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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 243 42 38 it is the complementary color RGB 12 213 217. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 243 42 38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 243 42 38: RGB 248 42 33, RGB 255 60 52, RGB 255 78 71, RGB 255 96 90 and RGB 255 114 109

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 243 42 38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 243 42 38: RGB 243 42 38, RGB 226 24 19, RGB 209 6 0, RGB 192 0 0 and RGB 175 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 84 / 5

HEX #F32A26

RGB 243 42 38

HSL 1.17, 0.9%, 0.55%

LAB 52.79, 72.3, 52.96

 

Complementary color

CMYK 94 / 2 / 0 / 15

HEX #0CD5D9

RGB 12 213 217

HSL 181.17, 0.9%, 0.45%

LAB 77.68, -40.48, -14.23

 

CMYK 0 / 83 / 87 / 3

HEX #F82A21

RGB 248 42 33

HSL 2.51, 0.94%, 0.55%

LAB 53.73, 73.55, 56.43

 

CMYK 0 / 76 / 80 / 0

HEX #FF3C34

RGB 255 60 52

HSL 2.36, 1%, 0.6%

LAB 56.82, 71.36, 50.59

 

CMYK 0 / 69 / 72 / 0

HEX #FF4E47

RGB 255 78 71

HSL 2.28, 1%, 0.64%

LAB 59.13, 66.17, 42.97

 

CMYK 0 / 62 / 65 / 0

HEX #FF605A

RGB 255 96 90

HSL 2.18, 1%, 0.68%

LAB 61.97, 60.07, 35.84

 

CMYK 0 / 55 / 57 / 0

HEX #FF726D

RGB 255 114 109

HSL 2.05, 1%, 0.71%

LAB 65.28, 53.34, 29.42

 

CMYK 0 / 83 / 84 / 5

HEX #F32A26

RGB 243 42 38

HSL 1.17, 0.9%, 0.55%

LAB 52.79, 72.3, 52.96

 

CMYK 0 / 89 / 92 / 11

HEX #E21813

RGB 226 24 19

HSL 1.45, 0.84%, 0.48%

LAB 48.09, 70.87, 56.07

 

CMYK 0 / 97 / 100 / 18

HEX #D10600

RGB 209 6 0

HSL 1.72, 1%, 0.41%

LAB 43.78, 68.4, 57.92

 

CMYK 0 / 100 / 100 / 25

HEX #C00000

RGB 192 0 0

HSL 0, 1%, 0.38%

LAB 39.93, 64.71, 54.3

 

CMYK 0 / 100 / 100 / 31

HEX #AF0000

RGB 175 0 0

HSL 0, 1%, 0.34%

LAB 36.2, 60.4, 50.58

 

CMYK 0 / 83 / 84 / 5

HEX #F32A26

RGB 243 42 38

HSL 1.17, 0.9%, 0.55%

LAB 52.79, 72.3, 52.96

 

CMYK 0 / 70 / 85 / 5

HEX #F34A24

RGB 243 74 36

HSL 11.01, 0.9%, 0.55%

LAB 56.17, 62.78, 56.73

 

CMYK 0 / 55 / 85 / 5

HEX #F36D24

RGB 243 109 36

HSL 21.16, 0.9%, 0.55%

LAB 61.76, 47.93, 61.36

 

CMYK 0 / 41 / 85 / 5

HEX #F38F24

RGB 243 143 36

HSL 31.01, 0.9%, 0.55%

LAB 68.63, 30.91, 67.02

 

CMYK 0 / 27 / 85 / 5

HEX #F3B224

RGB 243 178 36

HSL 41.16, 0.9%, 0.55%

LAB 76.69, 12.52, 73.63

 

CMYK 0 / 83 / 84 / 5

HEX #F32A26

RGB 243 42 38

HSL 1.17, 0.9%, 0.55%

LAB 52.79, 72.3, 52.96

 

CMYK 0 / 82 / 85 / 85

HEX #270706

RGB 39 7 6

HSL 1.82, 0.73%, 0.09%

LAB 5.39, 15.35, 5.89

 

CMYK 0 / 82 / 84 / 65

HEX #5A100E

RGB 90 16 14

HSL 1.58, 0.73%, 0.2%

LAB 18.26, 32.96, 21.8

 

CMYK 0 / 83 / 84 / 45

HEX #8D1816

RGB 141 24 22

HSL 1.01, 0.73%, 0.32%

LAB 30.34, 47.26, 33.2

 

CMYK 0 / 83 / 84 / 25

HEX #C0211E

RGB 192 33 30

HSL 1.11, 0.73%, 0.44%

LAB 41.83, 60.13, 43.37

 

CMYK 0 / 83 / 84 / 5

HEX #F32A26

RGB 243 42 38

HSL 1.17, 0.9%, 0.55%

LAB 52.79, 72.3, 52.96

 

CMYK 19 / 0 / 85 / 5

HEX #C6F324

RGB 198 243 36

HSL 73.04, 0.9%, 0.55%

LAB 89.97, -38.45, 83.1

 

CMYK 85 / 52 / 0 / 5

HEX #2474F3

RGB 36 116 243

HSL 216.81, 0.9%, 0.55%

LAB 51.08, 23.12, -70.15

 

CMYK 0 / 83 / 84 / 5

HEX #F32A26

RGB 243 42 38

HSL 1.17, 0.9%, 0.55%

LAB 52.79, 72.3, 52.96

 

CMYK 85 / 0 / 84 / 5

HEX #24F328

RGB 36 243 40

HSL 121.16, 0.9%, 0.55%

LAB 84.29, -80.3, 75.11

 

CMYK 84 / 85 / 0 / 5

HEX #2824F3

RGB 40 36 243

HSL 241.16, 0.9%, 0.55%

LAB 34.36, 68.36, -97.64

 

CMYK 0 / 83 / 84 / 5

HEX #F32A26

RGB 243 42 38

HSL 1.17, 0.9%, 0.55%

LAB 52.79, 72.3, 52.96

 

CMYK 19 / 0 / 85 / 5

HEX #C6F324

RGB 198 243 36

HSL 73.04, 0.9%, 0.55%

LAB 89.97, -38.45, 83.1

 

CMYK 85 / 1 / 0 / 5

HEX #24F0F3

RGB 36 240 243

HSL 180.87, 0.9%, 0.55%

LAB 86.59, -43.83, -14.65

 

CMYK 67 / 85 / 0 / 5

HEX #5124F3

RGB 81 36 243

HSL 253.04, 0.9%, 0.55%

LAB 36.9, 70.39, -93.36

 

CMYK 0 / 83 / 84 / 5

HEX #F32A26

RGB 243 42 38

HSL 1.17, 0.9%, 0.55%

LAB 52.79, 72.3, 52.96

 

CMYK 44 / 0 / 85 / 5

HEX #88F324

RGB 136 243 36

HSL 91.01, 0.9%, 0.55%

LAB 86.73, -60.4, 79.06

 

CMYK 85 / 1 / 0 / 5

HEX #24F0F3

RGB 36 240 243

HSL 180.87, 0.9%, 0.55%

LAB 86.59, -43.83, -14.65

 

CMYK 41 / 85 / 0 / 5

HEX #8F24F3

RGB 143 36 243

HSL 271.01, 0.9%, 0.55%

LAB 43.61, 76.28, -82.04

 

Description

Color code: RGB 243 42 38 | qconv.com Color code: RGB 243 42 38 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 42 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 42 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 84 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 84% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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