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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 243 52 0 it is the complementary color RGB 12 203 255. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 243 52 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 243 52 0: RGB 248 52 0, RGB 255 70 14, RGB 255 88 33, RGB 255 106 52 and RGB 255 124 71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 243 52 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 243 52 0: RGB 243 52 0, RGB 226 34 0, RGB 209 16 0, RGB 192 0 0 and RGB 175 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 100 / 5

HEX #F33400

RGB 243 52 0

HSL 12.84, 1%, 0.48%

LAB 53.5, 69.37, 65.87

 

Complementary color

CMYK 95 / 20 / 0 / 0

HEX #0CCBFF

RGB 12 203 255

HSL 192.84, 1%, 0.52%

LAB 76.08, -23.57, -37.06

 

CMYK 0 / 79 / 100 / 3

HEX #F83400

RGB 248 52 0

HSL 12.58, 1%, 0.49%

LAB 54.46, 70.79, 66.84

 

CMYK 0 / 73 / 95 / 0

HEX #FF460E

RGB 255 70 14

HSL 13.94, 1%, 0.53%

LAB 57.72, 67.57, 66.19

 

CMYK 0 / 65 / 87 / 0

HEX #FF5821

RGB 255 88 33

HSL 14.86, 1%, 0.56%

LAB 60.2, 61.25, 62.04

 

CMYK 0 / 58 / 80 / 0

HEX #FF6A34

RGB 255 106 52

HSL 15.96, 1%, 0.6%

LAB 63.19, 54.09, 56.75

 

CMYK 0 / 51 / 72 / 0

HEX #FF7C47

RGB 255 124 71

HSL 17.28, 1%, 0.64%

LAB 66.62, 46.39, 51.25

 

CMYK 0 / 79 / 100 / 5

HEX #F33400

RGB 243 52 0

HSL 12.84, 1%, 0.48%

LAB 53.5, 69.37, 65.87

 

CMYK 0 / 85 / 100 / 11

HEX #E22200

RGB 226 34 0

HSL 9.03, 1%, 0.44%

LAB 48.65, 68.93, 61.89

 

CMYK 0 / 92 / 100 / 18

HEX #D11000

RGB 209 16 0

HSL 4.59, 1%, 0.41%

LAB 44.13, 67.39, 58.05

 

CMYK 0 / 100 / 100 / 25

HEX #C00000

RGB 192 0 0

HSL 0, 1%, 0.38%

LAB 39.93, 64.71, 54.3

 

CMYK 0 / 100 / 100 / 31

HEX #AF0000

RGB 175 0 0

HSL 0, 1%, 0.34%

LAB 36.2, 60.4, 50.58

 

CMYK 0 / 79 / 100 / 5

HEX #F33400

RGB 243 52 0

HSL 12.84, 1%, 0.48%

LAB 53.5, 69.37, 65.87

 

CMYK 0 / 64 / 100 / 4

HEX #F45900

RGB 244 89 0

HSL 21.89, 1%, 0.48%

LAB 58.39, 56.76, 68.29

 

CMYK 0 / 47 / 100 / 4

HEX #F48200

RGB 244 130 0

HSL 31.97, 1%, 0.48%

LAB 65.9, 37.51, 72.54

 

CMYK 0 / 30 / 100 / 4

HEX #F4AB00

RGB 244 171 0

HSL 42.05, 1%, 0.48%

LAB 75.05, 16.14, 78.42

 

CMYK 0 / 13 / 100 / 4

HEX #F4D400

RGB 244 212 0

HSL 52.13, 1%, 0.48%

LAB 85.16, -5.09, 85.42

 

CMYK 0 / 79 / 100 / 5

HEX #F33400

RGB 243 52 0

HSL 12.84, 1%, 0.48%

LAB 53.5, 69.37, 65.87

 

CMYK 0 / 79 / 100 / 85

HEX #270800

RGB 39 8 0

HSL 12.31, 1%, 0.08%

LAB 5.46, 14.17, 8.45

 

CMYK 0 / 79 / 100 / 65

HEX #5A1300

RGB 90 19 0

HSL 12.67, 1%, 0.18%

LAB 18.54, 31.33, 28.03

 

CMYK 0 / 79 / 100 / 45

HEX #8D1E00

RGB 141 30 0

HSL 12.77, 1%, 0.28%

LAB 30.86, 44.96, 43.64

 

CMYK 0 / 79 / 100 / 25

HEX #C02900

RGB 192 41 0

HSL 12.81, 1%, 0.38%

LAB 42.45, 57.51, 55.28

 

CMYK 0 / 79 / 100 / 5

HEX #F33400

RGB 243 52 0

HSL 12.84, 1%, 0.48%

LAB 53.5, 69.37, 65.87

 

CMYK 40 / 0 / 100 / 4

HEX #92F400

RGB 146 244 0

HSL 84.1, 1%, 0.48%

LAB 87.39, -58.27, 84.17

 

CMYK 100 / 80 / 0 / 4

HEX #0030F4

RGB 0 48 244

HSL 228.2, 1%, 0.48%

LAB 35.29, 62.74, -96.68

 

CMYK 0 / 79 / 100 / 5

HEX #F33400

RGB 243 52 0

HSL 12.84, 1%, 0.48%

LAB 53.5, 69.37, 65.87

 

CMYK 100 / 0 / 80 / 4

HEX #00F430

RGB 0 244 48

HSL 131.8, 1%, 0.48%

LAB 84.44, -81.92, 73.21

 

CMYK 80 / 100 / 0 / 4

HEX #3000F4

RGB 48 0 244

HSL 251.8, 1%, 0.48%

LAB 32.17, 77.09, -101.86

 

CMYK 0 / 79 / 100 / 5

HEX #F33400

RGB 243 52 0

HSL 12.84, 1%, 0.48%

LAB 53.5, 69.37, 65.87

 

CMYK 40 / 0 / 100 / 4

HEX #92F400

RGB 146 244 0

HSL 84.1, 1%, 0.48%

LAB 87.39, -58.27, 84.17

 

CMYK 100 / 20 / 0 / 4

HEX #00C3F4

RGB 0 195 244

HSL 192.05, 1%, 0.48%

LAB 73.26, -23.5, -35.52

 

CMYK 60 / 100 / 0 / 4

HEX #6100F4

RGB 97 0 244

HSL 263.85, 1%, 0.48%

LAB 36.12, 78.83, -95.16

 

CMYK 0 / 79 / 100 / 5

HEX #F33400

RGB 243 52 0

HSL 12.84, 1%, 0.48%

LAB 53.5, 69.37, 65.87

 

CMYK 70 / 0 / 100 / 4

HEX #49F400

RGB 73 244 0

HSL 102.05, 1%, 0.48%

LAB 85.06, -76.87, 81.34

 

CMYK 100 / 20 / 0 / 4

HEX #00C3F4

RGB 0 195 244

HSL 192.05, 1%, 0.48%

LAB 73.26, -23.5, -35.52

 

CMYK 30 / 100 / 0 / 4

HEX #AB00F4

RGB 171 0 244

HSL 282.05, 1%, 0.48%

LAB 45.89, 85.08, -78.72

 

Description

Color code: RGB 243 52 0 | qconv.com Color code: RGB 243 52 0 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 52 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 52 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 100 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 100% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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