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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 241 202 170 it is the complementary color RGB 14 53 85. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 241 202 170. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 241 202 170: RGB 246 202 165, RGB 255 220 184, RGB 255 238 203, RGB 255 255 222 and RGB 255 255 241

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 241 202 170. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 241 202 170: RGB 241 202 170, RGB 224 184 151, RGB 207 166 132, RGB 190 148 113 and RGB 173 130 94

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 29 / 5

HEX #F1CAAA

RGB 241 202 170

HSL 27.04, 0.72%, 0.81%

LAB 83.88, 9.19, 21.12

 

Complementary color

CMYK 84 / 38 / 0 / 67

HEX #0E3555

RGB 14 53 85

HSL 207.04, 0.72%, 0.19%

LAB 21.19, -0.66, -23.22

 

CMYK 0 / 18 / 33 / 4

HEX #F6CAA5

RGB 246 202 165

HSL 27.41, 0.82%, 0.81%

LAB 84.25, 10.46, 24.33

 

CMYK 0 / 14 / 28 / 0

HEX #FFDCB8

RGB 255 220 184

HSL 30.42, 1%, 0.86%

LAB 89.82, 6.93, 22.18

 

CMYK 0 / 7 / 20 / 0

HEX #FFEECB

RGB 255 238 203

HSL 40.38, 1%, 0.9%

LAB 94.62, 0.32, 19.03

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDE

RGB 255 255 222

HSL 60, 1%, 0.94%

LAB 99.24, -5.41, 15.79

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF1

RGB 255 255 241

HSL 60, 1%, 0.97%

LAB 99.66, -2.38, 6.67

 

CMYK 0 / 16 / 29 / 5

HEX #F1CAAA

RGB 241 202 170

HSL 27.04, 0.72%, 0.81%

LAB 83.88, 9.19, 21.12

 

CMYK 0 / 18 / 33 / 12

HEX #E0B897

RGB 224 184 151

HSL 27.12, 0.54%, 0.74%

LAB 77.5, 9.74, 22.18

 

CMYK 0 / 20 / 36 / 19

HEX #CFA684

RGB 207 166 132

HSL 27.2, 0.44%, 0.66%

LAB 71.01, 10.37, 23.32

 

CMYK 0 / 22 / 41 / 25

HEX #BE9471

RGB 190 148 113

HSL 27.27, 0.37%, 0.59%

LAB 64.42, 11.09, 24.55

 

CMYK 0 / 25 / 46 / 32

HEX #AD825E

RGB 173 130 94

HSL 27.34, 0.33%, 0.52%

LAB 57.71, 11.92, 25.89

 

CMYK 0 / 16 / 29 / 5

HEX #F1CAAA

RGB 241 202 170

HSL 27.04, 0.72%, 0.81%

LAB 83.88, 9.19, 21.12

 

CMYK 0 / 11 / 29 / 5

HEX #F1D6AB

RGB 241 214 171

HSL 36.86, 0.71%, 0.81%

LAB 86.87, 3.08, 24.7

 

CMYK 0 / 6 / 29 / 5

HEX #F1E2AB

RGB 241 226 171

HSL 47.14, 0.71%, 0.81%

LAB 89.88, -3.06, 28.79

 

CMYK 0 / 2 / 29 / 5

HEX #F1EDAB

RGB 241 237 171

HSL 56.57, 0.71%, 0.81%

LAB 92.67, -8.6, 32.54

 

CMYK 3 / 0 / 29 / 5

HEX #E9F1AB

RGB 233 241 171

HSL 66.86, 0.71%, 0.81%

LAB 93.09, -13.56, 33

 

CMYK 0 / 16 / 29 / 5

HEX #F1CAAA

RGB 241 202 170

HSL 27.04, 0.72%, 0.81%

LAB 83.88, 9.19, 21.12

 

CMYK 0 / 16 / 30 / 85

HEX #251F1A

RGB 37 31 26

HSL 27.27, 0.17%, 0.12%

LAB 12.27, 1.84, 4.48

 

CMYK 0 / 16 / 30 / 65

HEX #584A3E

RGB 88 74 62

HSL 27.69, 0.17%, 0.29%

LAB 32.52, 3.79, 9.36

 

CMYK 0 / 16 / 29 / 45

HEX #8B7562

RGB 139 117 98

HSL 27.8, 0.17%, 0.46%

LAB 50.8, 5.53, 13.68

 

CMYK 0 / 16 / 29 / 25

HEX #BE9F86

RGB 190 159 134

HSL 26.79, 0.3%, 0.64%

LAB 67.62, 7.69, 17.32

 

CMYK 0 / 16 / 29 / 5

HEX #F1CAAA

RGB 241 202 170

HSL 27.04, 0.72%, 0.81%

LAB 83.88, 9.19, 21.12

 

CMYK 19 / 0 / 29 / 5

HEX #C4F1AB

RGB 196 241 171

HSL 98.57, 0.71%, 0.81%

LAB 90.59, -26.81, 29.21

 

CMYK 27 / 29 / 0 / 5

HEX #AFABF1

RGB 175 171 241

HSL 243.43, 0.71%, 0.81%

LAB 72.62, 16.51, -34.41

 

CMYK 0 / 16 / 29 / 5

HEX #F1CAAA

RGB 241 202 170

HSL 27.04, 0.72%, 0.81%

LAB 83.88, 9.19, 21.12

 

CMYK 29 / 0 / 16 / 5

HEX #ABF1CB

RGB 171 241 203

HSL 147.43, 0.71%, 0.81%

LAB 89.8, -29.46, 11.44

 

CMYK 16 / 29 / 0 / 5

HEX #CBABF1

RGB 203 171 241

HSL 267.43, 0.71%, 0.81%

LAB 74.93, 24.87, -30.65

 

CMYK 0 / 16 / 29 / 5

HEX #F1CAAA

RGB 241 202 170

HSL 27.04, 0.72%, 0.81%

LAB 83.88, 9.19, 21.12

 

CMYK 19 / 0 / 29 / 5

HEX #C4F1AB

RGB 196 241 171

HSL 98.57, 0.71%, 0.81%

LAB 90.59, -26.81, 29.21

 

CMYK 29 / 13 / 0 / 5

HEX #ABD2F1

RGB 171 210 241

HSL 206.57, 0.71%, 0.81%

LAB 82.43, -5.82, -19.42

 

CMYK 10 / 29 / 0 / 5

HEX #D9ABF1

RGB 217 171 241

HSL 279.43, 0.71%, 0.81%

LAB 76.21, 29.2, -28.58

 

CMYK 0 / 16 / 29 / 5

HEX #F1CAAA

RGB 241 202 170

HSL 27.04, 0.72%, 0.81%

LAB 83.88, 9.19, 21.12

 

CMYK 27 / 0 / 29 / 5

HEX #AFF1AB

RGB 175 241 171

HSL 116.57, 0.71%, 0.81%

LAB 89.38, -33.84, 27.36

 

CMYK 29 / 13 / 0 / 5

HEX #ABD2F1

RGB 171 210 241

HSL 206.57, 0.71%, 0.81%

LAB 82.43, -5.82, -19.42

 

CMYK 2 / 29 / 0 / 5

HEX #EDABF1

RGB 237 171 241

HSL 296.57, 0.71%, 0.81%

LAB 78.16, 35.48, -25.42

 

Description

Color code: RGB 241 202 170 | qconv.com Color code: RGB 241 202 170 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 202 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 202 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 29 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 29% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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