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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 244 128 125 it is the complementary color RGB 11 127 130. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 244 128 125. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 244 128 125: RGB 249 128 120, RGB 255 146 139, RGB 255 164 158, RGB 255 182 177 and RGB 255 200 196

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 244 128 125. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 244 128 125: RGB 244 128 125, RGB 227 110 106, RGB 210 92 87, RGB 193 74 68 and RGB 176 56 49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 49 / 4

HEX #F4807D

RGB 244 128 125

HSL 1.51, 0.84%, 0.72%

LAB 66.64, 43.99, 21.98

 

Complementary color

CMYK 92 / 2 / 0 / 49

HEX #0B7F82

RGB 11 127 130

HSL 181.51, 0.84%, 0.28%

LAB 48.09, -27.1, -9.91

 

CMYK 0 / 49 / 52 / 2

HEX #F98078

RGB 249 128 120

HSL 3.72, 0.91%, 0.72%

LAB 67.23, 45.36, 25.69

 

CMYK 0 / 43 / 45 / 0

HEX #FF928B

RGB 255 146 139

HSL 3.62, 1%, 0.77%

LAB 72.02, 40.24, 21.76

 

CMYK 0 / 36 / 38 / 0

HEX #FFA49E

RGB 255 164 158

HSL 3.71, 1%, 0.81%

LAB 76.24, 32.96, 17.18

 

CMYK 0 / 29 / 31 / 0

HEX #FFB6B1

RGB 255 182 177

HSL 3.85, 1%, 0.85%

LAB 80.68, 25.83, 13.11

 

CMYK 0 / 22 / 23 / 0

HEX #FFC8C4

RGB 255 200 196

HSL 4.07, 1%, 0.88%

LAB 85.28, 18.95, 9.49

 

CMYK 0 / 48 / 49 / 4

HEX #F4807D

RGB 244 128 125

HSL 1.51, 0.84%, 0.72%

LAB 66.64, 43.99, 21.98

 

CMYK 0 / 52 / 53 / 11

HEX #E36E6A

RGB 227 110 106

HSL 1.98, 0.68%, 0.65%

LAB 60.36, 45.11, 23.87

 

CMYK 0 / 56 / 59 / 18

HEX #D25C57

RGB 210 92 87

HSL 2.44, 0.58%, 0.58%

LAB 54.07, 46.25, 26.06

 

CMYK 0 / 62 / 65 / 24

HEX #C14A44

RGB 193 74 68

HSL 2.88, 0.5%, 0.51%

LAB 47.82, 47.33, 28.64

 

CMYK 0 / 68 / 72 / 31

HEX #B03831

RGB 176 56 49

HSL 3.31, 0.56%, 0.44%

LAB 41.66, 48.24, 31.68

 

CMYK 0 / 48 / 49 / 4

HEX #F4807D

RGB 244 128 125

HSL 1.51, 0.84%, 0.72%

LAB 66.64, 43.99, 21.98

 

CMYK 0 / 40 / 49 / 5

HEX #F3917B

RGB 243 145 123

HSL 11, 0.83%, 0.72%

LAB 69.99, 34.76, 27.56

 

CMYK 0 / 32 / 49 / 5

HEX #F3A57B

RGB 243 165 123

HSL 21, 0.83%, 0.72%

LAB 74.44, 24.26, 33.4

 

CMYK 0 / 24 / 49 / 5

HEX #F3B97B

RGB 243 185 123

HSL 31, 0.83%, 0.72%

LAB 79.15, 13.71, 39.43

 

CMYK 0 / 16 / 49 / 5

HEX #F3CD7B

RGB 243 205 123

HSL 41, 0.83%, 0.72%

LAB 84.04, 3.27, 45.56

 

CMYK 0 / 48 / 49 / 4

HEX #F4807D

RGB 244 128 125

HSL 1.51, 0.84%, 0.72%

LAB 66.64, 43.99, 21.98

 

CMYK 0 / 48 / 50 / 84

HEX #281514

RGB 40 21 20

HSL 3, 0.33%, 0.12%

LAB 9.3, 9.56, 4.67

 

CMYK 0 / 47 / 48 / 64

HEX #5B302F

RGB 91 48 47

HSL 1.36, 0.32%, 0.27%

LAB 25.39, 19.39, 9.29

 

CMYK 0 / 48 / 49 / 44

HEX #8E4A49

RGB 142 74 73

HSL 0.87, 0.32%, 0.42%

LAB 39.8, 28.53, 13.6

 

CMYK 0 / 48 / 49 / 24

HEX #C16563

RGB 193 101 99

HSL 1.28, 0.43%, 0.57%

LAB 53.54, 36.46, 17.91

 

CMYK 0 / 48 / 49 / 4

HEX #F4807D

RGB 244 128 125

HSL 1.51, 0.84%, 0.72%

LAB 66.64, 43.99, 21.98

 

CMYK 11 / 0 / 49 / 5

HEX #D9F37B

RGB 217 243 123

HSL 73, 0.83%, 0.72%

LAB 91.81, -25.91, 54.52

 

CMYK 49 / 30 / 0 / 5

HEX #7BA9F3

RGB 123 169 243

HSL 217, 0.83%, 0.72%

LAB 68.79, 4.57, -41.71

 

CMYK 0 / 48 / 49 / 4

HEX #F4807D

RGB 244 128 125

HSL 1.51, 0.84%, 0.72%

LAB 66.64, 43.99, 21.98

 

CMYK 49 / 0 / 49 / 5

HEX #7BF37D

RGB 123 243 125

HSL 121, 0.83%, 0.72%

LAB 86.9, -56.96, 46.46

 

CMYK 49 / 49 / 0 / 5

HEX #7D7BF3

RGB 125 123 243

HSL 241, 0.83%, 0.72%

LAB 57.07, 31.84, -60.27

 

CMYK 0 / 48 / 49 / 4

HEX #F4807D

RGB 244 128 125

HSL 1.51, 0.84%, 0.72%

LAB 66.64, 43.99, 21.98

 

CMYK 11 / 0 / 49 / 5

HEX #D9F37B

RGB 217 243 123

HSL 73, 0.83%, 0.72%

LAB 91.81, -25.91, 54.52

 

CMYK 49 / 1 / 0 / 5

HEX #7BF1F3

RGB 123 241 243

HSL 181, 0.83%, 0.72%

LAB 88.73, -32.75, -11.25

 

CMYK 39 / 49 / 0 / 5

HEX #957BF3

RGB 149 123 243

HSL 253, 0.83%, 0.72%

LAB 59, 37.33, -57.08

 

CMYK 0 / 48 / 49 / 4

HEX #F4807D

RGB 244 128 125

HSL 1.51, 0.84%, 0.72%

LAB 66.64, 43.99, 21.98

 

CMYK 26 / 0 / 49 / 5

HEX #B5F37B

RGB 181 243 123

HSL 91, 0.83%, 0.72%

LAB 89.56, -39.14, 51.28

 

CMYK 49 / 1 / 0 / 5

HEX #7BF1F3

RGB 123 241 243

HSL 181, 0.83%, 0.72%

LAB 88.73, -32.75, -11.25

 

CMYK 24 / 49 / 0 / 5

HEX #B97BF3

RGB 185 123 243

HSL 271, 0.83%, 0.72%

LAB 62.47, 46.42, -51.35

 

Description

Color code: RGB 244 128 125 | qconv.com Color code: RGB 244 128 125 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 128 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 128 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 49 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 49% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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