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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 244 147 129 it is the complementary color RGB 11 108 126. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 244 147 129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 244 147 129: RGB 249 147 124, RGB 255 165 143, RGB 255 183 162, RGB 255 201 181 and RGB 255 219 200

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 244 147 129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 244 147 129: RGB 244 147 129, RGB 227 129 110, RGB 210 111 91, RGB 193 93 72 and RGB 176 75 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 47 / 4

HEX #F49381

RGB 244 147 129

HSL 9.39, 0.84%, 0.73%

LAB 70.65, 34.66, 25.18

 

Complementary color

CMYK 91 / 14 / 0 / 51

HEX #0B6C7E

RGB 11 108 126

HSL 189.39, 0.84%, 0.27%

LAB 41.69, -18.55, -17.22

 

CMYK 0 / 41 / 50 / 2

HEX #F9937C

RGB 249 147 124

HSL 11.04, 0.91%, 0.73%

LAB 71.19, 36.09, 28.74

 

CMYK 0 / 35 / 44 / 0

HEX #FFA58F

RGB 255 165 143

HSL 11.79, 1%, 0.78%

LAB 76.16, 30.83, 25.21

 

CMYK 0 / 28 / 36 / 0

HEX #FFB7A2

RGB 255 183 162

HSL 13.55, 1%, 0.82%

LAB 80.59, 23.48, 21.05

 

CMYK 0 / 21 / 29 / 0

HEX #FFC9B5

RGB 255 201 181

HSL 16.22, 1%, 0.85%

LAB 85.18, 16.4, 17.32

 

CMYK 0 / 14 / 22 / 0

HEX #FFDBC8

RGB 255 219 200

HSL 20.73, 1%, 0.89%

LAB 89.9, 9.63, 13.95

 

CMYK 0 / 40 / 47 / 4

HEX #F49381

RGB 244 147 129

HSL 9.39, 0.84%, 0.73%

LAB 70.65, 34.66, 25.18

 

CMYK 0 / 43 / 52 / 11

HEX #E3816E

RGB 227 129 110

HSL 9.74, 0.68%, 0.66%

LAB 64.29, 35.8, 26.82

 

CMYK 0 / 47 / 57 / 18

HEX #D26F5B

RGB 210 111 91

HSL 10.08, 0.57%, 0.59%

LAB 57.87, 37.05, 28.67

 

CMYK 0 / 52 / 63 / 24

HEX #C15D48

RGB 193 93 72

HSL 10.41, 0.49%, 0.52%

LAB 51.42, 38.39, 30.79

 

CMYK 0 / 57 / 70 / 31

HEX #B04B35

RGB 176 75 53

HSL 10.73, 0.54%, 0.45%

LAB 44.97, 39.78, 33.21

 

CMYK 0 / 40 / 47 / 4

HEX #F49381

RGB 244 147 129

HSL 9.39, 0.84%, 0.73%

LAB 70.65, 34.66, 25.18

 

CMYK 0 / 33 / 47 / 5

HEX #F3A480

RGB 243 164 128

HSL 18.78, 0.83%, 0.73%

LAB 74.29, 25.26, 30.54

 

CMYK 0 / 24 / 47 / 5

HEX #F3B880

RGB 243 184 128

HSL 29.22, 0.83%, 0.73%

LAB 78.98, 14.7, 36.64

 

CMYK 0 / 16 / 47 / 5

HEX #F3CB80

RGB 243 203 128

HSL 39.13, 0.83%, 0.73%

LAB 83.61, 4.76, 42.53

 

CMYK 0 / 9 / 47 / 5

HEX #F3DE80

RGB 243 222 128

HSL 49.04, 0.83%, 0.73%

LAB 88.38, -4.97, 48.46

 

CMYK 0 / 40 / 47 / 4

HEX #F49381

RGB 244 147 129

HSL 9.39, 0.84%, 0.73%

LAB 70.65, 34.66, 25.18

 

CMYK 0 / 40 / 48 / 84

HEX #281815

RGB 40 24 21

HSL 9.47, 0.31%, 0.12%

LAB 10.25, 7.56, 5.33

 

CMYK 0 / 40 / 47 / 64

HEX #5B3730

RGB 91 55 48

HSL 9.77, 0.31%, 0.27%

LAB 27.21, 15.16, 11.12

 

CMYK 0 / 39 / 47 / 44

HEX #8E564B

RGB 142 86 75

HSL 9.85, 0.31%, 0.43%

LAB 42.63, 21.92, 16.23

 

CMYK 0 / 40 / 47 / 24

HEX #C17466

RGB 193 116 102

HSL 9.23, 0.42%, 0.58%

LAB 56.87, 28.74, 20.67

 

CMYK 0 / 40 / 47 / 4

HEX #F49381

RGB 244 147 129

HSL 9.39, 0.84%, 0.73%

LAB 70.65, 34.66, 25.18

 

CMYK 16 / 0 / 47 / 5

HEX #CBF380

RGB 203 243 128

HSL 80.87, 0.83%, 0.73%

LAB 90.94, -30.67, 50.92

 

CMYK 47 / 35 / 0 / 5

HEX #809DF3

RGB 128 157 243

HSL 224.87, 0.83%, 0.73%

LAB 65.88, 12.58, -46.26

 

CMYK 0 / 40 / 47 / 4

HEX #F49381

RGB 244 147 129

HSL 9.39, 0.84%, 0.73%

LAB 70.65, 34.66, 25.18

 

CMYK 47 / 0 / 40 / 5

HEX #80F391

RGB 128 243 145

HSL 128.87, 0.83%, 0.73%

LAB 87.36, -52.76, 37.37

 

CMYK 40 / 47 / 0 / 5

HEX #9180F3

RGB 145 128 243

HSL 248.87, 0.83%, 0.73%

LAB 59.82, 33.5, -55.78

 

CMYK 0 / 40 / 47 / 4

HEX #F49381

RGB 244 147 129

HSL 9.39, 0.84%, 0.73%

LAB 70.65, 34.66, 25.18

 

CMYK 16 / 0 / 47 / 5

HEX #CBF380

RGB 203 243 128

HSL 80.87, 0.83%, 0.73%

LAB 90.94, -30.67, 50.92

 

CMYK 47 / 7 / 0 / 5

HEX #80E2F3

RGB 128 226 243

HSL 188.87, 0.83%, 0.73%

LAB 84.72, -24.46, -17.24

 

CMYK 31 / 47 / 0 / 5

HEX #A880F3

RGB 168 128 243

HSL 260.87, 0.83%, 0.73%

LAB 61.86, 39.25, -52.43

 

CMYK 0 / 40 / 47 / 4

HEX #F49381

RGB 244 147 129

HSL 9.39, 0.84%, 0.73%

LAB 70.65, 34.66, 25.18

 

CMYK 31 / 0 / 47 / 5

HEX #A8F380

RGB 168 243 128

HSL 99.13, 0.83%, 0.73%

LAB 88.92, -43.03, 47.98

 

CMYK 47 / 7 / 0 / 5

HEX #80E2F3

RGB 128 226 243

HSL 188.87, 0.83%, 0.73%

LAB 84.72, -24.46, -17.24

 

CMYK 16 / 47 / 0 / 5

HEX #CB80F3

RGB 203 128 243

HSL 279.13, 0.83%, 0.73%

LAB 65.44, 48.58, -46.53

 

Description

Color code: RGB 244 147 129 | qconv.com Color code: RGB 244 147 129 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 147 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 147 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 47 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 47% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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