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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 240 55 58 it is the complementary color RGB 15 200 197. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 240 55 58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 240 55 58: RGB 245 55 53, RGB 255 73 72, RGB 255 91 91, RGB 255 109 110 and RGB 255 127 129

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 240 55 58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 240 55 58: RGB 240 55 58, RGB 223 37 39, RGB 206 19 20, RGB 189 1 1 and RGB 172 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 76 / 6

HEX #F0373A

RGB 240 55 58

HSL 359.03, 0.86%, 0.58%

LAB 53.56, 68.72, 43.16

 

Complementary color

CMYK 93 / 0 / 1 / 22

HEX #0FC8C5

RGB 15 200 197

HSL 179.03, 0.86%, 0.42%

LAB 73.18, -40.49, -10.17

 

CMYK 0 / 78 / 78 / 4

HEX #F53735

RGB 245 55 53

HSL 0.63, 0.91%, 0.58%

LAB 54.45, 69.98, 47.08

 

CMYK 0 / 71 / 72 / 0

HEX #FF4948

RGB 255 73 72

HSL 0.33, 1%, 0.64%

LAB 58.5, 67.97, 41.71

 

CMYK 0 / 64 / 64 / 0

HEX #FF5B5B

RGB 255 91 91

HSL 0, 1%, 0.68%

LAB 61.22, 62.18, 34.35

 

CMYK 0 / 57 / 57 / 0

HEX #FF6D6E

RGB 255 109 110

HSL 359.59, 1%, 0.71%

LAB 64.42, 55.69, 27.74

 

CMYK 0 / 50 / 49 / 0

HEX #FF7F81

RGB 255 127 129

HSL 359.06, 1%, 0.75%

LAB 68.04, 48.77, 21.9

 

CMYK 0 / 77 / 76 / 6

HEX #F0373A

RGB 240 55 58

HSL 359.03, 0.86%, 0.58%

LAB 53.56, 68.72, 43.16

 

CMYK 0 / 83 / 83 / 13

HEX #DF2527

RGB 223 37 39

HSL 359.35, 0.74%, 0.51%

LAB 48.46, 68.03, 47.1

 

CMYK 0 / 91 / 90 / 19

HEX #CE1314

RGB 206 19 20

HSL 359.68, 0.83%, 0.44%

LAB 43.71, 66.43, 50.77

 

CMYK 0 / 99 / 99 / 26

HEX #BD0101

RGB 189 1 1

HSL 0, 0.99%, 0.37%

LAB 39.31, 63.86, 53.28

 

CMYK 0 / 100 / 100 / 33

HEX #AC0000

RGB 172 0 0

HSL 0, 1%, 0.34%

LAB 35.54, 59.64, 49.89

SW® 2910

CMYK 0 / 77 / 76 / 6

HEX #F0373A

RGB 240 55 58

HSL 359.03, 0.86%, 0.58%

LAB 53.56, 68.72, 43.16

 

CMYK 0 / 65 / 77 / 6

HEX #F05337

RGB 240 83 55

HSL 9.08, 0.86%, 0.58%

LAB 57.06, 58.88, 48.44

 

CMYK 0 / 53 / 77 / 6

HEX #F07237

RGB 240 114 55

HSL 19.14, 0.86%, 0.58%

LAB 62.37, 44.97, 53.8

 

CMYK 0 / 40 / 77 / 6

HEX #F09037

RGB 240 144 55

HSL 28.86, 0.86%, 0.58%

LAB 68.57, 29.74, 59.87

 

CMYK 0 / 27 / 77 / 6

HEX #F0AF37

RGB 240 175 55

HSL 38.92, 0.86%, 0.58%

LAB 75.74, 13.4, 66.68

 

CMYK 0 / 77 / 76 / 6

HEX #F0373A

RGB 240 55 58

HSL 359.03, 0.86%, 0.58%

LAB 53.56, 68.72, 43.16

 

CMYK 0 / 78 / 75 / 86

HEX #240809

RGB 36 8 9

HSL 357.86, 0.64%, 0.09%

LAB 5.13, 13.24, 4.24

 

CMYK 0 / 77 / 76 / 66

HEX #571415

RGB 87 20 21

HSL 359.1, 0.63%, 0.21%

LAB 18.28, 30.62, 17.5

 

CMYK 0 / 77 / 76 / 46

HEX #8A2021

RGB 138 32 33

HSL 359.43, 0.62%, 0.33%

LAB 30.75, 44.15, 26.9

 

CMYK 0 / 77 / 76 / 26

HEX #BD2B2E

RGB 189 43 46

HSL 358.77, 0.63%, 0.45%

LAB 42.37, 56.97, 34.91

 

CMYK 0 / 77 / 76 / 6

HEX #F0373A

RGB 240 55 58

HSL 359.03, 0.86%, 0.58%

LAB 53.56, 68.72, 43.16

 

CMYK 14 / 0 / 77 / 6

HEX #CEF037

RGB 206 240 55

HSL 71.03, 0.86%, 0.58%

LAB 89.73, -33.33, 78.52

 

CMYK 77 / 45 / 0 / 6

HEX #3784F0

RGB 55 132 240

HSL 215.03, 0.86%, 0.58%

LAB 55.69, 13.7, -61.02

 

CMYK 0 / 77 / 76 / 6

HEX #F0373A

RGB 240 55 58

HSL 359.03, 0.86%, 0.58%

LAB 53.56, 68.72, 43.16

 

CMYK 76 / 0 / 77 / 6

HEX #3AF037

RGB 58 240 55

HSL 119.03, 0.86%, 0.58%

LAB 83.7, -76.23, 70.72

 

CMYK 77 / 76 / 0 / 6

HEX #373AF0

RGB 55 58 240

HSL 239.03, 0.86%, 0.58%

LAB 38.07, 58.33, -89.76

 

CMYK 0 / 77 / 76 / 6

HEX #F0373A

RGB 240 55 58

HSL 359.03, 0.86%, 0.58%

LAB 53.56, 68.72, 43.16

 

CMYK 14 / 0 / 77 / 6

HEX #CEF037

RGB 206 240 55

HSL 71.03, 0.86%, 0.58%

LAB 89.73, -33.33, 78.52

 

CMYK 77 / 0 / 2 / 6

HEX #37F0EC

RGB 55 240 236

HSL 178.7, 0.86%, 0.58%

LAB 86.6, -44.4, -10.94

 

CMYK 63 / 77 / 0 / 6

HEX #5937F0

RGB 89 55 240

HSL 251.03, 0.86%, 0.58%

LAB 39.83, 62.66, -86.79

 

CMYK 0 / 77 / 76 / 6

HEX #F0373A

RGB 240 55 58

HSL 359.03, 0.86%, 0.58%

LAB 53.56, 68.72, 43.16

 

CMYK 38 / 0 / 77 / 6

HEX #96F037

RGB 150 240 55

HSL 89.19, 0.86%, 0.58%

LAB 86.54, -53.96, 74.42

 

CMYK 77 / 0 / 2 / 6

HEX #37F0EC

RGB 55 240 236

HSL 178.7, 0.86%, 0.58%

LAB 86.6, -44.4, -10.94

 

CMYK 40 / 77 / 0 / 6

HEX #9037F0

RGB 144 55 240

HSL 268.86, 0.86%, 0.58%

LAB 45.57, 69.65, -77.14

 

Description

Color code: RGB 240 55 58 | qconv.com Color code: RGB 240 55 58 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 55 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 55 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 76 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 76% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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