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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 243 8 213 it is the complementary color RGB 12 247 42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 243 8 213. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 243 8 213 shade: RGB 248 8 208, RGB 255 26 227, RGB 255 44 246, RGB 255 62 255 and RGB 255 80 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 243 8 213. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 243 8 213 shade: RGB 243 8 213, RGB 226 0 194, RGB 209 0 175, RGB 192 0 156 and RGB 175 0 137

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 243 8 213 shade: RGB 242 7 212, RGB 242 7 149, RGB 242 7 85, RGB 242 7 22 and RGB 242 7 7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 243 8 213 shade: RGB 242 7 212, RGB 209 7 242, RGB 145 7 242, RGB 82 7 242 and RGB 19 7 242

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 243 8 213 shade matches the following richer shades: RGB 242 7 212

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 243 8 213 shade: RGB 242 7 212, RGB 222 27 197, RGB 201 47 182, RGB 181 68 167 and RGB 161 88 152

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 243 8 213 shade: RGB 144 7 242, RGB 207 7 242, RGB 242 7 214, RGB 242 7 152 and RGB 242 7 89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 243 8 213 shade: RGB 162 5 142, RGB 202 6 177, RGB 242 7 212, RGB 248 42 222 and RGB 249 82 228

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 243 8 213 shade: RGB 243 8 213, RGB 242 81 7 and RGB 7 242 175

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 243 8 213 shade: RGB 243 8 213, RGB 214 242 7 and RGB 7 214 242

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 243 8 213 shade: RGB 243 8 213, RGB 242 81 7, RGB 7 242 34 and RGB 7 168 242

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 243 8 213 shade: RGB 243 8 213, RGB 242 152 7, RGB 7 242 34 and RGB 7 97 242

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 97 / 12 / 5

HEX #F308D5

RGB 243 8 213

HSL 307.66, 0.94%, 0.49%

LAB 56.12, 90.22, -44.06

 

Complementary color

CMYK 95 / 0 / 83 / 3

HEX #0CF72A

RGB 12 247 42

HSL 127.66, 0.94%, 0.51%

LAB 85.39, -82.66, 75.58

 

CMYK 0 / 97 / 16 / 3

HEX #F808D0

RGB 248 8 208

HSL 310, 0.94%, 0.5%

LAB 56.77, 90.47, -40.13

 

CMYK 0 / 90 / 11 / 0

HEX #FF1AE3

RGB 255 26 227

HSL 307.34, 1%, 0.55%

LAB 59.48, 92.53, -46.55

 

CMYK 0 / 83 / 4 / 0

HEX #FF2CF6

RGB 255 44 246

HSL 302.56, 1%, 0.59%

LAB 61.41, 92.33, -54.11

 

CMYK 0 / 76 / 0 / 0

HEX #FF3EFF

RGB 255 62 255

HSL 300, 1%, 0.62%

LAB 63.28, 89.59, -56.12

 

CMYK 0 / 69 / 0 / 0

HEX #FF50FF

RGB 255 80 255

HSL 300, 1%, 0.66%

LAB 65.13, 84.28, -53.17

 

CMYK 0 / 97 / 12 / 5

HEX #F308D5

RGB 243 8 213

HSL 307.66, 0.94%, 0.49%

LAB 56.12, 90.22, -44.06

 

CMYK 0 / 100 / 14 / 11

HEX #E200C2

RGB 226 0 194

HSL 308.5, 1%, 0.44%

LAB 51.91, 85.39, -39.99

 

CMYK 0 / 100 / 16 / 18

HEX #D100AF

RGB 209 0 175

HSL 309.76, 1%, 0.41%

LAB 47.82, 79.98, -35.53

 

CMYK 0 / 100 / 19 / 25

HEX #C0009C

RGB 192 0 156

HSL 311.25, 1%, 0.38%

LAB 43.66, 74.48, -30.95

 

CMYK 0 / 100 / 22 / 31

HEX #AF0089

RGB 175 0 137

HSL 313.03, 1%, 0.34%

LAB 39.45, 68.91, -26.22

 

CMYK 0 / 97 / 12 / 5

HEX #F207D4

RGB 242 7 212

HSL 307.66, 0.94%, 0.49%

LAB 55.87, 89.98, -43.9

 

CMYK 0 / 97 / 38 / 5

HEX #F20795

RGB 242 7 149

HSL 323.74, 0.94%, 0.49%

LAB 53.17, 83.06, -11.33

 

CMYK 0 / 97 / 65 / 5

HEX #F20755

RGB 242 7 85

HSL 340.09, 0.94%, 0.49%

LAB 51.48, 78.56, 25

 

CMYK 0 / 97 / 91 / 5

HEX #F20716

RGB 242 7 22

HSL 356.17, 0.94%, 0.49%

LAB 50.79, 76.67, 58.3

 

CMYK 0 / 97 / 97 / 5

HEX #F20707

RGB 242 7 7

HSL 0, 0.94%, 0.49%

LAB 50.74, 76.53, 62.82

 

CMYK 0 / 97 / 12 / 5

HEX #F207D4

RGB 242 7 212

HSL 307.66, 0.94%, 0.49%

LAB 55.87, 89.98, -43.9

 

CMYK 14 / 97 / 0 / 5

HEX #D107F2

RGB 209 7 242

HSL 291.57, 0.94%, 0.49%

LAB 51.97, 89.06, -67.43

 

CMYK 40 / 97 / 0 / 5

HEX #9107F2

RGB 145 7 242

HSL 275.23, 0.94%, 0.49%

LAB 42.13, 81.27, -83.91

 

CMYK 66 / 97 / 0 / 5

HEX #5207F2

RGB 82 7 242

HSL 259.15, 0.94%, 0.49%

LAB 34.71, 76.71, -96.42

 

CMYK 92 / 97 / 0 / 5

HEX #1307F2

RGB 19 7 242

HSL 243.06, 0.94%, 0.49%

LAB 31.12, 75.11, -102.51

 

CMYK 0 / 97 / 12 / 5

HEX #F207D4

RGB 242 7 212

HSL 307.66, 0.94%, 0.49%

LAB 55.87, 89.98, -43.9

 

CMYK 0 / 97 / 12 / 5

HEX #F207D4

RGB 242 7 212

HSL 307.66, 0.94%, 0.49%

LAB 55.87, 89.98, -43.9

 

CMYK 0 / 88 / 11 / 13

HEX #DE1BC5

RGB 222 27 197

HSL 307.69, 0.78%, 0.49%

LAB 52.22, 82.47, -41.28

 

CMYK 0 / 77 / 9 / 21

HEX #C92FB6

RGB 201 47 182

HSL 307.4, 0.62%, 0.49%

LAB 49.29, 71.95, -37.43

 

CMYK 0 / 62 / 8 / 29

HEX #B544A7

RGB 181 68 167

HSL 307.43, 0.45%, 0.49%

LAB 47.94, 57.47, -30.95

 

CMYK 0 / 45 / 6 / 37

HEX #A15898

RGB 161 88 152

HSL 307.4, 0.29%, 0.49%

LAB 48.04, 39.37, -22.14

 

CMYK 40 / 97 / 0 / 5

HEX #9007F2

RGB 144 7 242

HSL 274.98, 0.94%, 0.49%

LAB 41.99, 81.17, -84.15

 

CMYK 14 / 97 / 0 / 5

HEX #CF07F2

RGB 207 7 242

HSL 291.06, 0.94%, 0.49%

LAB 51.64, 88.78, -67.98

 

CMYK 0 / 97 / 12 / 5

HEX #F207D6

RGB 242 7 214

HSL 307.15, 0.94%, 0.49%

LAB 55.97, 90.24, -44.88

 

CMYK 0 / 97 / 37 / 5

HEX #F20798

RGB 242 7 152

HSL 322.98, 0.94%, 0.49%

LAB 53.27, 83.34, -12.96

 

CMYK 0 / 97 / 63 / 5

HEX #F20759

RGB 242 7 89

HSL 339.06, 0.94%, 0.49%

LAB 51.55, 78.76, 22.67

 

CMYK 0 / 97 / 12 / 36

HEX #A2058E

RGB 162 5 142

HSL 307.64, 0.94%, 0.33%

LAB 37.38, 66.51, -32.72

 

CMYK 0 / 97 / 12 / 21

HEX #CA06B1

RGB 202 6 177

HSL 307.65, 0.94%, 0.41%

LAB 46.79, 78.47, -38.42

 

CMYK 0 / 97 / 12 / 5

HEX #F207D4

RGB 242 7 212

HSL 307.66, 0.94%, 0.49%

LAB 55.87, 89.98, -43.9

 

CMYK 0 / 83 / 10 / 3

HEX #F82ADE

RGB 248 42 222

HSL 307.57, 0.94%, 0.57%

LAB 58.87, 88.12, -44.77

 

CMYK 0 / 67 / 8 / 2

HEX #F952E4

RGB 249 82 228

HSL 307.54, 0.93%, 0.65%

LAB 63.16, 78.19, -41.38

 

CMYK 0 / 97 / 12 / 5

HEX #F308D5

RGB 243 8 213

HSL 307.66, 0.94%, 0.49%

LAB 56.12, 90.22, -44.06

 

CMYK 0 / 67 / 97 / 5

HEX #F25107

RGB 242 81 7

HSL 18.89, 0.94%, 0.49%

LAB 56.86, 59.39, 65.91

 

CMYK 97 / 0 / 28 / 5

HEX #07F2AF

RGB 7 242 175

HSL 162.89, 0.94%, 0.49%

LAB 85.32, -63.37, 19.04

 

CMYK 0 / 97 / 12 / 5

HEX #F308D5

RGB 243 8 213

HSL 307.66, 0.94%, 0.49%

LAB 56.12, 90.22, -44.06

 

CMYK 12 / 0 / 97 / 5

HEX #D6F207

RGB 214 242 7

HSL 67.15, 0.94%, 0.49%

LAB 90.7, -32.12, 87.85

 

CMYK 97 / 12 / 0 / 5

HEX #07D6F2

RGB 7 214 242

HSL 187.15, 0.94%, 0.49%

LAB 78.78, -33.34, -25.95

 

CMYK 0 / 97 / 12 / 5

HEX #F308D5

RGB 243 8 213

HSL 307.66, 0.94%, 0.49%

LAB 56.12, 90.22, -44.06

 

CMYK 0 / 67 / 97 / 5

HEX #F25107

RGB 242 81 7

HSL 18.89, 0.94%, 0.49%

LAB 56.86, 59.39, 65.91

 

CMYK 97 / 0 / 86 / 5

HEX #07F222

RGB 7 242 34

HSL 126.89, 0.94%, 0.49%

LAB 83.79, -81.83, 75.88

 

CMYK 97 / 31 / 0 / 5

HEX #07A8F2

RGB 7 168 242

HSL 198.89, 0.94%, 0.49%

LAB 65.33, -9.67, -46.83

 

CMYK 0 / 97 / 12 / 5

HEX #F308D5

RGB 243 8 213

HSL 307.66, 0.94%, 0.49%

LAB 56.12, 90.22, -44.06

 

CMYK 0 / 37 / 97 / 5

HEX #F29807

RGB 242 152 7

HSL 37.02, 0.94%, 0.49%

LAB 70.42, 25.35, 74.36

 

CMYK 97 / 0 / 86 / 5

HEX #07F222

RGB 7 242 34

HSL 126.89, 0.94%, 0.49%

LAB 83.79, -81.83, 75.88

 

CMYK 97 / 60 / 0 / 5

HEX #0761F2

RGB 7 97 242

HSL 217.02, 0.94%, 0.49%

LAB 45.64, 33.62, -78.47

 

Description

Color code: RGB 243 8 213 | qconv.com Color code: RGB 243 8 213 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 8 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 8 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 97 magenta, 12 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 97% 12% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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