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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 242 152 106 it is the complementary color RGB 13 103 149. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 242 152 106. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 242 152 106: RGB 247 152 101, RGB 255 170 120, RGB 255 188 139, RGB 255 206 158 and RGB 255 224 177

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 242 152 106. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 242 152 106: RGB 242 152 106, RGB 225 134 87, RGB 208 116 68, RGB 191 98 49 and RGB 174 80 30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 56 / 5

HEX #F2986A

RGB 242 152 106

HSL 20.29, 0.84%, 0.68%

LAB 71.13, 29.28, 38.15

 

Complementary color

CMYK 91 / 31 / 0 / 42

HEX #0D6795

RGB 13 103 149

HSL 200.29, 0.84%, 0.32%

LAB 41.15, -6.86, -31.89

 

CMYK 0 / 38 / 59 / 3

HEX #F79865

RGB 247 152 101

HSL 20.96, 0.9%, 0.68%

LAB 71.67, 30.88, 41.58

 

CMYK 0 / 33 / 53 / 0

HEX #FFAA78

RGB 255 170 120

HSL 22.22, 1%, 0.74%

LAB 76.9, 26.1, 38.4

 

CMYK 0 / 26 / 45 / 0

HEX #FFBC8B

RGB 255 188 139

HSL 25.34, 1%, 0.77%

LAB 81.34, 18.4, 34.22

 

CMYK 0 / 19 / 38 / 0

HEX #FFCE9E

RGB 255 206 158

HSL 29.69, 1%, 0.81%

LAB 85.94, 11.01, 30.42

 

CMYK 0 / 12 / 31 / 0

HEX #FFE0B1

RGB 255 224 177

HSL 36.15, 1%, 0.85%

LAB 90.66, 3.98, 26.97

 

CMYK 0 / 37 / 56 / 5

HEX #F2986A

RGB 242 152 106

HSL 20.29, 0.84%, 0.68%

LAB 71.13, 29.28, 38.15

 

CMYK 0 / 40 / 61 / 12

HEX #E18657

RGB 225 134 87

HSL 20.43, 0.7%, 0.61%

LAB 64.76, 30.6, 39.87

 

CMYK 0 / 44 / 67 / 18

HEX #D07444

RGB 208 116 68

HSL 20.57, 0.6%, 0.54%

LAB 58.34, 32.07, 41.72

 

CMYK 0 / 49 / 74 / 25

HEX #BF6231

RGB 191 98 49

HSL 20.7, 0.59%, 0.47%

LAB 51.88, 33.7, 43.63

 

CMYK 0 / 54 / 83 / 32

HEX #AE501E

RGB 174 80 30

HSL 20.83, 0.71%, 0.4%

LAB 45.4, 35.48, 45.41

 

CMYK 0 / 37 / 56 / 5

HEX #F2986A

RGB 242 152 106

HSL 20.29, 0.84%, 0.68%

LAB 71.13, 29.28, 38.15

 

CMYK 0 / 28 / 57 / 5

HEX #F1AD68

RGB 241 173 104

HSL 30.22, 0.83%, 0.68%

LAB 75.82, 17.64, 44.92

 

CMYK 0 / 19 / 57 / 5

HEX #F1C468

RGB 241 196 104

HSL 40.29, 0.83%, 0.68%

LAB 81.39, 5.56, 51.57

 

CMYK 0 / 9 / 57 / 5

HEX #F1DB68

RGB 241 219 104

HSL 50.36, 0.83%, 0.68%

LAB 87.17, -6.23, 58.26

 

CMYK 0 / 0 / 57 / 5

HEX #F1F168

RGB 241 241 104

HSL 60, 0.83%, 0.68%

LAB 92.84, -17.13, 64.64

 

CMYK 0 / 37 / 56 / 5

HEX #F2986A

RGB 242 152 106

HSL 20.29, 0.84%, 0.68%

LAB 71.13, 29.28, 38.15

 

CMYK 0 / 37 / 55 / 85

HEX #261811

RGB 38 24 17

HSL 20, 0.38%, 0.11%

LAB 9.84, 5.9, 7.26

 

CMYK 0 / 37 / 56 / 65

HEX #593827

RGB 89 56 39

HSL 20.4, 0.39%, 0.25%

LAB 27.01, 12.57, 16.62

 

CMYK 0 / 37 / 56 / 45

HEX #8C583D

RGB 140 88 61

HSL 20.51, 0.39%, 0.39%

LAB 42.6, 18.5, 24.49

 

CMYK 0 / 37 / 56 / 25

HEX #BF7854

RGB 191 120 84

HSL 20.19, 0.46%, 0.54%

LAB 57.22, 24.08, 31.24

 

CMYK 0 / 37 / 56 / 5

HEX #F2986A

RGB 242 152 106

HSL 20.29, 0.84%, 0.68%

LAB 71.13, 29.28, 38.15

 

CMYK 30 / 0 / 57 / 5

HEX #A8F168

RGB 168 241 104

HSL 91.97, 0.83%, 0.68%

LAB 88.08, -44.72, 57.97

 

CMYK 57 / 53 / 0 / 5

HEX #6871F1

RGB 104 113 241

HSL 236.06, 0.83%, 0.68%

LAB 53.06, 32.98, -65.69

 

CMYK 0 / 37 / 56 / 5

HEX #F2986A

RGB 242 152 106

HSL 20.29, 0.84%, 0.68%

LAB 71.13, 29.28, 38.15

 

CMYK 57 / 0 / 38 / 5

HEX #68F196

RGB 104 241 150

HSL 140.15, 0.83%, 0.68%

LAB 86.03, -56.95, 32.99

 

CMYK 38 / 57 / 0 / 5

HEX #9668F1

RGB 150 104 241

HSL 260.15, 0.83%, 0.68%

LAB 54.8, 47.69, -62.7

 

CMYK 0 / 37 / 56 / 5

HEX #F2986A

RGB 242 152 106

HSL 20.29, 0.84%, 0.68%

LAB 71.13, 29.28, 38.15

 

CMYK 30 / 0 / 57 / 5

HEX #A8F168

RGB 168 241 104

HSL 91.97, 0.83%, 0.68%

LAB 88.08, -44.72, 57.97

 

CMYK 57 / 19 / 0 / 5

HEX #68C4F1

RGB 104 196 241

HSL 199.71, 0.83%, 0.68%

LAB 75.31, -14.79, -30.58

 

CMYK 27 / 57 / 0 / 5

HEX #B168F1

RGB 177 104 241

HSL 271.97, 0.83%, 0.68%

LAB 57.65, 53.94, -57.96

 

CMYK 0 / 37 / 56 / 5

HEX #F2986A

RGB 242 152 106

HSL 20.29, 0.84%, 0.68%

LAB 71.13, 29.28, 38.15

 

CMYK 47 / 0 / 57 / 5

HEX #7FF168

RGB 127 241 104

HSL 109.93, 0.83%, 0.68%

LAB 86.22, -57.63, 55.34

 

CMYK 57 / 19 / 0 / 5

HEX #68C4F1

RGB 104 196 241

HSL 199.71, 0.83%, 0.68%

LAB 75.31, -14.79, -30.58

 

CMYK 9 / 57 / 0 / 5

HEX #DB68F1

RGB 219 104 241

HSL 290.36, 0.83%, 0.68%

LAB 62.77, 64.21, -49.51

 

Description

Color code: RGB 242 152 106 | qconv.com Color code: RGB 242 152 106 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 152 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 152 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 56 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 56% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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