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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 244 186 138 it is the complementary color RGB 11 69 117. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 244 186 138. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 244 186 138: RGB 249 186 133, RGB 255 204 152, RGB 255 222 171, RGB 255 240 190 and RGB 255 255 209

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 244 186 138. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 244 186 138: RGB 244 186 138, RGB 227 168 119, RGB 210 150 100, RGB 193 132 81 and RGB 176 114 62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 43 / 4

HEX #F4BA8A

RGB 244 186 138

HSL 27.17, 0.83%, 0.75%

LAB 79.72, 15.03, 32.4

 

Complementary color

CMYK 91 / 41 / 0 / 54

HEX #0B4575

RGB 11 69 117

HSL 207.17, 0.83%, 0.25%

LAB 28.41, 1.7, -32.43

 

CMYK 0 / 25 / 47 / 2

HEX #F9BA85

RGB 249 186 133

HSL 27.41, 0.91%, 0.75%

LAB 80.15, 16.51, 35.67

 

CMYK 0 / 20 / 40 / 0

HEX #FFCC98

RGB 255 204 152

HSL 30.29, 1%, 0.8%

LAB 85.36, 11.39, 32.75

 

CMYK 0 / 13 / 33 / 0

HEX #FFDEAB

RGB 255 222 171

HSL 36.43, 1%, 0.84%

LAB 90.06, 4.27, 29.25

 

CMYK 0 / 6 / 25 / 0

HEX #FFF0BE

RGB 255 240 190

HSL 46.15, 1%, 0.87%

LAB 94.86, -2.47, 26.04

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD1

RGB 255 255 209

HSL 60, 1%, 0.91%

LAB 98.98, -7.34, 22.04

 

CMYK 0 / 24 / 43 / 4

HEX #F4BA8A

RGB 244 186 138

HSL 27.17, 0.83%, 0.75%

LAB 79.72, 15.03, 32.4

 

CMYK 0 / 26 / 48 / 11

HEX #E3A877

RGB 227 168 119

HSL 27.22, 0.66%, 0.68%

LAB 73.33, 15.91, 33.74

 

CMYK 0 / 29 / 52 / 18

HEX #D29664

RGB 210 150 100

HSL 27.27, 0.55%, 0.61%

LAB 66.85, 16.91, 35.17

 

CMYK 0 / 32 / 58 / 24

HEX #C18451

RGB 193 132 81

HSL 27.32, 0.47%, 0.54%

LAB 60.28, 18.06, 36.7

 

CMYK 0 / 35 / 65 / 31

HEX #B0723E

RGB 176 114 62

HSL 27.37, 0.48%, 0.47%

LAB 53.61, 19.41, 38.32

 

CMYK 0 / 24 / 43 / 4

HEX #F4BA8A

RGB 244 186 138

HSL 27.17, 0.83%, 0.75%

LAB 79.72, 15.03, 32.4

 

CMYK 0 / 17 / 43 / 4

HEX #F4CB8A

RGB 244 203 138

HSL 36.79, 0.83%, 0.75%

LAB 83.85, 6.14, 37.78

 

CMYK 0 / 9 / 43 / 4

HEX #F4DD8A

RGB 244 221 138

HSL 46.98, 0.83%, 0.75%

LAB 88.34, -3.11, 43.52

 

CMYK 0 / 2 / 43 / 4

HEX #F4EE8A

RGB 244 238 138

HSL 56.6, 0.83%, 0.75%

LAB 92.67, -11.62, 48.95

 

CMYK 5 / 0 / 43 / 4

HEX #E7F48A

RGB 231 244 138

HSL 67.36, 0.83%, 0.75%

LAB 93.24, -19.58, 49.44

 

CMYK 0 / 24 / 43 / 4

HEX #F4BA8A

RGB 244 186 138

HSL 27.17, 0.83%, 0.75%

LAB 79.72, 15.03, 32.4

 

CMYK 0 / 25 / 43 / 84

HEX #281E17

RGB 40 30 23

HSL 24.71, 0.27%, 0.12%

LAB 12.23, 3.56, 6.65

 

CMYK 0 / 24 / 44 / 64

HEX #5B4533

RGB 91 69 51

HSL 27, 0.28%, 0.28%

LAB 31.16, 6.71, 14.5

 

CMYK 0 / 24 / 44 / 44

HEX #8E6C50

RGB 142 108 80

HSL 27.1, 0.28%, 0.44%

LAB 48.33, 9.67, 20.87

 

CMYK 0 / 24 / 44 / 24

HEX #C1936D

RGB 193 147 109

HSL 27.14, 0.4%, 0.59%

LAB 64.41, 12.42, 26.79

 

CMYK 0 / 24 / 43 / 4

HEX #F4BA8A

RGB 244 186 138

HSL 27.17, 0.83%, 0.75%

LAB 79.72, 15.03, 32.4

 

CMYK 28 / 0 / 43 / 4

HEX #AFF48A

RGB 175 244 138

HSL 99.06, 0.83%, 0.75%

LAB 89.7, -39.9, 44.24

 

CMYK 41 / 43 / 0 / 4

HEX #8F8AF4

RGB 143 138 244

HSL 242.83, 0.83%, 0.75%

LAB 62.12, 27.5, -52.68

 

CMYK 0 / 24 / 43 / 4

HEX #F4BA8A

RGB 244 186 138

HSL 27.17, 0.83%, 0.75%

LAB 79.72, 15.03, 32.4

 

CMYK 43 / 0 / 24 / 4

HEX #8AF4B9

RGB 138 244 185

HSL 146.6, 0.83%, 0.75%

LAB 88.74, -43.59, 19.03

 

CMYK 24 / 43 / 0 / 4

HEX #B98AF4

RGB 185 138 244

HSL 266.6, 0.83%, 0.75%

LAB 65.77, 38.48, -46.69

 

CMYK 0 / 24 / 43 / 4

HEX #F4BA8A

RGB 244 186 138

HSL 27.17, 0.83%, 0.75%

LAB 79.72, 15.03, 32.4

 

CMYK 28 / 0 / 43 / 4

HEX #AFF48A

RGB 175 244 138

HSL 99.06, 0.83%, 0.75%

LAB 89.7, -39.9, 44.24

 

CMYK 43 / 20 / 0 / 4

HEX #8AC4F4

RGB 138 196 244

HSL 207.17, 0.83%, 0.75%

LAB 76.93, -6.44, -29.58

 

CMYK 15 / 43 / 0 / 4

HEX #CF8AF4

RGB 207 138 244

HSL 279.06, 0.83%, 0.75%

LAB 68, 44.62, -43.02

 

CMYK 0 / 24 / 43 / 4

HEX #F4BA8A

RGB 244 186 138

HSL 27.17, 0.83%, 0.75%

LAB 79.72, 15.03, 32.4

 

CMYK 41 / 0 / 43 / 4

HEX #8FF48A

RGB 143 244 138

HSL 117.17, 0.83%, 0.75%

LAB 88.15, -50.01, 41.95

 

CMYK 43 / 20 / 0 / 4

HEX #8AC4F4

RGB 138 196 244

HSL 207.17, 0.83%, 0.75%

LAB 76.93, -6.44, -29.58

 

CMYK 2 / 43 / 0 / 4

HEX #EE8AF4

RGB 238 138 244

HSL 296.6, 0.83%, 0.75%

LAB 71.48, 53.47, -37.34

 

Description

Color code: RGB 244 186 138 | qconv.com Color code: RGB 244 186 138 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 186 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 186 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 43 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 43% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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