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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 240 20 254 it is the complementary color RGB 15 235 1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 240 20 254. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 240 20 254 shade: RGB 245 20 249, RGB 255 38 255, RGB 255 56 255, RGB 255 74 255 and RGB 255 92 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 240 20 254. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 240 20 254 shade: RGB 240 20 254, RGB 223 2 235, RGB 206 0 216, RGB 189 0 197 and RGB 172 0 178

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 240 20 254 shade: RGB 239 21 253, RGB 253 21 205, RGB 253 21 142, RGB 253 21 79 and RGB 253 21 21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 240 20 254 shade: RGB 239 21 253, RGB 177 21 253, RGB 114 21 253, RGB 52 21 253 and RGB 21 21 253

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 240 20 254 shade matches the following richer shades: RGB 239 21 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 240 20 254 shade: RGB 239 21 253, RGB 223 40 234, RGB 206 59 215, RGB 189 78 196 and RGB 173 97 177

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 240 20 254 shade: RGB 114 21 253, RGB 176 21 253, RGB 238 21 253, RGB 253 21 207 and RGB 253 21 145

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 240 20 254 shade: RGB 180 0 191, RGB 219 1 232, RGB 239 21 253, RGB 242 62 254 and RGB 245 103 254

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 240 20 254 shade: RGB 240 20 254, RGB 253 52 21 and RGB 21 253 145

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 240 20 254 shade: RGB 240 20 254, RGB 253 238 21 and RGB 21 253 238

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 240 20 254 shade: RGB 240 20 254, RGB 253 52 21, RGB 37 253 21 and RGB 21 222 253

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 240 20 254 shade: RGB 240 20 254, RGB 253 122 21, RGB 37 253 21 and RGB 21 153 253

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 92 / 0 / 0

HEX #F014FE

RGB 240 20 254

HSL 296.41, 0.99%, 0.54%

LAB 58.21, 94.44, -63.81

 

Complementary color

CMYK 94 / 0 / 100 / 8

HEX #0FEB01

RGB 15 235 1

HSL 116.41, 0.99%, 0.46%

LAB 81.58, -80.49, 78.18

 

CMYK 2 / 92 / 0 / 2

HEX #F514F9

RGB 245 20 249

HSL 298.95, 0.95%, 0.53%

LAB 58.74, 94.5, -60.13

 

CMYK 0 / 85 / 0 / 0

HEX #FF26FF

RGB 255 38 255

HSL 300, 1%, 0.57%

LAB 61.54, 94.66, -58.89

 

CMYK 0 / 78 / 0 / 0

HEX #FF38FF

RGB 255 56 255

HSL 300, 1%, 0.61%

LAB 62.77, 91.08, -56.94

 

CMYK 0 / 71 / 0 / 0

HEX #FF4AFF

RGB 255 74 255

HSL 300, 1%, 0.65%

LAB 64.47, 86.19, -54.23

 

CMYK 0 / 64 / 0 / 0

HEX #FF5CFF

RGB 255 92 255

HSL 300, 1%, 0.68%

LAB 66.62, 80.09, -50.82

 

CMYK 6 / 92 / 0 / 0

HEX #F014FE

RGB 240 20 254

HSL 296.41, 0.99%, 0.54%

LAB 58.21, 94.44, -63.81

 

CMYK 5 / 99 / 0 / 8

HEX #DF02EB

RGB 223 2 235

HSL 296.91, 0.98%, 0.46%

LAB 53.74, 90.39, -60.53

 

CMYK 5 / 100 / 0 / 15

HEX #CE00D8

RGB 206 0 216

HSL 297.22, 1%, 0.42%

LAB 49.59, 85.12, -56.56

 

CMYK 4 / 100 / 0 / 23

HEX #BD00C5

RGB 189 0 197

HSL 297.56, 1%, 0.39%

LAB 45.43, 79.64, -52.45

 

CMYK 3 / 100 / 0 / 30

HEX #AC00B2

RGB 172 0 178

HSL 297.98, 1%, 0.35%

LAB 41.19, 74.05, -48.26

 

CMYK 6 / 92 / 0 / 1

HEX #EF15FD

RGB 239 21 253

HSL 296.38, 0.98%, 0.54%

LAB 58.02, 94.04, -63.57

 

CMYK 0 / 92 / 19 / 1

HEX #FD15CD

RGB 253 21 205

HSL 312.41, 0.98%, 0.54%

LAB 57.87, 89.99, -36.61

 

CMYK 0 / 92 / 44 / 1

HEX #FD158E

RGB 253 21 142

HSL 328.71, 0.98%, 0.54%

LAB 55.45, 83.6, -3.53

 

CMYK 0 / 92 / 69 / 1

HEX #FD154F

RGB 253 21 79

HSL 345, 0.98%, 0.54%

LAB 54.01, 79.64, 32.26

 

CMYK 0 / 92 / 92 / 1

HEX #FD1515

RGB 253 21 21

HSL 0, 0.98%, 0.54%

LAB 53.46, 78.11, 61.46

 

CMYK 6 / 92 / 0 / 1

HEX #EF15FD

RGB 239 21 253

HSL 296.38, 0.98%, 0.54%

LAB 58.02, 94.04, -63.57

 

CMYK 30 / 92 / 0 / 1

HEX #B115FD

RGB 177 21 253

HSL 280.34, 0.98%, 0.54%

LAB 48.23, 85.35, -79.9

 

CMYK 55 / 92 / 0 / 1

HEX #7215FD

RGB 114 21 253

HSL 264.05, 0.98%, 0.54%

LAB 39.92, 79.04, -93.87

 

CMYK 79 / 92 / 0 / 1

HEX #3415FD

RGB 52 21 253

HSL 248.02, 0.98%, 0.54%

LAB 34.72, 75.85, -102.67

 

CMYK 92 / 92 / 0 / 1

HEX #1515FD

RGB 21 21 253

HSL 240, 0.98%, 0.54%

LAB 33.54, 75.24, -104.67

 

CMYK 6 / 92 / 0 / 1

HEX #EF15FD

RGB 239 21 253

HSL 296.38, 0.98%, 0.54%

LAB 58.02, 94.04, -63.57

 

CMYK 6 / 92 / 0 / 1

HEX #EF15FD

RGB 239 21 253

HSL 296.38, 0.98%, 0.54%

LAB 58.02, 94.04, -63.57

 

CMYK 5 / 83 / 0 / 8

HEX #DF28EA

RGB 223 40 234

HSL 296.6, 0.82%, 0.54%

LAB 55.22, 85.69, -57.59

 

CMYK 4 / 73 / 0 / 16

HEX #CE3BD7

RGB 206 59 215

HSL 296.54, 0.66%, 0.54%

LAB 53.12, 74.51, -50.35

 

CMYK 4 / 60 / 0 / 23

HEX #BD4EC4

RGB 189 78 196

HSL 296.44, 0.5%, 0.54%

LAB 52.12, 60.17, -41.21

 

CMYK 2 / 45 / 0 / 31

HEX #AD61B1

RGB 173 97 177

HSL 297, 0.34%, 0.54%

LAB 52.52, 42.98, -29.75

 

CMYK 55 / 92 / 0 / 1

HEX #7215FD

RGB 114 21 253

HSL 264.05, 0.98%, 0.54%

LAB 39.92, 79.04, -93.87

 

CMYK 30 / 92 / 0 / 1

HEX #B015FD

RGB 176 21 253

HSL 280.09, 0.98%, 0.54%

LAB 48.08, 85.22, -80.15

 

CMYK 6 / 92 / 0 / 1

HEX #EE15FD

RGB 238 21 253

HSL 296.12, 0.98%, 0.54%

LAB 57.85, 93.88, -63.85

 

CMYK 0 / 92 / 18 / 1

HEX #FD15CF

RGB 253 21 207

HSL 311.9, 0.98%, 0.54%

LAB 57.96, 90.23, -37.61

 

CMYK 0 / 92 / 43 / 1

HEX #FD1591

RGB 253 21 145

HSL 327.93, 0.98%, 0.54%

LAB 55.55, 83.85, -5.17

 

CMYK 6 / 100 / 0 / 25

HEX #B400BF

RGB 180 0 191

HSL 296.54, 1%, 0.37%

LAB 43.46, 77.31, -52.2

 

CMYK 6 / 100 / 0 / 9

HEX #DB01E8

RGB 219 1 232

HSL 296.62, 0.99%, 0.46%

LAB 52.85, 89.41, -60.3

 

CMYK 6 / 92 / 0 / 1

HEX #EF15FD

RGB 239 21 253

HSL 296.38, 0.98%, 0.54%

LAB 58.02, 94.04, -63.57

 

CMYK 5 / 76 / 0 / 0

HEX #F23EFE

RGB 242 62 254

HSL 296.25, 0.99%, 0.62%

LAB 61.2, 86.97, -59

 

CMYK 4 / 59 / 0 / 0

HEX #F567FE

RGB 245 103 254

HSL 296.42, 0.99%, 0.7%

LAB 66.72, 73.29, -50.2

 

CMYK 6 / 92 / 0 / 0

HEX #F014FE

RGB 240 20 254

HSL 296.41, 0.99%, 0.54%

LAB 58.21, 94.44, -63.81

 

CMYK 0 / 79 / 92 / 1

HEX #FD3415

RGB 253 52 21

HSL 8.02, 0.98%, 0.54%

LAB 55.47, 72.37, 62.71

 

CMYK 92 / 0 / 43 / 1

HEX #15FD91

RGB 21 253 145

HSL 152.07, 0.98%, 0.54%

LAB 88.19, -72.69, 38.04

 

CMYK 6 / 92 / 0 / 0

HEX #F014FE

RGB 240 20 254

HSL 296.41, 0.99%, 0.54%

LAB 58.21, 94.44, -63.81

 

CMYK 0 / 6 / 92 / 1

HEX #FDEE15

RGB 253 238 21

HSL 56.12, 0.98%, 0.54%

LAB 92.61, -14.02, 89.29

 

CMYK 92 / 0 / 6 / 1

HEX #15FDEE

RGB 21 253 238

HSL 176.12, 0.98%, 0.54%

LAB 90.13, -51.51, -6.77

 

CMYK 6 / 92 / 0 / 0

HEX #F014FE

RGB 240 20 254

HSL 296.41, 0.99%, 0.54%

LAB 58.21, 94.44, -63.81

 

CMYK 0 / 79 / 92 / 1

HEX #FD3415

RGB 253 52 21

HSL 8.02, 0.98%, 0.54%

LAB 55.47, 72.37, 62.71

 

CMYK 85 / 0 / 92 / 1

HEX #25FD15

RGB 37 253 21

HSL 115.86, 0.98%, 0.54%

LAB 87.34, -83.58, 81.08

 

CMYK 92 / 12 / 0 / 1

HEX #15DEFD

RGB 21 222 253

HSL 188.02, 0.98%, 0.54%

LAB 81.56, -33.27, -27.54

 

CMYK 6 / 92 / 0 / 0

HEX #F014FE

RGB 240 20 254

HSL 296.41, 0.99%, 0.54%

LAB 58.21, 94.44, -63.81

 

CMYK 0 / 52 / 92 / 1

HEX #FD7A15

RGB 253 122 21

HSL 26.12, 0.98%, 0.54%

LAB 65.64, 45.19, 69.48

 

CMYK 85 / 0 / 92 / 1

HEX #25FD15

RGB 37 253 21

HSL 115.86, 0.98%, 0.54%

LAB 87.34, -83.58, 81.08

 

CMYK 92 / 40 / 0 / 1

HEX #1599FD

RGB 21 153 253

HSL 205.86, 0.98%, 0.54%

LAB 61.68, 3.42, -58.62

 

Description

Color code: RGB 240 20 254 | qconv.com Color code: RGB 240 20 254 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 20 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 20 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 92 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 92% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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