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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 214 242 7 it is the complementary color RGB 41 13 248. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 214 242 7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 214 242 7: RGB 219 242 2, RGB 236 255 21, RGB 253 255 40, RGB 255 255 59 and RGB 255 255 78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 214 242 7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 214 242 7: RGB 214 242 7, RGB 197 224 0, RGB 180 206 0, RGB 163 188 0 and RGB 146 170 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 97 / 5

HEX #D6F207

RGB 214 242 7

HSL 67.15, 0.94%, 0.49%

LAB 90.7, -32.12, 87.85

 

Complementary color

CMYK 83 / 95 / 0 / 3

HEX #290DF8

RGB 41 13 248

HSL 247.15, 0.94%, 0.51%

LAB 33, 75.94, -102.74

 

CMYK 10 / 0 / 99 / 5

HEX #DBF202

RGB 219 242 2

HSL 65.75, 0.98%, 0.48%

LAB 91.04, -30.14, 88.64

 

CMYK 7 / 0 / 92 / 0

HEX #ECFF15

RGB 236 255 21

HSL 64.87, 1%, 0.54%

LAB 95.75, -29.1, 91.13

 

CMYK 1 / 0 / 84 / 0

HEX #FDFF28

RGB 253 255 40

HSL 60.56, 1%, 0.58%

LAB 97.05, -21.87, 89.74

 

CMYK 0 / 0 / 77 / 0

HEX #FFFF3B

RGB 255 255 59

HSL 60, 1%, 0.62%

LAB 97.27, -20.52, 85.51

 

CMYK 0 / 0 / 69 / 0

HEX #FFFF4E

RGB 255 255 78

HSL 60, 1%, 0.65%

LAB 97.36, -19.76, 79.73

 

CMYK 12 / 0 / 97 / 5

HEX #D6F207

RGB 214 242 7

HSL 67.15, 0.94%, 0.49%

LAB 90.7, -32.12, 87.85

 

CMYK 12 / 0 / 100 / 12

HEX #C5E000

RGB 197 224 0

HSL 67.23, 1%, 0.44%

LAB 84.58, -30.75, 83.29

 

CMYK 13 / 0 / 100 / 19

HEX #B4CE00

RGB 180 206 0

HSL 67.57, 1%, 0.4%

LAB 78.37, -29.31, 78.12

 

CMYK 13 / 0 / 100 / 26

HEX #A3BC00

RGB 163 188 0

HSL 67.98, 1%, 0.37%

LAB 72.06, -27.85, 72.87

 

CMYK 14 / 0 / 100 / 33

HEX #92AA00

RGB 146 170 0

HSL 68.47, 1%, 0.33%

LAB 65.64, -26.37, 67.52

 

CMYK 12 / 0 / 97 / 5

HEX #D6F207

RGB 214 242 7

HSL 67.15, 0.94%, 0.49%

LAB 90.7, -32.12, 87.85

 

CMYK 28 / 0 / 97 / 5

HEX #AFF207

RGB 175 242 7

HSL 77.11, 0.94%, 0.49%

LAB 88.27, -47.26, 84.93

 

CMYK 44 / 0 / 97 / 5

HEX #88F207

RGB 136 242 7

HSL 87.06, 0.94%, 0.49%

LAB 86.38, -60.63, 82.64

 

CMYK 60 / 0 / 97 / 5

HEX #61F207

RGB 97 242 7

HSL 97.02, 0.94%, 0.49%

LAB 85.03, -71.3, 80.99

 

CMYK 76 / 0 / 97 / 5

HEX #3AF207

RGB 58 242 7

HSL 106.98, 0.94%, 0.49%

LAB 84.18, -78.51, 79.96

 

CMYK 12 / 0 / 97 / 5

HEX #D6F207

RGB 214 242 7

HSL 67.15, 0.94%, 0.49%

LAB 90.7, -32.12, 87.85

 

CMYK 11 / 0 / 97 / 85

HEX #222601

RGB 34 38 1

HSL 66.49, 0.95%, 0.08%

LAB 13.99, -7.94, 19.97

 

CMYK 11 / 0 / 97 / 65

HEX #4F5903

RGB 79 89 3

HSL 66.98, 0.93%, 0.18%

LAB 35.62, -14.81, 41.84

 

CMYK 11 / 0 / 97 / 45

HEX #7C8C04

RGB 124 140 4

HSL 67.06, 0.94%, 0.28%

LAB 55.12, -20.98, 58.26

 

CMYK 12 / 0 / 97 / 25

HEX #A9BF06

RGB 169 191 6

HSL 67.14, 0.94%, 0.39%

LAB 73.36, -26.69, 73.38

 

CMYK 12 / 0 / 97 / 5

HEX #D6F207

RGB 214 242 7

HSL 67.15, 0.94%, 0.49%

LAB 90.7, -32.12, 87.85

 

CMYK 97 / 0 / 67 / 5

HEX #07F251

RGB 7 242 81

HSL 138.89, 0.94%, 0.49%

LAB 84.04, -78.64, 61.89

 

CMYK 28 / 97 / 0 / 5

HEX #AF07F2

RGB 175 7 242

HSL 282.89, 0.94%, 0.49%

LAB 46.55, 84.58, -76.49

 

CMYK 12 / 0 / 97 / 5

HEX #D6F207

RGB 214 242 7

HSL 67.15, 0.94%, 0.49%

LAB 90.7, -32.12, 87.85

 

CMYK 97 / 12 / 0 / 5

HEX #07D6F2

RGB 7 214 242

HSL 187.15, 0.94%, 0.49%

LAB 78.78, -33.34, -25.95

 

CMYK 0 / 97 / 12 / 5

HEX #F207D6

RGB 242 7 214

HSL 307.15, 0.94%, 0.49%

LAB 55.97, 90.24, -44.88

 

CMYK 12 / 0 / 97 / 5

HEX #D6F207

RGB 214 242 7

HSL 67.15, 0.94%, 0.49%

LAB 90.7, -32.12, 87.85

 

CMYK 97 / 0 / 67 / 5

HEX #07F251

RGB 7 242 81

HSL 138.89, 0.94%, 0.49%

LAB 84.04, -78.64, 61.89

 

CMYK 86 / 97 / 0 / 5

HEX #2207F2

RGB 34 7 242

HSL 246.89, 0.94%, 0.49%

LAB 31.58, 75.29, -101.72

 

CMYK 0 / 97 / 31 / 5

HEX #F207A8

RGB 242 7 168

HSL 318.89, 0.94%, 0.49%

LAB 53.87, 84.91, -21.51

 

CMYK 12 / 0 / 97 / 5

HEX #D6F207

RGB 214 242 7

HSL 67.15, 0.94%, 0.49%

LAB 90.7, -32.12, 87.85

 

CMYK 97 / 0 / 37 / 5

HEX #07F298

RGB 7 242 152

HSL 157.02, 0.94%, 0.49%

LAB 84.9, -68.18, 30.22

 

CMYK 86 / 97 / 0 / 5

HEX #2207F2

RGB 34 7 242

HSL 246.89, 0.94%, 0.49%

LAB 31.58, 75.29, -101.72

 

CMYK 0 / 97 / 60 / 5

HEX #F20761

RGB 242 7 97

HSL 337.02, 0.94%, 0.49%

LAB 51.72, 79.2, 18.01

 

Description

Color code: RGB 214 242 7 | qconv.com Color code: RGB 214 242 7 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 242 green and 7 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 242 7 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 97 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 97% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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