 0.66%, 0.87%

LAB 90.96, 1.67, 14.79

 

CMYK 14 / 0 / 18 / 5

HEX #D0F3C7

RGB 208 243 199

HSL 107.73, 0.65%, 0.87%

LAB 92.41, -19.29, 17.5

 

CMYK 18 / 11 / 0 / 5

HEX #C7D9F3

RGB 199 217 243

HSL 215.45, 0.65%, 0.87%

LAB 86.13, -0.71, -14.74

 

CMYK 4 / 18 / 0 / 5

HEX #EAC7F3

RGB 234 199 243

HSL 287.73, 0.65%, 0.87%

LAB 84.39, 19.98, -17.08

 

CMYK 0 / 7 / 18 / 4

HEX #F4E3C9

RGB 244 227 201

HSL 36.28, 0.66%, 0.87%

LAB 90.96, 1.67, 14.79

 

CMYK 18 / 0 / 16 / 5

HEX #C7F3CC

RGB 199 243 204

HSL 126.82, 0.65%, 0.87%

LAB 91.95, -21.44, 14.19

 

CMYK 18 / 11 / 0 / 5

HEX #C7D9F3

RGB 199 217 243

HSL 215.45, 0.65%, 0.87%

LAB 86.13, -0.71, -14.74

 

CMYK 0 / 18 / 2 / 5

HEX #F3C7EF

RGB 243 199 239

HSL 305.45, 0.65%, 0.87%

LAB 85.06, 22.2, -13.85

 

Description

Color code: RGB 244 227 201 | qconv.com Color code: RGB 244 227 201 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 227 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 227 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 18 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 18% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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