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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 244 142 59 it is the complementary color RGB 11 113 196. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 244 142 59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 244 142 59: RGB 249 142 54, RGB 255 160 73, RGB 255 178 92, RGB 255 196 111 and RGB 255 214 130

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 244 142 59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 244 142 59: RGB 244 142 59, RGB 227 124 40, RGB 210 106 21, RGB 193 88 2 and RGB 176 70 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 76 / 4

HEX #F48E3B

RGB 244 142 59

HSL 26.92, 0.89%, 0.59%

LAB 68.68, 32.56, 58.46

 

Complementary color

CMYK 94 / 42 / 0 / 23

HEX #0B71C4

RGB 11 113 196

HSL 206.92, 0.89%, 0.41%

LAB 46.8, 5.43, -50.47

 

CMYK 0 / 43 / 78 / 2

HEX #F98E36

RGB 249 142 54

HSL 27.08, 0.94%, 0.59%

LAB 69.29, 34.38, 61.38

 

CMYK 0 / 37 / 71 / 0

HEX #FFA049

RGB 255 160 73

HSL 28.68, 1%, 0.64%

LAB 74.11, 28.27, 58.29

 

CMYK 0 / 30 / 64 / 0

HEX #FFB25C

RGB 255 178 92

HSL 31.66, 1%, 0.68%

LAB 78.39, 19.9, 54.19

 

CMYK 0 / 23 / 56 / 0

HEX #FFC46F

RGB 255 196 111

HSL 35.42, 1%, 0.72%

LAB 82.85, 11.81, 50.27

 

CMYK 0 / 16 / 49 / 0

HEX #FFD682

RGB 255 214 130

HSL 40.32, 1%, 0.75%

LAB 87.47, 4.08, 46.59

 

CMYK 0 / 42 / 76 / 4

HEX #F48E3B

RGB 244 142 59

HSL 26.92, 0.89%, 0.59%

LAB 68.68, 32.56, 58.46

 

CMYK 0 / 45 / 82 / 11

HEX #E37C28

RGB 227 124 40

HSL 26.95, 0.77%, 0.52%

LAB 62.42, 34.37, 59.52

 

CMYK 0 / 50 / 90 / 18

HEX #D26A15

RGB 210 106 21

HSL 26.98, 0.82%, 0.45%

LAB 56.15, 36.36, 59.77

 

CMYK 0 / 54 / 99 / 24

HEX #C15802

RGB 193 88 2

HSL 27.02, 0.98%, 0.38%

LAB 49.88, 38.47, 58.71

 

CMYK 0 / 60 / 100 / 31

HEX #B04600

RGB 176 70 0

HSL 23.86, 1%, 0.35%

LAB 43.67, 40.67, 54.22

 

CMYK 0 / 42 / 76 / 4

HEX #F48E3B

RGB 244 142 59

HSL 26.92, 0.89%, 0.59%

LAB 68.68, 32.56, 58.46

 

CMYK 0 / 30 / 77 / 5

HEX #F3A939

RGB 243 169 57

HSL 36.13, 0.89%, 0.59%

LAB 74.65, 17.91, 65.03

 

CMYK 0 / 18 / 77 / 5

HEX #F3C839

RGB 243 200 57

HSL 46.13, 0.89%, 0.59%

LAB 82.19, 1.71, 72.09

 

CMYK 0 / 5 / 77 / 5

HEX #F3E739

RGB 243 231 57

HSL 56.13, 0.89%, 0.59%

LAB 90.09, -13.91, 79.29

 

CMYK 8 / 0 / 77 / 5

HEX #E0F339

RGB 224 243 57

HSL 66.13, 0.89%, 0.59%

LAB 91.79, -27.46, 80.29

 

CMYK 0 / 42 / 76 / 4

HEX #F48E3B

RGB 244 142 59

HSL 26.92, 0.89%, 0.59%

LAB 68.68, 32.56, 58.46

 

CMYK 0 / 43 / 75 / 84

HEX #28170A

RGB 40 23 10

HSL 26, 0.6%, 0.1%

LAB 9.69, 6.87, 10.53

 

CMYK 0 / 42 / 76 / 64

HEX #5B3516

RGB 91 53 22

HSL 26.96, 0.61%, 0.22%

LAB 26.24, 14.01, 26.1

 

CMYK 0 / 42 / 76 / 44

HEX #8E5322

RGB 142 83 34

HSL 27.22, 0.61%, 0.35%

LAB 41.3, 20.41, 37.9

 

CMYK 0 / 42 / 76 / 24

HEX #C1702F

RGB 193 112 47

HSL 26.71, 0.61%, 0.47%

LAB 55.21, 26.95, 48.12

 

CMYK 0 / 42 / 76 / 4

HEX #F48E3B

RGB 244 142 59

HSL 26.92, 0.89%, 0.59%

LAB 68.68, 32.56, 58.46

 

CMYK 49 / 0 / 77 / 5

HEX #7DF339

RGB 125 243 57

HSL 98.06, 0.89%, 0.59%

LAB 86.38, -62.76, 73.3

 

CMYK 74 / 77 / 0 / 5

HEX #3F39F3

RGB 63 57 243

HSL 241.94, 0.89%, 0.59%

LAB 38.65, 60.31, -90.5

 

CMYK 0 / 42 / 76 / 4

HEX #F48E3B

RGB 244 142 59

HSL 26.92, 0.89%, 0.59%

LAB 68.68, 32.56, 58.46

 

CMYK 77 / 0 / 43 / 5

HEX #39F38A

RGB 57 243 138

HSL 146.13, 0.89%, 0.59%

LAB 85.41, -67.7, 37.94

 

CMYK 43 / 77 / 0 / 5

HEX #8A39F3

RGB 138 57 243

HSL 266.13, 0.89%, 0.59%

LAB 45.36, 68.69, -79.2

 

CMYK 0 / 42 / 76 / 4

HEX #F48E3B

RGB 244 142 59

HSL 26.92, 0.89%, 0.59%

LAB 68.68, 32.56, 58.46

 

CMYK 49 / 0 / 77 / 5

HEX #7DF339

RGB 125 243 57

HSL 98.06, 0.89%, 0.59%

LAB 86.38, -62.76, 73.3

 

CMYK 77 / 33 / 0 / 5

HEX #39A2F3

RGB 57 162 243

HSL 206.13, 0.89%, 0.59%

LAB 64.31, -2.78, -48.94

 

CMYK 28 / 77 / 0 / 5

HEX #AF39F3

RGB 175 57 243

HSL 278.06, 0.89%, 0.59%

LAB 50.11, 74.51, -71.25

 

CMYK 0 / 42 / 76 / 4

HEX #F48E3B

RGB 244 142 59

HSL 26.92, 0.89%, 0.59%

LAB 68.68, 32.56, 58.46

 

CMYK 72 / 0 / 77 / 5

HEX #45F339

RGB 69 243 57

HSL 116.13, 0.89%, 0.59%

LAB 84.82, -75.37, 71.26

 

CMYK 77 / 33 / 0 / 5

HEX #39A2F3

RGB 57 162 243

HSL 206.13, 0.89%, 0.59%

LAB 64.31, -2.78, -48.94

 

CMYK 5 / 77 / 0 / 5

HEX #E739F3

RGB 231 57 243

HSL 296.13, 0.89%, 0.59%

LAB 58.4, 84.53, -57.47

 

Description

Color code: RGB 244 142 59 | qconv.com Color code: RGB 244 142 59 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 142 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 142 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 76 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 76% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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