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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 241 159 157 it is the complementary color RGB 14 96 98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 241 159 157. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 241 159 157: RGB 246 159 152, RGB 255 177 171, RGB 255 195 190, RGB 255 213 209 and RGB 255 231 228

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 241 159 157. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 241 159 157: RGB 241 159 157, RGB 224 141 138, RGB 207 123 119, RGB 190 105 100 and RGB 173 87 81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 35 / 5

HEX #F19F9D

RGB 241 159 157

HSL 1.43, 0.75%, 0.78%

LAB 73.5, 30.27, 13.65

 

Complementary color

CMYK 86 / 2 / 0 / 62

HEX #0E6062

RGB 14 96 98

HSL 181.43, 0.75%, 0.22%

LAB 36.63, -21.68, -7.77

 

CMYK 0 / 35 / 38 / 4

HEX #F69F98

RGB 246 159 152

HSL 4.47, 0.84%, 0.78%

LAB 73.97, 31.55, 17.14

 

CMYK 0 / 31 / 33 / 0

HEX #FFB1AB

RGB 255 177 171

HSL 4.29, 1%, 0.84%

LAB 79.41, 27.7, 14.56

 

CMYK 0 / 24 / 25 / 0

HEX #FFC3BE

RGB 255 195 190

HSL 4.62, 1%, 0.87%

LAB 83.97, 20.73, 10.82

 

CMYK 0 / 16 / 18 / 0

HEX #FFD5D1

RGB 255 213 209

HSL 5.22, 1%, 0.91%

LAB 88.66, 14.05, 7.46

 

CMYK 0 / 9 / 11 / 0

HEX #FFE7E4

RGB 255 231 228

HSL 6.67, 1%, 0.95%

LAB 93.46, 7.69, 4.42

 

CMYK 0 / 34 / 35 / 5

HEX #F19F9D

RGB 241 159 157

HSL 1.43, 0.75%, 0.78%

LAB 73.5, 30.27, 13.65

 

CMYK 0 / 37 / 38 / 12

HEX #E08D8A

RGB 224 141 138

HSL 2.09, 0.58%, 0.71%

LAB 67.08, 31.19, 14.89

 

CMYK 0 / 41 / 43 / 19

HEX #CF7B77

RGB 207 123 119

HSL 2.73, 0.48%, 0.64%

LAB 60.57, 32.2, 16.29

 

CMYK 0 / 45 / 47 / 25

HEX #BE6964

RGB 190 105 100

HSL 3.33, 0.41%, 0.57%

LAB 54, 33.3, 17.87

 

CMYK 0 / 50 / 53 / 32

HEX #AD5751

RGB 173 87 81

HSL 3.91, 0.36%, 0.5%

LAB 47.36, 34.49, 19.72

 

CMYK 0 / 34 / 35 / 5

HEX #F19F9D

RGB 241 159 157

HSL 1.43, 0.75%, 0.78%

LAB 73.5, 30.27, 13.65

 

CMYK 0 / 28 / 35 / 6

HEX #F0AC9C

RGB 240 172 156

HSL 11.43, 0.74%, 0.78%

LAB 76.33, 22.89, 18.14

 

CMYK 0 / 23 / 35 / 6

HEX #F0BA9C

RGB 240 186 156

HSL 21.43, 0.74%, 0.78%

LAB 79.64, 15.48, 22.7

 

CMYK 0 / 17 / 35 / 6

HEX #F0C89C

RGB 240 200 156

HSL 31.43, 0.74%, 0.78%

LAB 83.04, 8.12, 27.32

 

CMYK 0 / 11 / 35 / 6

HEX #F0D69C

RGB 240 214 156

HSL 41.43, 0.74%, 0.78%

LAB 86.51, 0.86, 31.98

 

CMYK 0 / 34 / 35 / 5

HEX #F19F9D

RGB 241 159 157

HSL 1.43, 0.75%, 0.78%

LAB 73.5, 30.27, 13.65

 

CMYK 0 / 35 / 35 / 85

HEX #251818

RGB 37 24 24

HSL 0, 0.21%, 0.12%

LAB 9.9, 6.54, 2.59

 

CMYK 0 / 34 / 35 / 65

HEX #583A39

RGB 88 58 57

HSL 1.94, 0.21%, 0.28%

LAB 27.84, 13.15, 6.01

 

CMYK 0 / 34 / 35 / 45

HEX #8B5C5B

RGB 139 92 91

HSL 1.25, 0.21%, 0.45%

LAB 44.09, 19.15, 8.47

 

CMYK 0 / 34 / 35 / 25

HEX #BE7D7C

RGB 190 125 124

HSL 0.91, 0.34%, 0.62%

LAB 59.04, 25.14, 10.97

 

CMYK 0 / 34 / 35 / 5

HEX #F19F9D

RGB 241 159 157

HSL 1.43, 0.75%, 0.78%

LAB 73.5, 30.27, 13.65

 

CMYK 8 / 0 / 35 / 6

HEX #DEF09C

RGB 222 240 156

HSL 72.86, 0.74%, 0.78%

LAB 91.8, -19.02, 38.67

 

CMYK 35 / 21 / 0 / 6

HEX #9CBDF0

RGB 156 189 240

HSL 216.43, 0.74%, 0.78%

LAB 75.92, 0.96, -28.89

 

CMYK 0 / 34 / 35 / 5

HEX #F19F9D

RGB 241 159 157

HSL 1.43, 0.75%, 0.78%

LAB 73.5, 30.27, 13.65

 

CMYK 35 / 0 / 34 / 6

HEX #9CF09E

RGB 156 240 158

HSL 121.43, 0.74%, 0.78%

LAB 87.9, -41.43, 31.81

 

CMYK 34 / 35 / 0 / 6

HEX #9E9CF0

RGB 158 156 240

HSL 241.43, 0.74%, 0.78%

LAB 67.53, 19.94, -41.89

 

CMYK 0 / 34 / 35 / 5

HEX #F19F9D

RGB 241 159 157

HSL 1.43, 0.75%, 0.78%

LAB 73.5, 30.27, 13.65

 

CMYK 8 / 0 / 35 / 6

HEX #DEF09C

RGB 222 240 156

HSL 72.86, 0.74%, 0.78%

LAB 91.8, -19.02, 38.67

 

CMYK 35 / 0 / 0 / 6

HEX #9CEFF0

RGB 156 239 240

HSL 180.71, 0.74%, 0.78%

LAB 89.44, -24.82, -8.48

 

CMYK 27 / 35 / 0 / 6

HEX #AF9CF0

RGB 175 156 240

HSL 253.57, 0.74%, 0.78%

LAB 68.88, 24.67, -39.67

 

CMYK 0 / 34 / 35 / 5

HEX #F19F9D

RGB 241 159 157

HSL 1.43, 0.75%, 0.78%

LAB 73.5, 30.27, 13.65

 

CMYK 18 / 0 / 35 / 6

HEX #C5F09C

RGB 197 240 156

HSL 90.71, 0.74%, 0.78%

LAB 90.13, -28.11, 36.18

 

CMYK 35 / 0 / 0 / 6

HEX #9CEFF0

RGB 156 239 240

HSL 180.71, 0.74%, 0.78%

LAB 89.44, -24.82, -8.48

 

CMYK 17 / 35 / 0 / 6

HEX #C89CF0

RGB 200 156 240

HSL 271.43, 0.74%, 0.78%

LAB 71.11, 31.98, -36.04

 

Description

Color code: RGB 241 159 157 | qconv.com Color code: RGB 241 159 157 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 159 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 159 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 35 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 35% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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