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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 240 235 227 it is the complementary color RGB 15 20 28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 240 235 227. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 240 235 227: RGB 245 235 222, RGB 255 253 241

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 240 235 227. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 240 235 227: RGB 240 235 227, RGB 223 217 208, RGB 206 199 189, RGB 189 181 170 and RGB 172 163 151

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 5 / 6

HEX #F0EBE3

RGB 240 235 227

HSL 36.92, 0.3%, 0.92%

LAB 93.23, 0.31, 4.46

 

Complementary color

CMYK 46 / 29 / 0 / 89

HEX #0F141C

RGB 15 20 28

HSL 216.92, 0.3%, 0.08%

LAB 6.19, 0.21, -6.2

 

CMYK 0 / 4 / 9 / 4

HEX #F5EBDE

RGB 245 235 222

HSL 33.91, 0.53%, 0.92%

LAB 93.5, 1.2, 7.49

 

CMYK 0 / 1 / 5 / 0

HEX #FFFDF1

RGB 255 253 241

HSL 51.43, 1%, 0.97%

LAB 99.17, -1.38, 5.96

 

CMYK 0 / 2 / 5 / 6

HEX #F0EBE3

RGB 240 235 227

HSL 36.92, 0.3%, 0.92%

LAB 93.23, 0.31, 4.46

 

CMYK 0 / 3 / 7 / 13

HEX #DFD9D0

RGB 223 217 208

HSL 36, 0.19%, 0.85%

LAB 86.93, 0.49, 5.14

 

CMYK 0 / 3 / 8 / 19

HEX #CEC7BD

RGB 206 199 189

HSL 35.29, 0.15%, 0.77%

LAB 80.54, 0.69, 5.86

 

CMYK 0 / 4 / 10 / 26

HEX #BDB5AA

RGB 189 181 170

HSL 34.74, 0.13%, 0.7%

LAB 74.04, 0.91, 6.6

 

CMYK 0 / 5 / 12 / 33

HEX #ACA397

RGB 172 163 151

HSL 34.29, 0.11%, 0.63%

LAB 67.43, 1.15, 7.39

 

CMYK 0 / 2 / 5 / 6

HEX #F0EBE3

RGB 240 235 227

HSL 36.92, 0.3%, 0.92%

LAB 93.23, 0.31, 4.46

 

CMYK 0 / 1 / 5 / 6

HEX #F0EDE4

RGB 240 237 228

HSL 45, 0.29%, 0.92%

LAB 93.75, -0.54, 4.7

 

CMYK 0 / 0 / 5 / 6

HEX #F0EFE4

RGB 240 239 228

HSL 55, 0.29%, 0.92%

LAB 94.25, -1.56, 5.42

 

CMYK 0 / 0 / 5 / 6

HEX #EFF0E4

RGB 239 240 228

HSL 65, 0.29%, 0.92%

LAB 94.43, -2.41, 5.67

 

CMYK 1 / 0 / 5 / 6

HEX #EDF0E4

RGB 237 240 228

HSL 75, 0.29%, 0.92%

LAB 94.28, -3.09, 5.44

 

CMYK 0 / 2 / 5 / 6

HEX #F0EBE3

RGB 240 235 227

HSL 36.92, 0.3%, 0.92%

LAB 93.23, 0.31, 4.46

 

CMYK 0 / 3 / 6 / 86

HEX #242322

RGB 36 35 34

HSL 30, 0.03%, 0.14%

LAB 13.78, 0.23, 0.83

 

CMYK 0 / 2 / 6 / 66

HEX #575552

RGB 87 85 82

HSL 36, 0.03%, 0.33%

LAB 36.24, 0.19, 2.03

 

CMYK 0 / 2 / 5 / 46

HEX #8A8783

RGB 138 135 131

HSL 34.29, 0.03%, 0.53%

LAB 56.46, 0.35, 2.54

 

CMYK 0 / 2 / 5 / 26

HEX #BDB9B3

RGB 189 185 179

HSL 36, 0.07%, 0.72%

LAB 75.31, 0.33, 3.53

 

CMYK 0 / 2 / 5 / 6

HEX #F0EBE3

RGB 240 235 227

HSL 36.92, 0.3%, 0.92%

LAB 93.23, 0.31, 4.46

 

CMYK 4 / 0 / 5 / 6

HEX #E6F0E4

RGB 230 240 228

HSL 110, 0.29%, 0.92%

LAB 93.77, -5.45, 4.64

 

CMYK 4 / 5 / 0 / 6

HEX #E6E4F0

RGB 230 228 240

HSL 250, 0.29%, 0.92%

LAB 91.05, 2.86, -5.59

 

CMYK 0 / 2 / 5 / 6

HEX #F0EBE3

RGB 240 235 227

HSL 36.92, 0.3%, 0.92%

LAB 93.23, 0.31, 4.46

 

CMYK 5 / 0 / 2 / 6

HEX #E4F0EB

RGB 228 240 235

HSL 155, 0.29%, 0.92%

LAB 93.8, -4.87, 1.03

 

CMYK 2 / 5 / 0 / 6

HEX #EBE4F0

RGB 235 228 240

HSL 275, 0.29%, 0.92%

LAB 91.43, 4.51, -4.99

 

CMYK 0 / 2 / 5 / 6

HEX #F0EBE3

RGB 240 235 227

HSL 36.92, 0.3%, 0.92%

LAB 93.23, 0.31, 4.46

 

CMYK 4 / 0 / 5 / 6

HEX #E6F0E4

RGB 230 240 228

HSL 110, 0.29%, 0.92%

LAB 93.77, -5.45, 4.64

 

CMYK 5 / 3 / 0 / 6

HEX #E4E9F0

RGB 228 233 240

HSL 215, 0.29%, 0.92%

LAB 92.16, -0.38, -3.98

 

CMYK 1 / 5 / 0 / 6

HEX #EEE4F0

RGB 238 228 240

HSL 290, 0.29%, 0.92%

LAB 91.66, 5.5, -4.62

 

CMYK 0 / 2 / 5 / 6

HEX #F0EBE3

RGB 240 235 227

HSL 36.92, 0.3%, 0.92%

LAB 93.23, 0.31, 4.46

 

CMYK 5 / 0 / 5 / 6

HEX #E4F0E5

RGB 228 240 229

HSL 125, 0.29%, 0.92%

LAB 93.65, -5.94, 3.93

 

CMYK 5 / 3 / 0 / 6

HEX #E4E9F0

RGB 228 233 240

HSL 215, 0.29%, 0.92%

LAB 92.16, -0.38, -3.98

 

CMYK 0 / 5 / 0 / 6

HEX #F0E4EF

RGB 240 228 239

HSL 305, 0.29%, 0.92%

LAB 91.79, 5.99, -3.89

 

Description

Color code: RGB 240 235 227 | qconv.com Color code: RGB 240 235 227 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 235 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 235 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 5 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 5% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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