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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 244 123 40 it is the complementary color RGB 11 132 215. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 244 123 40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 244 123 40: RGB 249 123 35, RGB 255 141 54, RGB 255 159 73, RGB 255 177 92 and RGB 255 195 111

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 244 123 40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 244 123 40: RGB 244 123 40, RGB 227 105 21, RGB 210 87 2, RGB 193 69 0 and RGB 176 51 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 84 / 4

HEX #F47B28

RGB 244 123 40

HSL 24.41, 0.9%, 0.56%

LAB 64.61, 41.61, 62.35

 

Complementary color

CMYK 95 / 39 / 0 / 16

HEX #0B84D7

RGB 11 132 215

HSL 204.41, 0.9%, 0.44%

LAB 53.47, 1.16, -50.63

 

CMYK 0 / 51 / 86 / 2

HEX #F97B23

RGB 249 123 35

HSL 24.67, 0.95%, 0.56%

LAB 65.3, 43.42, 64.98

 

CMYK 0 / 45 / 79 / 0

HEX #FF8D36

RGB 255 141 54

HSL 25.97, 1%, 0.61%

LAB 69.88, 37.28, 62.22

 

CMYK 0 / 38 / 71 / 0

HEX #FF9F49

RGB 255 159 73

HSL 28.35, 1%, 0.64%

LAB 73.89, 28.78, 58.06

 

CMYK 0 / 31 / 64 / 0

HEX #FFB15C

RGB 255 177 92

HSL 31.29, 1%, 0.68%

LAB 78.16, 20.42, 53.92

 

CMYK 0 / 24 / 56 / 0

HEX #FFC36F

RGB 255 195 111

HSL 35, 1%, 0.72%

LAB 82.61, 12.33, 49.98

 

CMYK 0 / 50 / 84 / 4

HEX #F47B28

RGB 244 123 40

HSL 24.41, 0.9%, 0.56%

LAB 64.61, 41.61, 62.35

 

CMYK 0 / 54 / 91 / 11

HEX #E36915

RGB 227 105 21

HSL 24.47, 0.83%, 0.49%

LAB 58.5, 43.53, 62.63

 

CMYK 0 / 59 / 99 / 18

HEX #D25702

RGB 210 87 2

HSL 24.52, 0.98%, 0.42%

LAB 52.42, 45.5, 61.6

 

CMYK 0 / 64 / 100 / 24

HEX #C14500

RGB 193 69 0

HSL 21.45, 1%, 0.38%

LAB 46.44, 47.43, 57.29

 

CMYK 0 / 71 / 100 / 31

HEX #B03300

RGB 176 51 0

HSL 17.39, 1%, 0.35%

LAB 40.57, 48.97, 52.63

 

CMYK 0 / 50 / 84 / 4

HEX #F47B28

RGB 244 123 40

HSL 24.41, 0.9%, 0.56%

LAB 64.61, 41.61, 62.35

 

CMYK 0 / 36 / 83 / 5

HEX #F39C29

RGB 243 156 41

HSL 34.16, 0.89%, 0.56%

LAB 71.55, 24.23, 67.88

 

CMYK 0 / 22 / 83 / 5

HEX #F3BD29

RGB 243 189 41

HSL 43.96, 0.89%, 0.56%

LAB 79.39, 6.9, 74.52

 

CMYK 0 / 8 / 83 / 5

HEX #F3DF29

RGB 243 223 41

HSL 54.06, 0.89%, 0.56%

LAB 87.96, -10.45, 81.7

 

CMYK 5 / 0 / 83 / 5

HEX #E6F329

RGB 230 243 41

HSL 63.86, 0.89%, 0.56%

LAB 92.17, -25.54, 84.79

 

CMYK 0 / 50 / 84 / 4

HEX #F47B28

RGB 244 123 40

HSL 24.41, 0.9%, 0.56%

LAB 64.61, 41.61, 62.35

 

CMYK 0 / 50 / 83 / 84

HEX #281407

RGB 40 20 7

HSL 23.64, 0.7%, 0.09%

LAB 8.71, 8.72, 10.35

 

CMYK 0 / 49 / 84 / 64

HEX #5B2E0F

RGB 91 46 15

HSL 24.47, 0.72%, 0.21%

LAB 24.36, 17.97, 27.96

 

CMYK 0 / 49 / 84 / 44

HEX #8E4817

RGB 142 72 23

HSL 24.71, 0.72%, 0.32%

LAB 38.63, 26.2, 40.49

 

CMYK 0 / 50 / 83 / 24

HEX #C16120

RGB 193 97 32

HSL 24.22, 0.72%, 0.44%

LAB 51.83, 34.4, 51.43

 

CMYK 0 / 50 / 84 / 4

HEX #F47B28

RGB 244 123 40

HSL 24.41, 0.9%, 0.56%

LAB 64.61, 41.61, 62.35

 

CMYK 50 / 0 / 83 / 5

HEX #7AF329

RGB 122 243 41

HSL 95.94, 0.89%, 0.56%

LAB 86.21, -64.36, 77.31

 

CMYK 83 / 83 / 0 / 5

HEX #2929F3

RGB 41 41 243

HSL 240, 0.89%, 0.56%

LAB 35.06, 66.43, -96.48

 

CMYK 0 / 50 / 84 / 4

HEX #F47B28

RGB 244 123 40

HSL 24.41, 0.9%, 0.56%

LAB 64.61, 41.61, 62.35

 

CMYK 83 / 0 / 50 / 5

HEX #29F37A

RGB 41 243 122

HSL 144.06, 0.89%, 0.56%

LAB 84.99, -71.92, 45.1

 

CMYK 50 / 83 / 0 / 5

HEX #7A29F3

RGB 122 41 243

HSL 264.06, 0.89%, 0.56%

LAB 41.52, 72.4, -85.57

 

CMYK 0 / 50 / 84 / 4

HEX #F47B28

RGB 244 123 40

HSL 24.41, 0.9%, 0.56%

LAB 64.61, 41.61, 62.35

 

CMYK 50 / 0 / 83 / 5

HEX #7AF329

RGB 122 243 41

HSL 95.94, 0.89%, 0.56%

LAB 86.21, -64.36, 77.31

 

CMYK 83 / 33 / 0 / 5

HEX #29A2F3

RGB 41 162 243

HSL 204.06, 0.89%, 0.56%

LAB 63.98, -4.28, -49.47

 

CMYK 33 / 83 / 0 / 5

HEX #A229F3

RGB 162 41 243

HSL 275.94, 0.89%, 0.56%

LAB 46.63, 77.41, -77

 

CMYK 0 / 50 / 84 / 4

HEX #F47B28

RGB 244 123 40

HSL 24.41, 0.9%, 0.56%

LAB 64.61, 41.61, 62.35

 

CMYK 74 / 0 / 83 / 5

HEX #3EF329

RGB 62 243 41

HSL 113.76, 0.89%, 0.56%

LAB 84.63, -77.3, 75.31

 

CMYK 83 / 33 / 0 / 5

HEX #29A2F3

RGB 41 162 243

HSL 204.06, 0.89%, 0.56%

LAB 63.98, -4.28, -49.47

 

CMYK 8 / 83 / 0 / 5

HEX #DF29F3

RGB 223 41 243

HSL 294.06, 0.89%, 0.56%

LAB 55.83, 86.89, -61.65

 

Description

Color code: RGB 244 123 40 | qconv.com Color code: RGB 244 123 40 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 123 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 123 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 84 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 84% 4% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

17% - Welcome - Oklahoma S...
Link: http://www.osu-tulsa.okstate.edu

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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