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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 240 52 40 it is the complementary color RGB 15 203 215. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 240 52 40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 240 52 40: RGB 245 52 35, RGB 255 70 54, RGB 255 88 73, RGB 255 106 92 and RGB 255 124 111

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 240 52 40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 240 52 40: RGB 240 52 40, RGB 223 34 21, RGB 206 16 2, RGB 189 0 0 and RGB 172 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 83 / 6

HEX #F03428

RGB 240 52 40

HSL 3.6, 0.87%, 0.55%

LAB 53.1, 69.04, 52.05

 

Complementary color

CMYK 93 / 6 / 0 / 16

HEX #0FCBD7

RGB 15 203 215

HSL 183.6, 0.87%, 0.45%

LAB 74.65, -36.42, -17.73

 

CMYK 0 / 79 / 86 / 4

HEX #F53423

RGB 245 52 35

HSL 4.86, 0.91%, 0.55%

LAB 54.02, 70.35, 55.54

 

CMYK 0 / 73 / 79 / 0

HEX #FF4636

RGB 255 70 54

HSL 4.78, 1%, 0.61%

LAB 57.95, 68.33, 50.69

 

CMYK 0 / 65 / 71 / 0

HEX #FF5849

RGB 255 88 73

HSL 4.95, 1%, 0.64%

LAB 60.53, 62.48, 43.48

 

CMYK 0 / 58 / 64 / 0

HEX #FF6A5C

RGB 255 106 92

HSL 5.15, 1%, 0.68%

LAB 63.62, 55.87, 36.77

 

CMYK 0 / 51 / 56 / 0

HEX #FF7C6F

RGB 255 124 111

HSL 5.42, 1%, 0.72%

LAB 67.14, 48.76, 30.73

 

CMYK 0 / 78 / 83 / 6

HEX #F03428

RGB 240 52 40

HSL 3.6, 0.87%, 0.55%

LAB 53.1, 69.04, 52.05

 

CMYK 0 / 85 / 91 / 13

HEX #DF2215

RGB 223 34 21

HSL 3.86, 0.83%, 0.48%

LAB 48.12, 68.32, 55.04

 

CMYK 0 / 92 / 99 / 19

HEX #CE1002

RGB 206 16 2

HSL 4.12, 0.98%, 0.41%

LAB 43.5, 66.64, 56.75

 

CMYK 0 / 100 / 100 / 26

HEX #BD0000

RGB 189 0 0

HSL 0, 1%, 0.37%

LAB 39.27, 63.96, 53.67

 

CMYK 0 / 100 / 100 / 33

HEX #AC0000

RGB 172 0 0

HSL 0, 1%, 0.34%

LAB 35.54, 59.64, 49.89

SW® 2910

CMYK 0 / 78 / 83 / 6

HEX #F03428

RGB 240 52 40

HSL 3.6, 0.87%, 0.55%

LAB 53.1, 69.04, 52.05

 

CMYK 0 / 65 / 83 / 6

HEX #F05328

RGB 240 83 40

HSL 12.9, 0.87%, 0.55%

LAB 56.94, 58.44, 55.46

 

CMYK 0 / 52 / 83 / 6

HEX #F07428

RGB 240 116 40

HSL 22.8, 0.87%, 0.55%

LAB 62.65, 43.52, 60.44

 

CMYK 0 / 38 / 83 / 6

HEX #F09628

RGB 240 150 40

HSL 33, 0.87%, 0.55%

LAB 69.82, 26.11, 66.59

 

CMYK 0 / 24 / 83 / 6

HEX #F0B728

RGB 240 183 40

HSL 42.9, 0.87%, 0.55%

LAB 77.61, 8.72, 73.17

 

CMYK 0 / 78 / 83 / 6

HEX #F03428

RGB 240 52 40

HSL 3.6, 0.87%, 0.55%

LAB 53.1, 69.04, 52.05

 

CMYK 0 / 78 / 83 / 86

HEX #240806

RGB 36 8 6

HSL 4, 0.71%, 0.08%

LAB 5.08, 12.83, 5.37

 

CMYK 0 / 78 / 83 / 66

HEX #57130F

RGB 87 19 15

HSL 3.33, 0.71%, 0.2%

LAB 18.04, 30.75, 20.86

 

CMYK 0 / 78 / 83 / 46

HEX #8A1E17

RGB 138 30 23

HSL 3.65, 0.71%, 0.32%

LAB 30.38, 44.47, 32.46

 

CMYK 0 / 78 / 83 / 26

HEX #BD2920

RGB 189 41 32

HSL 3.44, 0.71%, 0.43%

LAB 42.01, 57.12, 42.29

 

CMYK 0 / 78 / 83 / 6

HEX #F03428

RGB 240 52 40

HSL 3.6, 0.87%, 0.55%

LAB 53.1, 69.04, 52.05

 

CMYK 21 / 0 / 83 / 6

HEX #BEF028

RGB 190 240 40

HSL 75, 0.87%, 0.55%

LAB 88.65, -40.1, 80.95

 

CMYK 83 / 54 / 0 / 6

HEX #286EF0

RGB 40 110 240

HSL 219, 0.87%, 0.55%

LAB 49.37, 26.07, -71.25

 

CMYK 0 / 78 / 83 / 6

HEX #F03428

RGB 240 52 40

HSL 3.6, 0.87%, 0.55%

LAB 53.1, 69.04, 52.05

 

CMYK 83 / 0 / 79 / 6

HEX #28F032

RGB 40 240 50

HSL 123, 0.87%, 0.55%

LAB 83.44, -78.6, 71.83

 

CMYK 79 / 83 / 0 / 6

HEX #3228F0

RGB 50 40 240

HSL 243, 0.87%, 0.55%

LAB 34.98, 66.35, -94.91

 

CMYK 0 / 78 / 83 / 6

HEX #F03428

RGB 240 52 40

HSL 3.6, 0.87%, 0.55%

LAB 53.1, 69.04, 52.05

 

CMYK 21 / 0 / 83 / 6

HEX #BEF028

RGB 190 240 40

HSL 75, 0.87%, 0.55%

LAB 88.65, -40.1, 80.95

 

CMYK 83 / 4 / 0 / 6

HEX #28E6F0

RGB 40 230 240

HSL 183, 0.87%, 0.55%

LAB 83.62, -39.98, -17.52

 

CMYK 63 / 83 / 0 / 6

HEX #5A28F0

RGB 90 40 240

HSL 255, 0.87%, 0.55%

LAB 37.81, 68.9, -90.12

 

CMYK 0 / 78 / 83 / 6

HEX #F03428

RGB 240 52 40

HSL 3.6, 0.87%, 0.55%

LAB 53.1, 69.04, 52.05

 

CMYK 46 / 0 / 83 / 6

HEX #82F028

RGB 130 240 40

HSL 93, 0.87%, 0.55%

LAB 85.61, -60.97, 77.14

 

CMYK 83 / 4 / 0 / 6

HEX #28E6F0

RGB 40 230 240

HSL 183, 0.87%, 0.55%

LAB 83.62, -39.98, -17.52

 

CMYK 38 / 83 / 0 / 6

HEX #9628F0

RGB 150 40 240

HSL 273, 0.87%, 0.55%

LAB 44.65, 75.43, -78.62

 

Description

Color code: RGB 240 52 40 | qconv.com Color code: RGB 240 52 40 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 52 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 52 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 83 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 83% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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