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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 241 181 40 it is the complementary color RGB 14 74 215. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 241 181 40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 241 181 40: RGB 246 181 35, RGB 255 199 54, RGB 255 217 73, RGB 255 235 92 and RGB 255 253 111

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 241 181 40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 241 181 40: RGB 241 181 40, RGB 224 163 21, RGB 207 145 2, RGB 190 127 0 and RGB 173 109 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 83 / 5

HEX #F1B528

RGB 241 181 40

HSL 42.09, 0.88%, 0.55%

LAB 77.22, 10.2, 72.89

 

Complementary color

CMYK 93 / 66 / 0 / 16

HEX #0E4AD7

RGB 14 74 215

HSL 222.09, 0.88%, 0.45%

LAB 37.66, 38.29, -76.25

 

CMYK 0 / 26 / 86 / 4

HEX #F6B523

RGB 246 181 35

HSL 41.52, 0.92%, 0.55%

LAB 77.73, 12.21, 74.86

 

CMYK 0 / 22 / 79 / 0

HEX #FFC736

RGB 255 199 54

HSL 43.28, 1%, 0.61%

LAB 83.11, 7.19, 74.35

 

CMYK 0 / 15 / 71 / 0

HEX #FFD949

RGB 255 217 73

HSL 47.47, 1%, 0.64%

LAB 87.66, -1.27, 72.03

 

CMYK 0 / 8 / 64 / 0

HEX #FFEB5C

RGB 255 235 92

HSL 52.64, 1%, 0.68%

LAB 92.33, -9.3, 69.41

 

CMYK 0 / 1 / 56 / 0

HEX #FFFD6F

RGB 255 253 111

HSL 59.17, 1%, 0.72%

LAB 97.09, -16.88, 66.68

 

CMYK 0 / 25 / 83 / 5

HEX #F1B528

RGB 241 181 40

HSL 42.09, 0.88%, 0.55%

LAB 77.22, 10.2, 72.89

 

CMYK 0 / 27 / 91 / 12

HEX #E0A315

RGB 224 163 21

HSL 41.97, 0.83%, 0.48%

LAB 70.94, 11.98, 71.66

 

CMYK 0 / 30 / 99 / 19

HEX #CF9102

RGB 207 145 2

HSL 41.85, 0.98%, 0.41%

LAB 64.58, 13.99, 69.09

 

CMYK 0 / 33 / 100 / 25

HEX #BE7F00

RGB 190 127 0

HSL 40.11, 1%, 0.37%

LAB 58.16, 16.29, 64.12

 

CMYK 0 / 37 / 100 / 32

HEX #AD6D00

RGB 173 109 0

HSL 37.8, 1%, 0.34%

LAB 51.63, 18.7, 58.8

 

CMYK 0 / 25 / 83 / 5

HEX #F1B528

RGB 241 181 40

HSL 42.09, 0.88%, 0.55%

LAB 77.22, 10.2, 72.89

 

CMYK 0 / 11 / 84 / 5

HEX #F1D627

RGB 241 214 39

HSL 51.98, 0.88%, 0.55%

LAB 85.47, -6.84, 80.03

 

CMYK 3 / 0 / 84 / 5

HEX #EAF127

RGB 234 241 39

HSL 62.08, 0.88%, 0.55%

LAB 91.93, -23.01, 85.14

 

CMYK 17 / 0 / 84 / 5

HEX #C8F127

RGB 200 241 39

HSL 72.18, 0.88%, 0.55%

LAB 89.55, -36.69, 82.18

 

CMYK 31 / 0 / 84 / 5

HEX #A7F127

RGB 167 241 39

HSL 81.98, 0.88%, 0.55%

LAB 87.62, -49.12, 79.77

 

CMYK 0 / 25 / 83 / 5

HEX #F1B528

RGB 241 181 40

HSL 42.09, 0.88%, 0.55%

LAB 77.22, 10.2, 72.89

 

CMYK 0 / 24 / 84 / 85

HEX #251C06

RGB 37 28 6

HSL 42.58, 0.72%, 0.08%

LAB 10.83, 1.15, 13.7

 

CMYK 0 / 25 / 83 / 65

HEX #58420F

RGB 88 66 15

HSL 41.92, 0.71%, 0.2%

LAB 29.43, 3.93, 32.71

 

CMYK 0 / 25 / 83 / 45

HEX #8B6817

RGB 139 104 23

HSL 41.9, 0.72%, 0.32%

LAB 46.25, 6.34, 47.17

 

CMYK 0 / 25 / 83 / 25

HEX #BE8F20

RGB 190 143 32

HSL 42.15, 0.71%, 0.44%

LAB 62.25, 8.06, 60.36

 

CMYK 0 / 25 / 83 / 5

HEX #F1B528

RGB 241 181 40

HSL 42.09, 0.88%, 0.55%

LAB 77.22, 10.2, 72.89

 

CMYK 76 / 0 / 84 / 5

HEX #3BF127

RGB 59 241 39

HSL 114.06, 0.88%, 0.55%

LAB 83.96, -77.23, 75.15

 

CMYK 59 / 84 / 0 / 5

HEX #6327F1

RGB 99 39 241

HSL 257.82, 0.88%, 0.55%

LAB 38.65, 70.28, -89.28

 

CMYK 0 / 25 / 83 / 5

HEX #F1B528

RGB 241 181 40

HSL 42.09, 0.88%, 0.55%

LAB 77.22, 10.2, 72.89

 

CMYK 84 / 0 / 25 / 5

HEX #27F1B4

RGB 39 241 180

HSL 161.88, 0.88%, 0.55%

LAB 85.32, -60.38, 16.47

 

CMYK 25 / 84 / 0 / 5

HEX #B427F1

RGB 180 39 241

HSL 281.88, 0.88%, 0.55%

LAB 48.89, 80.13, -72.08

 

CMYK 0 / 25 / 83 / 5

HEX #F1B528

RGB 241 181 40

HSL 42.09, 0.88%, 0.55%

LAB 77.22, 10.2, 72.89

 

CMYK 76 / 0 / 84 / 5

HEX #3BF127

RGB 59 241 39

HSL 114.06, 0.88%, 0.55%

LAB 83.96, -77.23, 75.15

 

CMYK 84 / 59 / 0 / 5

HEX #2763F1

RGB 39 99 241

HSL 222.18, 0.88%, 0.55%

LAB 46.59, 33.34, -76.34

 

CMYK 8 / 84 / 0 / 5

HEX #DD27F1

RGB 221 39 241

HSL 294.06, 0.88%, 0.55%

LAB 55.25, 86.64, -61.48

 

CMYK 0 / 25 / 83 / 5

HEX #F1B528

RGB 241 181 40

HSL 42.09, 0.88%, 0.55%

LAB 77.22, 10.2, 72.89

 

CMYK 84 / 0 / 67 / 5

HEX #27F14F

RGB 39 241 79

HSL 131.88, 0.88%, 0.55%

LAB 83.92, -76.78, 62.59

 

CMYK 84 / 59 / 0 / 5

HEX #2763F1

RGB 39 99 241

HSL 222.18, 0.88%, 0.55%

LAB 46.59, 33.34, -76.34

 

CMYK 0 / 84 / 17 / 5

HEX #F127C8

RGB 241 39 200

HSL 312.18, 0.88%, 0.55%

LAB 56.41, 84.47, -36.19

 

Description

Color code: RGB 241 181 40 | qconv.com Color code: RGB 241 181 40 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 181 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 181 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 83 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 83% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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