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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 243 130 35 it is the complementary color RGB 12 125 220. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 243 130 35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 243 130 35: RGB 248 130 30, RGB 255 148 49, RGB 255 166 68, RGB 255 184 87 and RGB 255 202 106

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 243 130 35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 243 130 35: RGB 243 130 35, RGB 226 112 16, RGB 209 94 0, RGB 192 76 0 and RGB 175 58 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 86 / 5

HEX #F38223

RGB 243 130 35

HSL 27.4, 0.9%, 0.55%

LAB 65.86, 37.57, 65.08

 

Complementary color

CMYK 95 / 43 / 0 / 14

HEX #0C7DDC

RGB 12 125 220

HSL 207.4, 0.9%, 0.45%

LAB 51.74, 7.41, -56.22

 

CMYK 0 / 48 / 88 / 3

HEX #F8821E

RGB 248 130 30

HSL 27.52, 0.94%, 0.55%

LAB 66.53, 39.45, 67.45

 

CMYK 0 / 42 / 81 / 0

HEX #FF9431

RGB 255 148 49

HSL 28.83, 1%, 0.6%

LAB 71.32, 33.54, 65.49

 

CMYK 0 / 35 / 73 / 0

HEX #FFA644

RGB 255 166 68

HSL 31.44, 1%, 0.63%

LAB 75.42, 24.91, 61.81

 

CMYK 0 / 28 / 66 / 0

HEX #FFB857

RGB 255 184 87

HSL 34.64, 1%, 0.67%

LAB 79.74, 16.47, 58.01

 

CMYK 0 / 21 / 58 / 0

HEX #FFCA6A

RGB 255 202 106

HSL 38.66, 1%, 0.71%

LAB 84.25, 8.33, 54.3

 

CMYK 0 / 47 / 86 / 5

HEX #F38223

RGB 243 130 35

HSL 27.4, 0.9%, 0.55%

LAB 65.86, 37.57, 65.08

 

CMYK 0 / 50 / 93 / 11

HEX #E27010

RGB 226 112 16

HSL 27.43, 0.87%, 0.47%

LAB 59.7, 39.6, 64.64

 

CMYK 0 / 55 / 100 / 18

HEX #D15E00

RGB 209 94 0

HSL 26.99, 1%, 0.41%

LAB 53.56, 41.73, 62.6

 

CMYK 0 / 60 / 100 / 25

HEX #C04C00

RGB 192 76 0

HSL 23.75, 1%, 0.38%

LAB 47.46, 43.89, 57.74

 

CMYK 0 / 67 / 100 / 31

HEX #AF3A00

RGB 175 58 0

HSL 19.89, 1%, 0.34%

LAB 41.44, 45.76, 52.95

 

CMYK 0 / 47 / 86 / 5

HEX #F38223

RGB 243 130 35

HSL 27.4, 0.9%, 0.55%

LAB 65.86, 37.57, 65.08

 

CMYK 0 / 33 / 85 / 5

HEX #F3A424

RGB 243 164 36

HSL 37.1, 0.9%, 0.55%

LAB 73.37, 19.89, 70.91

 

CMYK 0 / 19 / 85 / 5

HEX #F3C624

RGB 243 198 36

HSL 46.96, 0.9%, 0.55%

LAB 81.6, 2.11, 77.63

 

CMYK 0 / 4 / 85 / 5

HEX #F3E924

RGB 243 233 36

HSL 57.1, 0.9%, 0.55%

LAB 90.53, -15.49, 84.89

 

CMYK 10 / 0 / 85 / 5

HEX #DBF324

RGB 219 243 36

HSL 66.96, 0.9%, 0.55%

LAB 91.36, -30.12, 84.83

 

CMYK 0 / 47 / 86 / 5

HEX #F38223

RGB 243 130 35

HSL 27.4, 0.9%, 0.55%

LAB 65.86, 37.57, 65.08

 

CMYK 0 / 46 / 85 / 85

HEX #271506

RGB 39 21 6

HSL 27.27, 0.73%, 0.09%

LAB 8.83, 7.35, 10.91

 

CMYK 0 / 47 / 86 / 65

HEX #5A300D

RGB 90 48 13

HSL 27.27, 0.75%, 0.2%

LAB 24.69, 16.18, 29.24

 

CMYK 0 / 47 / 86 / 45

HEX #8D4B14

RGB 141 75 20

HSL 27.27, 0.75%, 0.32%

LAB 39.15, 23.98, 42.16

 

CMYK 0 / 46 / 85 / 25

HEX #C0671C

RGB 192 103 28

HSL 27.44, 0.75%, 0.43%

LAB 52.94, 30.71, 53.86

 

CMYK 0 / 47 / 86 / 5

HEX #F38223

RGB 243 130 35

HSL 27.4, 0.9%, 0.55%

LAB 65.86, 37.57, 65.08

 

CMYK 55 / 0 / 85 / 5

HEX #6DF324

RGB 109 243 36

HSL 98.84, 0.9%, 0.55%

LAB 85.75, -68.05, 77.82

 

CMYK 81 / 85 / 0 / 5

HEX #2F24F3

RGB 47 36 243

HSL 243.19, 0.9%, 0.55%

LAB 34.68, 68.6, -97.11

 

CMYK 0 / 47 / 86 / 5

HEX #F38223

RGB 243 130 35

HSL 27.4, 0.9%, 0.55%

LAB 65.86, 37.57, 65.08

 

CMYK 85 / 0 / 47 / 5

HEX #24F381

RGB 36 243 129

HSL 146.96, 0.9%, 0.55%

LAB 85.03, -71.24, 41.79

 

CMYK 47 / 85 / 0 / 5

HEX #8124F3

RGB 129 36 243

HSL 266.96, 0.9%, 0.55%

LAB 41.84, 74.67, -85.02

 

CMYK 0 / 47 / 86 / 5

HEX #F38223

RGB 243 130 35

HSL 27.4, 0.9%, 0.55%

LAB 65.86, 37.57, 65.08

 

CMYK 55 / 0 / 85 / 5

HEX #6DF324

RGB 109 243 36

HSL 98.84, 0.9%, 0.55%

LAB 85.75, -68.05, 77.82

 

CMYK 85 / 38 / 0 / 5

HEX #2496F3

RGB 36 150 243

HSL 206.96, 0.9%, 0.55%

LAB 60.48, 2.29, -55.04

 

CMYK 30 / 85 / 0 / 5

HEX #AB24F3

RGB 171 36 243

HSL 279.13, 0.9%, 0.55%

LAB 47.48, 79.92, -75.55

 

CMYK 0 / 47 / 86 / 5

HEX #F38223

RGB 243 130 35

HSL 27.4, 0.9%, 0.55%

LAB 65.86, 37.57, 65.08

 

CMYK 81 / 0 / 85 / 5

HEX #2FF324

RGB 47 243 36

HSL 116.81, 0.9%, 0.55%

LAB 84.4, -79.42, 76.12

 

CMYK 85 / 38 / 0 / 5

HEX #2496F3

RGB 36 150 243

HSL 206.96, 0.9%, 0.55%

LAB 60.48, 2.29, -55.04

 

CMYK 4 / 85 / 0 / 5

HEX #E924F3

RGB 233 36 243

HSL 297.1, 0.9%, 0.55%

LAB 57.13, 89.52, -59.48

 

Description

Color code: RGB 243 130 35 | qconv.com Color code: RGB 243 130 35 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 130 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 130 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 86 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 86% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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