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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 244 105 143 it is the complementary color RGB 11 150 112. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 244 105 143. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 244 105 143: RGB 249 105 138, RGB 255 123 157, RGB 255 141 176, RGB 255 159 195 and RGB 255 177 214

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 244 105 143. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 244 105 143: RGB 244 105 143, RGB 227 87 124, RGB 210 69 105, RGB 193 51 86 and RGB 176 33 67

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 41 / 4

HEX #F4698F

RGB 244 105 143

HSL 343.6, 0.86%, 0.68%

LAB 62.78, 56.72, 6.35

 

Complementary color

CMYK 93 / 0 / 25 / 41

HEX #0B9670

RGB 11 150 112

HSL 163.6, 0.86%, 0.32%

LAB 55.13, -42.72, 10.79

 

CMYK 0 / 58 / 45 / 2

HEX #F9698A

RGB 249 105 138

HSL 346.25, 0.92%, 0.69%

LAB 63.41, 57.84, 10.23

 

CMYK 0 / 52 / 38 / 0

HEX #FF7B9D

RGB 255 123 157

HSL 344.55, 1%, 0.74%

LAB 67.92, 53.44, 5.96

 

CMYK 0 / 45 / 31 / 0

HEX #FF8DB0

RGB 255 141 176

HSL 341.58, 1%, 0.78%

LAB 71.86, 46.87, 1

 

CMYK 0 / 38 / 24 / 0

HEX #FF9FC3

RGB 255 159 195

HSL 337.5, 1%, 0.81%

LAB 76.07, 40.23, -3.33

 

CMYK 0 / 31 / 16 / 0

HEX #FFB1D6

RGB 255 177 214

HSL 331.54, 1%, 0.85%

LAB 80.49, 33.67, -7.13

 

CMYK 0 / 57 / 41 / 4

HEX #F4698F

RGB 244 105 143

HSL 343.6, 0.86%, 0.68%

LAB 62.78, 56.72, 6.35

 

CMYK 0 / 62 / 45 / 11

HEX #E3577C

RGB 227 87 124

HSL 344.14, 0.71%, 0.62%

LAB 56.69, 57.37, 8.36

 

CMYK 0 / 67 / 50 / 18

HEX #D24569

RGB 210 69 105

HSL 344.68, 0.61%, 0.55%

LAB 50.66, 57.79, 10.77

 

CMYK 0 / 74 / 55 / 24

HEX #C13356

RGB 193 51 86

HSL 345.21, 0.58%, 0.48%

LAB 44.77, 57.81, 13.74

 

CMYK 0 / 81 / 62 / 31

HEX #B02143

RGB 176 33 67

HSL 345.73, 0.68%, 0.41%

LAB 39.11, 57.16, 17.44

 

CMYK 0 / 57 / 41 / 4

HEX #F4698F

RGB 244 105 143

HSL 343.6, 0.86%, 0.68%

LAB 62.78, 56.72, 6.35

 

CMYK 0 / 58 / 51 / 5

HEX #F36777

RGB 243 103 119

HSL 353.14, 0.85%, 0.68%

LAB 61.73, 55.07, 18.68

 

CMYK 0 / 55 / 58 / 5

HEX #F36E67

RGB 243 110 103

HSL 3, 0.85%, 0.68%

LAB 62.66, 50.59, 29.04

 

CMYK 0 / 45 / 58 / 5

HEX #F38567

RGB 243 133 103

HSL 12.86, 0.85%, 0.68%

LAB 67.13, 39.28, 34.76

 

CMYK 0 / 35 / 58 / 5

HEX #F39D67

RGB 243 157 103

HSL 23.14, 0.85%, 0.68%

LAB 72.33, 26.82, 41.24

 

CMYK 0 / 57 / 41 / 4

HEX #F4698F

RGB 244 105 143

HSL 343.6, 0.86%, 0.68%

LAB 62.78, 56.72, 6.35

 

CMYK 0 / 58 / 43 / 84

HEX #281117

RGB 40 17 23

HSL 344.35, 0.4%, 0.11%

LAB 8.25, 12.86, 1.04

 

CMYK 0 / 57 / 42 / 64

HEX #5B2735

RGB 91 39 53

HSL 343.85, 0.4%, 0.25%

LAB 23.45, 25.48, 2.49

 

CMYK 0 / 57 / 42 / 44

HEX #8E3D53

RGB 142 61 83

HSL 343.7, 0.4%, 0.4%

LAB 37.32, 36.62, 3.86

 

CMYK 0 / 57 / 41 / 24

HEX #C15371

RGB 193 83 113

HSL 343.64, 0.47%, 0.54%

LAB 50.35, 46.95, 5.13

 

CMYK 0 / 57 / 41 / 4

HEX #F4698F

RGB 244 105 143

HSL 343.6, 0.86%, 0.68%

LAB 62.78, 56.72, 6.35

 

CMYK 0 / 5 / 58 / 5

HEX #F3E767

RGB 243 231 103

HSL 54.86, 0.85%, 0.68%

LAB 90.41, -11.49, 62.4

 

CMYK 58 / 18 / 0 / 5

HEX #67C7F3

RGB 103 199 243

HSL 198.86, 0.85%, 0.68%

LAB 76.19, -15.96, -30.3

 

CMYK 0 / 57 / 41 / 4

HEX #F4698F

RGB 244 105 143

HSL 343.6, 0.86%, 0.68%

LAB 62.78, 56.72, 6.35

 

CMYK 42 / 0 / 58 / 5

HEX #8EF367

RGB 142 243 103

HSL 103.29, 0.85%, 0.68%

LAB 87.4, -54.13, 57.3

 

CMYK 58 / 42 / 0 / 5

HEX #678EF3

RGB 103 142 243

HSL 223.29, 0.85%, 0.68%

LAB 60.52, 16, -54.85

 

CMYK 0 / 57 / 41 / 4

HEX #F4698F

RGB 244 105 143

HSL 343.6, 0.86%, 0.68%

LAB 62.78, 56.72, 6.35

 

CMYK 0 / 5 / 58 / 5

HEX #F3E767

RGB 243 231 103

HSL 54.86, 0.85%, 0.68%

LAB 90.41, -11.49, 62.4

 

CMYK 58 / 0 / 16 / 5

HEX #67F3CB

RGB 103 243 203

HSL 162.86, 0.85%, 0.68%

LAB 87.63, -47.34, 7.96

 

CMYK 58 / 53 / 0 / 5

HEX #6772F3

RGB 103 114 243

HSL 235.29, 0.85%, 0.68%

LAB 53.37, 32.83, -66.3

 

CMYK 0 / 57 / 41 / 4

HEX #F4698F

RGB 244 105 143

HSL 343.6, 0.86%, 0.68%

LAB 62.78, 56.72, 6.35

 

CMYK 12 / 0 / 58 / 5

HEX #D5F367

RGB 213 243 103

HSL 72.86, 0.85%, 0.68%

LAB 91.34, -29.17, 62.82

 

CMYK 58 / 0 / 16 / 5

HEX #67F3CB

RGB 103 243 203

HSL 162.86, 0.85%, 0.68%

LAB 87.63, -47.34, 7.96

 

CMYK 45 / 58 / 0 / 5

HEX #8567F3

RGB 133 103 243

HSL 252.86, 0.85%, 0.68%

LAB 53.12, 45.12, -66.6

 

Description

Color code: RGB 244 105 143 | qconv.com Color code: RGB 244 105 143 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 105 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 105 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 41 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 41% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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